One of the four pillars of good conversation is levity. You needn’t be a comedian, you can but have some funTetra Images, LLC/Alamy Conversation lies at the heart of our relationships – yet many of us find it surprisingly hard to talk to others. We may feel anxious at the thought of making small talk with strangers and struggle to connect with the people who are closest to us. If that sounds familiar, Alison Wood Brooks hopes to help. She is a professor at Harvard Business School, where she teaches an oversubscribed course called “TALK: How to talk gooder in business and life”, and the author of a new book, Talk: The science of conversation and the art of being ourselves. Both offer four key principles for more meaningful exchanges. Conversations are inherently unpredictable, says Wood Brooks, but they follow certain rules – and knowing their architecture makes us more comfortable with what is outside of our control. New Scientist asked her about the best ways to apply this research to our own chats. David Robson: Talking about talking feels quite meta. Do you ever find yourself critiquing your own performance? Alison Wood Brooks: There are so many levels of “meta-ness”. I have often felt like I’m floating over the room, watching conversations unfold, even as I’m involved in them myself. I teach a course at Harvard, and [my students] all get to experience this feeling as well. There can be an uncomfortable period of hypervigilance, but I hope that dissipates over time as they develop better habits. There is a famous quote from Charlie Parker, who was a jazz saxophonist. He said something like, “Practise, practise, practise, and then when you get on stage, let it all go and just wail.” I think that’s my approach to conversation. Even when you’re hyper-aware of conversation dynamics, you have to remember the true delight of being with another human mind, and never lose the magic of being together. Think ahead, but once you’re talking, let it all go and just wail. Reading your book, I learned that a good way to enliven a conversation is to ask someone why they are passionate about what they do. So, where does your passion for conversation come from? I have two answers to this question. One is professional. Early in my professorship at Harvard, I had been studying emotions by exploring how people talk about their feelings and the balance between what we feel inside and how we express that to others. And I realised I just had this deep, profound interest in figuring out how people talk to each other about everything, not just their feelings. We now have scientific tools that allow us to capture conversations and analyse them at large scale. Natural language processing, machine learning, the advent of AI – all this allows us to take huge swathes of transcript data and process it much more efficiently. Receive a weekly dose of discovery in your inbox. Sign up to newsletter The personal answer is that I’m an identical twin, and I spent my whole life, from the moment I opened my newborn eyes, existing next to a person who’s an exact copy of myself. It was like observing myself at very close range, interacting with the world, interacting with other people. I could see when she said and did things well, and I could try to do that myself. And I saw when her jokes failed, or she stumbled over her words – I tried to avoid those mistakes. It was a very fortunate form of feedback that not a lot of people get. And then, as a twin, you’ve got this person sharing a bedroom, sharing all your clothes, going to all the same parties and playing on the same sports teams, so we were just constantly in conversation with each other. You reached this level of shared reality that is so incredible, and I’ve spent the rest of my life trying to help other people get there in their relationships, too. “TALK” cleverly captures your framework for better conversations: topics, asking, levity and kindness. Let’s start at the beginning. How should we decide what to talk about? My first piece of advice is to prepare. Some people do this naturally. They already think about the things that they should talk about with somebody before they see them. They should lean into this habit. Some of my students, however, think it’s crazy. They think preparation will make the conversation seem rigid and forced and overly scripted. But just because you’ve thought ahead about what you might talk about doesn’t mean you have to talk about those things once the conversation is underway. It does mean, however, that you always have an idea waiting for you when you’re not sure what to talk about next. Having just one topic in your back pocket can help you in those anxiety-ridden moments. It makes things more fluent, which is important for establishing a connection. Choosing a topic is not only important at the start of a conversation. We’re constantly making decisions about whether we should stay on one subject, drift to something else or totally shift gears and go somewhere wildly different. Sometimes the topic of conversation is obvious. Even then, knowing when to switch to a new one can be trickyMartin Parr/Magnum Photos What’s your advice when making these decisions? There are three very clear signs that suggest that it’s time to switch topics. The first is longer mutual pauses. The second is more uncomfortable laughter, which we use to fill the space that we would usually fill excitedly with good content. And the third sign is redundancy. Once you start repeating things that have already been said on the topic, it’s a sign that you should move to something else. After an average conversation, most people feel like they’ve covered the right number of topics. But if you ask people after conversations that didn’t go well, they’ll more often say that they didn’t talk about enough things, rather than that they talked about too many things. This suggests that a common mistake is lingering too long on a topic after you’ve squeezed all the juice out of it. The second element of TALK is asking questions. I think a lot of us have heard the advice to ask more questions, yet many people don’t apply it. Why do you think that is? Many years of research have shown that the human mind is remarkably egocentric. Often, we are so focused on our own perspective that we forget to even ask someone else to share what’s in their mind. Another reason is fear. You’re interested in the other person, and you know you should ask them questions, but you’re afraid of being too intrusive, or that you will reveal your own incompetence, because you feel you should know the answer already. What kinds of questions should we be asking – and avoiding? In the book, I talk about the power of follow-up questions that build on anything that your partner has just said. It shows that you heard them, that you care and that you want to know more. Even one follow-up question can springboard us away from shallow talk into something deeper and more meaningful. There are, however, some bad patterns of question asking, such as “boomerasking”. Michael Yeomans [at Imperial College London] and I have a recent paper about this, and oh my gosh, it’s been such fun to study. It’s a play on the word boomerang: it comes back to the person who threw it. If I ask you what you had for breakfast, and you tell me you had Special K and banana, and then I say, “Well, let me tell you about my breakfast, because, boy, was it delicious” – that’s boomerasking. Sometimes it’s a thinly veiled way of bragging or complaining, but sometimes I think people are genuinely interested to hear from their partner, but then the partner’s answer reminds them so much of their own life that they can’t help but start sharing their perspective. In our research, we have found that this makes your partner feel like you weren’t interested in their perspective, so it seems very insincere. Sharing your own perspective is important. It’s okay at some point to bring the conversation back to yourself. But don’t do it so soon that it makes your partner feel like you didn’t hear their answer or care about it. Research by Alison Wood Brooks includes a recent study on “boomerasking”, a pitfall you should avoid to make conversations flowJanelle Bruno What are the benefits of levity? When we think of conversations that haven’t gone well, we often think of moments of hostility, anger or disagreement, but a quiet killer of conversation is boredom. Levity is the antidote. These small moments of sparkle or fizz can pull us back in and make us feel engaged with each other again. Our research has shown that we give status and respect to people who make us feel good, so much so that in a group of people, a person who can land even one appropriate joke is more likely to be voted as the leader. And the joke doesn’t even need to be very funny! It’s the fact that they were confident enough to try it and competent enough to read the room. Do you have any practical steps that people can apply to generate levity, even if they’re not a natural comedian? Levity is not just about being funny. In fact, aiming to be a comedian is not the right goal. When we watch stand-up on Netflix, comedians have rehearsed those jokes and honed them and practised them for a long time, and they’re delivering them in a monologue to an audience. It’s a completely different task from a live conversation. In real dialogue, what everybody is looking for is to feel engaged, and that doesn’t require particularly funny jokes or elaborate stories. When you see opportunities to make it fun or lighten the mood, that’s what you need to grab. It can come through a change to a new, fresh topic, or calling back to things that you talked about earlier in the conversation or earlier in your relationship. These callbacks – which sometimes do refer to something funny – are such a nice way of showing that you’ve listened and remembered. A levity move could also involve giving sincere compliments to other people. When you think nice things, when you admire someone, make sure you say it out loud. This brings us to the last element of TALK: kindness. Why do we so often fail to be as kind as we would like? Wobbles in kindness often come back to our egocentrism. Research shows that we underestimate how much other people’s perspectives differ from our own, and we forget that we have the tools to ask other people directly in conversation for their perspective. Being a kinder conversationalist is about trying to focus on your partner’s perspective and then figuring what they need and helping them to get it. Finally, what is your number one tip for readers to have a better conversation the next time they speak to someone? Every conversation is surprisingly tricky and complex. When things don’t go perfectly, give yourself and others more grace. There will be trips and stumbles and then a little grace can go very, very far. Topics:

All products featured on Architectural Digest are independently selected by our editors. However, we may receive compensation from retailers and/or from purchases of products through these links.Featured in this articleBest Overall Sateen SheetsBoll & Branch Signature Hemmed Sheet SetRead moreFor a Romantic DrapeEttitude CleanBamboo Sheet Set Read moreThe Affordable PickGood Sleep Bedding Egyptian Cotton Sateen SheetsRead moreShow more3 / 8A close cousin to percale and silk, the best sateen sheets offer a happy medium of refinement and softness, all in one durability, and an easy-to-clean fabric.Sateen is known for having a polished appearance because of its lustrous sheen and wrinkle-resistant material. This comes from a tight satin weave that leaves a shiny look without compromising a smooth hand feel. While you can find this bedding in elevated spaces like this vibrant West Village town house thanks to embroidered touches and traditional prints, they’re surprisingly versatile and come in many forms. Here, our editors dive into their favorites for their bedrooms. Since you can find many in higher thread counts though (which we dive into more below), these are durable enough for any room in the house—as seen in this family-friendly getaway.Inside this ArticleBest Overall Sateen Sheets1/8Boll & Branch Signature Hemmed Sheet SetBoll & Branch caught commerce director Rachel Fletcher’s attention when she was browsing for new sheets for a few reasons. One: The brand makes organic and fair trade sheets: Two: She loves a sateen weave, and the retailer mentioned that this set was their bestseller and she wanted to see what the hype was about. “Boll & Branch claims that these cotton sateen sheets are buttery soft, and I definitely agree,” Fletcher says. “That extra-soft feel paired with the lovely, cooling properties make them feel like the luxury sheets that they are.” Along with an earthy color palette (Fletcher has her set in mineral) and thoughtful hem detailing, this set stood out to be our top pick. These do have a higher price point, but as some of the plushest sheets she’s slept on, Fletcher thinks they’re worth it.Specs:Material: 100% organic cottonThread count: N/ASizes: Twin, Twin XL, Full, Queen, King, King With Std. Cases, California King, Split KingColors: 18 colors; 8 printsUpsides & DownsidesUpsidesSustainable materialBreathableOrganic colorwaysDownsidesExpensiveFor a Romantic DrapePhoto: Yelena Moroz AlpertPhoto: Yelena Moroz Alpert2/8Ettitude CleanBamboo Sheet Set “These sheets are buttery—pun intended,” says senior commerce editor Nashia Baker, who has the set in the butter yellow hue and loves the fabric’s delicate yet durable feel. Contributor Yelena Moroz Alpert also has this set and says that the cooling lyocell fabric set takes the bamboo sheets category up a notch. “Somehow they feel substantial but incredibly light and smooth,” she says of this splurge-worthy set. “The site says that the silky-soft sateen weave is comparable to 1,000 thread count cotton—and I believe it. I’ve never touched a baby alpaca, but I imagine that it’s as soft as these sheets.”Specs:Material: 100% CleanBamboo lyocellThread count: 1,000 thread countSizes: Twin, Twin XL, Full, Queen, King, California KingColors: 8Upsides & DownsidesUpsidesPearly appearanceLightweightUltra softDownsidesPriceyThe Affordable Pick3/8Good Sleep Bedding Egyptian Cotton Sateen SheetsDon’t overlook the best Amazon sheets for high-end sateen bedding. Contributor Erika Owen says these are a great option: “After a single night, they became my favorite set, and a few more nights and a wash only locked in this opinion.” She says they’re sumptuous, cool, and durable—and their quality (think texture, weight, and comfort) hasn’t changed after many rounds through the washer and dryer. “I would buy these as a gift for my best friend, if that tells you anything about how much I recommend these,” says Owen. “There’s nothing better than feeling really good as you hit the hay—who doesn’t want a luxury bed situation—and I felt that way every time I dug into these silky sheets. Let it also be known that I’m no stranger to night sweats and these kept me cool every single night.” The finishing touches are the deep pockets and sturdy elastic on the fitted sheet to fit a grand mattress.Specs:Material: 100% Egyptian cottonThread count: 1,000 thread countSizes: Twin, Twin XL, Full, Queen, King, California King, Split KingColors: 13Upsides & DownsidesUpsidesHigher thread countCoolingSturdy after several washesDownsidesSome shoppers found the fabric weightyA Vibrant Print4/8Rifle Paper Co. Peacock Sateen Bed Sheet SetThese are some of the softest bed sheets out there, just take it from Alpert. Not only are they comfortable to sink into night after night thanks to the plush 300 thread count, but they also veer away from traditional patterns and solid colorways. “I was originally drawn to the peacock print because it is just so whimsical and livens up my guest bedroom,” Alpert says. “But these are also buttery soft. Maybe too soft—my guests never want to leave.” If it wasn’t for the true-to-Rifle print, she would mistake these for hotel sheets because of their supple feel.Specs:Material: 100% combed cotton sateenThread count: 300 thread countSizes: Twin, Full, Queen, KingColors: 3Upsides & DownsidesUpsidesUnique patternsSuppleAiry materialDownsidesNot as ideal for minimalistsClassic Core Set5/8Brooklinen Luxe Sateen Core Sheet SetIf you want sheets with unparalleled quality, durability, and softness that gets better with every wash, multiple AD staff members say you can’t go wrong with these Brooklinen sheets. Fletcher shares that this sateen set is “super classic, smooth, and has a crisp feel.” Sleepers with sensitive skin will also be happy to know that they’re “not at all scratchy or harsh on my skin, like some of the less expensive options I’ve tried in the past,” Fletcher adds.Specs:Material: 100% long-staple cottonThread count: 480 thread countSizes: Twin, Twin XL, Full, Queen, King, California KingColors: 22Upsides & DownsidesUpsidesStructured fabric like a press shirtWrinkle-free designAffordableDownsidesLimited-edition colors sell out fastMore AD-Approved Sateen Sheets6/8Hill House Home Fitted Sheet“For a $100 top sheet and $125 fitted sheet, I truly didn’t know what to expect from a brand as new to the decor game as Hill House Home, but was delightfully surprised at the quality and attention to detail that was put into making these products,” contributor Katarina Kovac says of these Hill House Home sheets.“I wanted something that was crisp yet elevated, and the colored trim in the Savile Sheets was my answer.” Since she’s had her fair share of sheets that have a sandpaper-like texture, she paid close attention to how well these felt after the first wash. To her delight, these “felt soft, velvety, and breathable against my skin, leaving me truly struggling to get out of bed in the morning.”Specs:Material: 100% brushed cotton sateenThread count: N/ASizes: Twin, Full, Queen, King, California KingColors: 6Upsides & DownsidesUpsidesTraditional printsLushSmooth feelThoughtful trimDownsidesFlat sheet, fitted sheet, and pillowcases are sold separately7/8Homebird Sateen Fitted Sheets (Set of 3)Fletcher loves an ethically made, slippery sateen weave, and it took just one night of sleep to be sold on this Homebird set. “They’re very high quality and everything you want in a sateen sheet: incredibly soft to the touch and slightly silky, with a sturdiness to them that you can tell is the result of a high thread count,” she says. “They fit my bed perfectly and also have the most useful feature that, in my opinion, every set of sheets ever made should have: a long-side and short-side label.”Specs:Material: 100% GOTS-certified, long-staple organic cottonThread count: 300 thread countSizes: Full, Queen, KingColors: 7Upsides & DownsidesUpsidesSilky smoothHelpful labels to make the bedDeep pocketsDownsidesOnly available in muted tones

Casa Morena | © Fernando Guerra / FG+SG In the coastal enclave of Lagos, Portugal, Mário Martins Atelier has crafted Casa Morena. This residence quietly asserts itself as an ode to the dialogue between architecture and its natural setting. Completed in 2024, this project demonstrates a considered response to its environment, where the interplay of light, material, and landscape defines a sense of place rather than architectural imposition. Casa Morena Technical Information Architects1-5: Mário Martins Atelier Location: Lagos, Portugal Project Years: 2024 Photographs: © Fernando Guerra / FG+SG A simple house, one that wishes to be discreet and to be influenced by its location, to become a house that is pleasant with thoughtful landscaping. – Mário Martins Atelier Casa Morena Photographs © Fernando Guerra / FG+SG © Fernando Guerra / FG+SG © Fernando Guerra / FG+SG © Fernando Guerra / FG+SG © Fernando Guerra / FG+SG © Fernando Guerra / FG+SG © Fernando Guerra / FG+SG © Fernando Guerra / FG+SG © Fernando Guerra / FG+SG © Fernando Guerra / FG+SG A Contextual Response to Landscape and Light The design of Casa Morena finds its genesis in the site itself, a pine-scented plot overlooking the expanse of a bay. The pine trees, longstanding witnesses to the landscape’s evolution, provide the project’s visual anchor and spatial logic. In a move that both respects and celebrates these natural elements, Mário Martins Atelier structured the house’s reticulated plan to echo the presence of the trees, creating a composition that unfolds as a series of volumes harmonizing with the vertical rhythm of the trunks. The solid base of the house, built from locally sourced schist, emerges directly from the terrain. These robust walls establish a tactile continuity with the ground, their rough textures anchoring the architecture within the landscape. In contrast, the upper volumes of the house adopt a distinctly lighter expression: horizontal planes rendered in white plaster, their smooth surfaces catching and refracting the region’s luminous sun. This duality, earthbound solidity, and aerial lightness establish an architectural narrative rooted in the elemental. Casa Morena Experiential Flow Casa Morena’s spatial arrangement articulates a clear hierarchy of public and private domains. On the ground floor, the house embraces openness and transparency. An expansive entrance hall blurs the threshold inside and out, guiding inhabitants and visitors into a luminous social heart. The lounge, kitchen, and office flow seamlessly into the garden, unified by a continuous glazed façade that invites the outside in. This deliberate porosity extends to a covered terrace, an intermediary space that dissolves the boundary between shelter and exposure. The terrace, framed by the garden’s green canopy and the swimming pool’s long line, becomes a place of repose and contemplation. The pool itself demarcates the transition from a cultivated garden to the looser, more rugged landscape beyond, its linear form echoing the horizon’s expanse. Ascending to the upper floor, the architectural language shifts towards intimacy. The bedrooms, each with direct access to terraces and patios, create secluded zones that still maintain a fluid relationship with the outdoors. A discreet rooftop terrace, accessible from these private quarters, offers a hidden sanctuary where the interplay of views and light remains uninterrupted. Material Tectonics and Environmental Strategy Casa Morena’s material palette is rooted in regional specificity and tactile sensibility. Schist, extracted from the site, is not merely a structural element but a narrative thread linking the building to its geological past. Its earthy warmth and rugged surface provide a counterpoint to the luminous white of the upper volumes, an articulation of contrast that enlivens the building’s silhouette. White, the chromatic signature of the Algarve region, is employed with restraint and nuance. Its reflective qualities intensify the play of shadow and light, a dynamic that shifts with the passing of the day. In this interplay, architecture becomes an instrument for registering the ephemeral, and the environment itself becomes a participant in the spatial drama. Environmental stewardship is also woven into the project’s DNA. Discreetly integrated systems on the roof harness solar energy and manage water resources, extending the house’s commitment to a sustainable coexistence with its setting. Casa Morena Plans Basement | © Mario Martins Atelier Ground Level | © Mario Martins Atelier Upper Level | © Mario Martins Atelier Roof Plan | © Mario Martins Atelier Elevations | © Mario Martins Atelier Casa Morena Image Gallery About Mário Martins Atelier Mário Martins Atelier is an architectural studio based in Lagos and Lisbon, Portugal, led by Mário Martins. The practice is known for its context-sensitive approach, crafting contemporary projects seamlessly integrating with their surroundings while prioritizing regional materials and environmental considerations. Credits and Additional Notes Lead Architect: Mário Martins, arq. Project Team: Nuno Colaço, Sónia Fialho, Susana Jóia, Mariana Franco, Ana Graça Engineering: Nuno Grave Engenharia Landscape: HB-Hipolito Bettencourt – Arquitectura Paisagista, Lda. Building Contractor: Marques Antunes Engenharia Lda.

Max Towers / Max DudlerSave this picture!© Stefan MüllerResidential Architecture, Residential•Aesch, Switzerland Architects: Max Dudler Area Area of this architecture project Area:  26500 m² Year Completion year of this architecture project Year:  2024 Photographs Photographs:Stefan MüllerMore SpecsLess Specs Save this picture! Text description provided by the architects. The two Max Towers are the centerpiece of the residential and commercial quarter Aere, taking shape in the former industrial district of Stöcklin, which spreads between Reinach and Aesch south of Basel. The tower volumes, roughly 40 meters high, are striking for the continuous balconies that surround each level over a recessed ground floor. The girdle of balconies merges the urban flair of high-rise living with the qualities of generous garden space associated with a family house.Save this picture!Save this picture!Save this picture!The tectonic arrangement is completed on the outside by a mantle of solid columns with cornices integrated into monolithic ceilings. The inner façade behind these constitutes a second skin, benefiting from greater liberty as it steps forward and back to generate an efficient footprint. This meandering balcony zone enlivens the relationship between indoors and outdoors while serving as a filter and as a layer of flexible space.Save this picture!Save this picture!The entrance hallways in Tower 2 create an arrival zone and link the public space outside with the central garden that forms an open yet shielded hub for the new quarter.Save this picture! Project gallerySee allShow less Project locationAddress:Aesch, SwitzerlandLocation to be used only as a reference. It could indicate city/country but not exact address.About this officeMax DudlerOffice••• MaterialsMaterials and TagsPublished on June 06, 2025Cite: "Max Towers / Max Dudler" 06 Jun 2025. ArchDaily. Accessed . <https://www.archdaily.com/1030845/max-towers-max-dudler&gt ISSN 0719-8884Save世界上最受欢迎的建筑网站现已推出你的母语版本!想浏览ArchDaily中国吗?是否 You've started following your first account!Did you know?You'll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my stream

North Carolina-based contract furniture company Here Now introduces Tate, a new modular seating system produced to support users’ well-being in public spaces. “Tate was conceptualized during the pandemic when I was thinking about social distancing,” says Justin Champaign, founder and creative partner. The idea sat on the shelf as the team focused on other projects, but Champaign decided to revisit Tate when clients noted that privacy and wellness were key concerns. He looked at a variety of public spaces and was particularly inspired by the High Line. Built on an elevated rail line, this Manhattan park has more than 230 benches and seating areas. With plenty of space on each, two people will usually sit on opposite ends, which offers a sense of connection while still maintaining a level of personal comfort. Tate provides the same kind of form and function for indoor environments, from offices to hospitality spaces. Tate is a designer’s kit of parts that includes cushions, base beams, and tables that snap together for quick assembly – no tools required. A patent-pending pivot connector allows clients to link, rotate, or reconfigure pieces with ease. There’s no limit to how Tate can be combined or joined. A student might perch on an ottoman in a lecture hall, or colleagues gather on two-seaters mixed and matched in a collaboration zone. Designed with ergonomics in mind, the seating supports various postures, while seat pads that swivel keep bodies in motion during the day. Modular furniture is popular, but typical lounges are often bulky and have too many parts. Tate’s compact footprint allows it to fit in any space or even curve around columns. Units placed back-to-back are suitable for minimal interaction, and small-group brainstorming sessions are enlivened with side-to-side pairings. Made of a plastic frame and foam, the components are not only lightweight, they can also be fully recycled and disassembled. Specifiers may select modules with a high back, low back, or a more casual no-back style. These backs are lower than typical dividers, stopping slightly forward of shoulder height. Individuals are able to view their surroundings without obstruction, which creates a feeling of emotional security. Tate is reminiscent of a picnic table, with benches and a surface in the center. In this updated version, as elements are extended more space is available, accessible to wheelchair users and others with physical limitations. Tate made its official debut at ICFF in New York City last week, winner of an NYCxDESIGN award in the contract lounge seating category. Displayed in a yellow fur upholstery at the show, a complete range of Kvadrat fabrics is on offer via Here Now’s new graded-in textile program. It’s no surprise that Tate is already generating buzz, with its blend of versatility and fun. “When you do the unexpected with furniture like Tate, it creates moments of delight,” Champaign notes. “That can seem like a small thing, but it has so much impact.” For more information on Here Now, visit herenowdesign.com. Imagery courtesy of Here Now.

In the centre of the building, a ceremonial room is a calming space that invites community meetings and healing.   TEXT Elsa Lam PHOTOS doublespace photography Fifty years ago, four grandmothers founded the organization Anduhyaun—Ojibwe for “Our Home”—to respond to the needs of the city’s Indigenous women. The organization used a city-owned heritage house in the Annex to offer shelter to women and children suffering from the traumas of violence and homelessness. Last year, they moved to a building designed by LGA Architectural Partners.  The architects took the organization’s name to heart, aiming to provide not just basic shelter, but a place of nurture and grounding. The organization’s long-time executive director, Blanche Meawassige, told the designers that the building needed to feel like it was alive. “From Blanche, we understood that a shelter is a place where rehabilitation—growth and healing—begins,” says architect Brock James, partner at LGA. “Yes, it’s a roof over your head and safety, but it’s also where that spiritual part starts; it has to be about growth and life.” A curved ceiling-to-wall transition brings a unique quality to the bedrooms This thinking shows in the bedrooms, 16 of which are compact, single-occupancy rooms and two of which are designed for families with up to three kids. (Some rooms can also be interconnected, to accommodate larger families or to provide a physical link between friends.) Each room has its own bathroom, a wooden desk, adjustable lighting, and a curved ceiling-to-wall transition that reflects daylight through the space. The curve, says James, “makes the room very ‘here’. It’s only here. It’s not generic.” Curved, tiled walls define the circulation areas on the ground floor Curves recur on the main floor, where seafoam-coloured tiles sweep along flowing walls, adding to the building’s sense of aliveness and alluding to Indigenous teachings about water. The curves lead to a large communal kitchen and a central ceremonial space, currently known as Nookomis, or “grandmother.” The interior of Nookomis, the building’s main ceremonial space Many details illustrate LGA’s commitment to creating specialness with economical means. Nookomis, for instance, is clad with cedar shingles that came in pre-cut profiles. (“It’s just a matter of coming up with a pattern, which I did in my living room during the pandemic,” says James.) The burgundy walls of Nookomis’s interior are made, in part, with a simple foam in a custom colour. (“It’s a straightforward product that’s not good if you were touching it—but up high, controlling the sound, it works.”) A skylight caps the space, like a full moon casting a soft glow from above. Meawassige originally asked for the outside of the building to be anonymous, but later decided that the Indigeneity of the interior should be expressed outside, too. The architects created a design with a similarly elevated attention to detail. They achieved a high level of airtightness in the envelope, and composed a façade made out of standard Vicwest metal, applied in a pattern that ensures that the 300-mm width of the panels would stay intact, with no cuts.   “Good design, an elevated section, beautiful tiles: it’s things like that that makes it feel like somebody cares,” says James. “When I think about aesthetics, we can have lots of stories about them, but I know that it’s communicating that Anduhyaun cares. This is their building, and it’s emoting that they care.”  As appeared in the June 2025 issue of Canadian Architect magazine  The post Our Home, Toronto, Ontario appeared first on Canadian Architect.

View of the south façade before construction of a new residential project that now conceals Le Christin from Boulevard René Lévesque. PROJECT Le Christin, Montreal, Quebec ARCHITECT Atelier Big City PHOTOS James Brittain   PROJECT Les Studios du PAS, Montreal, Quebec ARCHITECT L. McComber in collaboration with Inform  PHOTOS Ulysse Lemerise   Nighttime, April 15, 2025. A thousand volunteers are gathering in Montreal, part of a province-wide effort to try and put numbers on a growing phenomenon in cities like Vancouver, Calgary, Toronto, and many others. The volunteers are getting ready to walk around targeted areas in downtown Montreal and around certain subway stations. Temporary shelters are also visited. First conducted in the spring of 2018, this survey showed that 3,149 people were in a vulnerable situation at the time. Four years later, a similar effort revealed that Montreal’s homeless population had risen to 4,690 people—and that there were some 10,000 people experiencing homelessness in the whole of the province. The 2025 numbers are expected to be significantly higher. For the organizers, this one-night snapshot of the situation is “neither perfect nor complete.” However, for nonprofit organizations and governmental bodies eager to prevent a vulnerable population from ending up on the streets, the informal census does provide highly valuable information.  Two recent initiatives—very different from one another—offer inspiring answers. The most recent one, Le Christin, was designed by Atelier Big City (led by architects Anne Cormier, Randy Cohen, and Howard Davies) and inaugurated in 2024. Studios du PAS, on the other hand, was designed by Montreal firm L. McComber, and welcomed its first tenants in 2022. Both projects involved long-standing charities: the 148-year-old Accueil Bonneau, in the case of Le Christin, and the 136-year-old Mission Old Brewery for Studios du PAS. Le Christin was spearheaded, and mostly financed, by the Société d’habitation et de développement de Montréal (SHDM), a non-profit, para-municipal corporation created in 1988. Studios du PAS was first selected by the City of Montreal to be built thanks to the Rapid Housing Initiative (RHI) program run by the Canada Mortgage and Housing Corporation (CMHC). Le Christin also received a financial contribution from the CMHC towards the end of the process. Boldly coloured blind walls signal the presence of Le Christin in the center of a densely occupied city block, with entrance to the left along Sanguinet Stree. Le Christin Although sited in a very central location, near the buzzing St. Catherine and St. Denis streets, Le Christin is hard to find. And even when one suddenly spots two seven-storey-high walls, coloured lemon-zest yellow and mango orange, it’s difficult to figure out what they are about. A stroll along the tiny Christin Street finally reveals the front façade of this new facility, now home to some of Montreal’s most vulnerable citizens.  View of Le Christin’s modulated front façade. Galvanized steel panels at ground level add a soft touch while protecting the building from potential damage caused by snow plows. Le Christin is unique for a number of reasons. First among them is its highly unusual location—at the centre of a dense city block otherwise occupied by university buildings, office towers, and condo blocks. Until a few years ago, the site was home to the four-storey Appartements Le Riga. The Art Deco-style building had been built in 1914 by developer-architect Joseph-Arthur Godin, who was a pioneer in his own right: he was one of the first in Montreal to experiment with reinforced concrete structures, a novelty in the city at the time. A century later, Le Riga, by then the property of SHDM, was in serious need of repair. Plans had already been drafted for a complete renovation of the building when a thorough investigation revealed major structural problems. Tenants had to leave on short notice and were temporarily relocated; the building was eventually demolished in 2019. By that time, Atelier Big City had been mandated to design a contemporary building that would replace Le Riga and provide a “place of one’s own” to close to 150 tenants, formerly homeless or at risk of becoming so.    Le Christin – Site Plan and Ground Floor Plan The entire operation sparked controversy, particularly as Le Christin started to rise, showing no sign of nostalgia. The architects’ daring approach was difficult to fathom—particularly for those who believe social housing should keep a low profile.  The program, originally meant for a clientele of single men, gradually evolved to include women. In order to reflect societal trends, the architects were asked to design 24 slightly larger units located in the building’s east wing, separated from the rest of the units by secured doors. Thus, Le Christin is able to accommodate homeless couples or close friends, as well as students and immigrants in need. A tenants-only courtyard is inserted in the south façade. In order to provide the maximum number of units requested by SHDM, each of the 90 studios was reduced to 230 square feet—an adjustment from Atelier Big City’s initial, slightly more generous plans. In a clever move, an L-shaped kitchen hugs the corner of each unit, pushing out against the exterior wall. As a result, the window openings recede from the façade, creating a sense of intimacy for the tenants, who enjoy contact with the exterior through large windows protected by quiet Juliet balconies. Far from damaging the initial design, the added constraint of tightened units allowed the architects to modulate the building’s façades, creating an even stronger statement. On the unit levels, corridors include large openings along the south façade. Each floor is colour-coded to enliven the space; overhead, perforated metal plates conceal the mechanical systems. An extra floor was gained thanks to the decision to expose the various plumbing, electrical, and ventilation systems. Well-lit meeting rooms and common areas are found near Le Christin’s front entrance, along with offices for personnel, who are present on the premises 24 hours a day. Apart from a small terrace above the entrance, the main exterior space is a yard which literally cuts into the building’s back façade. This has a huge impact on the interiors at all levels: corridors are generously lit with sunlight, a concept market developers would be well advised to imitate. The adjacent exit stairs are also notable, with their careful detailing and the presence of glazed openings.  The fire stairs, which open onto the exterior yard at ground level, feature glazing that allows for ample natural light. Le Christin has achieved the lofty goal articulated by SHDM’s former director, architect Nancy Schoiry: “With this project, we wanted to innovate and demonstrate that it was possible to provide quality housing for those at risk of homelessness.” The low-slung Studios du PAS aligns with neighbourhood two-storey buildings. Studios du PAS In sharp contrast with Le Christin’s surroundings, the impression one gets approaching Studios du PAS, 14 kilometres east of downtown Montreal, is that of a small town. In this mostly low-scale neighbourhood, L. McComber architects adopted a respectful, subdued approach—blending in, rather than standing out.  The project uses a pared-down palette of terracotta tile, wood, and galvanized steel. The footbridge links the upper level to shared exterior spaces. The financing for this small building, planned for individuals aged 55 or older experiencing or at risk of homelessness, was tied to a highly demanding schedule. The project had to be designed, built, and occupied within 18 months: an “almost impossible” challenge, according to principal architect Laurent McComber. From the very start, prefabrication was favoured over more traditional construction methods. And even though substantial work had to be done on-site—including the installation of the roof, electrical and mechanical systems, as well as exterior and interior finishes—the partially prefabricated components did contribute to keeping costs under control and meeting the 18-month design-to-delivery deadline. Les Studios du PAS The building was divided into 20 identical modules, each fourteen feet wide—the maximum width allowable on the road. Half the modules were installed at ground level. One of these, positioned nearest the street entrance, serves as a community room directly connected to a small office for the use of a social worker, allowing staff to follow up regularly with tenants. Flooded with natural light, the double-height lobby provides a friendly and inclusive welcome. The ground level studios were designed so they could be adapted to accommodate accessibility needs. Some of the ground floor units were adapted to meet the needs of those with a physical disability; the other units were designed to be easily adaptable if needed. All studio apartments, slightly under 300 square feet, include a full bathroom, a minimal kitchen, and sizeable storage space hidden behind cabinet doors. Most of the apartments include a small exterior alcove, which provides an intimate outdoor space while creating a subtle rhythm along the front façade. Inside the studio units, storage cupboards for clothes and belongings were added as an extension of the kitchen wall. Conscious of the tradition of brick residential buildings in Montreal, yet wanting to explore alternate materials, the architects selected an earth-toned terracotta tile from Germany. The 299mm x 1500mm tiles are clipped to the façade, allowing for faster installation and easier maintenance. All units enjoy triple-glazed windows and particularly well insulated walls. A high-performance heat pump was installed to lower energy demand—and costs—for heating and cooling needs. Wood siding was used to soften the upper-level balconies, which provide protected outdoor spaces for residents.   Pride and Dignity Le Christin and Les Studios du PAS have little in common—except, of course, their program. Architecturally speaking, each represents an interesting solution to the problem at hand. While Le Christin is a high-spirited, flamboyant statement, Studios du PAS is to be praised for its respectful attitude, and for the architects’ relentless search for interesting alternatives to traditional construction norms. Atelier Big City is one of few firms in Canada that has the guts—and the talent—to play with bold colours. Decades of experimentation (not just with public buildings, but also within their own homes), led up to Le Christin, which is perhaps their strongest building to date. Their judicious choices of colour, brick type, and materials transmit a message of pride and dignity. Both projects demonstrate enormous respect and generosity to their residents: they provide architecture that treats them not as an underclass, but as regular people, who need the stability of dignified housing to start rebuilding their lives. Odile Hénault is a contributing editor to Canadian Architect.   Le Christin CLIENT Société d’habitation et de développement de Montréal (SHDM) | ARCHITECT TEAM Anne Cormier, Randy Cohen, Howard Davies, Fannie Yockell, Gabriel Tessier, Sébastien St-Laurent, Lisa Vo | STRUCTURAL DPHV | MECHANICAL/ELECTRICAL BPA | CIVIL Genexco | LIGHTING CS Design | AREA 4,115 m2 | Construction BUDGET $18.9 M | COMPLETION November 2023   Les Studios du PAS  CLIENT PAS de la rue | ARCHITECT TEAM L. McComber—Laurent McComber, Olivier Lord, Jérôme Lemieux, Josianne Ouellet-Daudelin, Laurent McComber. Inform—David Grenier, Élisabeth Provost, Amélie Tremblay, David Grenier | PROJECT MANAGEMENT Groupe CDH | STRUCTURAL Douglas Consultants | MECHANICAL/ELECTRICAL Martin Roy & associés | CIVIL Gravitaire | CONTRACTOR Gestion Étoc | AREA 1,035 m2 | BUDGET $3.4 M | COMPLETION September 2022 As appeared in the June 2025 issue of Canadian Architect magazine The post A Place to Call Home: Le Christin and Les Studios du PAS, Montreal, Quebec appeared first on Canadian Architect.

Some designers are lucky to find projects with excellent beginnings. That was Jessica Helgerson's experience when the Oregon and Paris-based designer, who launched a line of flatweave rugs this month, began a recent gut renovation for a family of five in Portland.With views of the Willamette River and the peak of Mount Hood, the early 1900s home was designed by famed Northwest architect Wade Pipes, who spread a style of architecture across the area that emphasized natural materials, known as Arts and Crafts residential architecture.Aaron LeitzHelgerson added the breakfast nook to the original footprint of the house. The artwork (left) by Miró served as the reference for the colors of the ceiling and banquette. Helgerson, who describes her design approach as “responsive,” expanded Pipes’ original design by building a new three-car garage and converting the existing one into a mudroom and laundry room. She also added a breakfast nook to the kitchen. The clients brought their museum-worthy collection of art into the home, including an extensive collection of over 30 pieces by Alexander Calder, Joan Miró, and Pablo Picasso. Those works were the inspiration for the design that followed.“I wanted the art to settle in and not fight with the space, but feel held by it," Helgerson said, describing the project as an opportunity to discover how to include the art in a manner that felt intentional but "didn’t dominate the whole thing."Aaron LeitzIn the attic bedroom, Helgerson opened up the ceiling, taking it to its peak, and designed the metal beams for structural support. The beds are antique. To accomplish that goal, Helgerson pulled the primary colors from the bold artworks and carried that scheme throughout the house. Walking through the front door, you're greeted by Benjamin Moore’s Evening Dove, a gray-blue shade that makes a welcoming statement. The blue theme continues into the dining room and bar area with Farrow & Ball’s Stiffkey Blue, a more muted blue, accented by Calder’s Windmill and 2 Suns artworks. In the living room, she planned the room renovation around the placement of Miró's Sur Quatre Murs, a focal point above the fireplace mantle. Soft blue sisal by Holland & Sherry covers the walls and acts as a backdrop to the Calders dotted around the room. The dark stained fir walls in the family room are livened up with a colorful Miró. And, a bifold panel above the mantel strategically hides the television so that the room can function as both a place to unwind and to entertain guests.The kitchen breakfast nook and cabinets mirror the blue and muted red in Miro’s Constellations Pochoir, which hangs "I love the design puzzle and how to solve it in a way that feels nice and authentic," Helgerson said. Take A Look Inside This Portland, Oregon House

These annual rankings were last updated on May 30, 2025. Want to see your firm on next year’s list? Continue reading for more on how you can improve your studio’s ranking. Ireland’s architecture is a rich tapestry of vernacular craft, foreign architecture, and, most importantly, good ol’ grit. Like any nation, Ireland’s complex history is easily contextualized through its urban makeup. Dublin and Cork, for example contain a wealth of Georgian and Victorian structures that directly speak to the republic’s past ties to Britain through churches, libraries and courthouses. In the 20th century, Irish designers turned to modernism and other international trends, this time on their own terms. Art Deco, Brutalism and sleek Modern structures began to appear around the country, generating an architectural expression to mirror the republic’s newfound independence. Ireland’s traditional architecture — specifically the thatched cottage — was again made popular by tourists seeking a quintessential ‘Irish experience.’ Today’s designers continuously engage with discourse surrounding nationalism. What is the quintessential ‘Irish experience’, and how does it inform today’s architecture? With a built environment rooted in pluralism, Irish architects have an incredible opportunity to recreate and rectify an architectural language that best represents today’s Irish folk. With so many architecture firms to choose from, it’s challenging for clients to identify the industry leaders that will be an ideal fit for their project needs. Fortunately, Architizer is able to provide guidance on the top design firms in Ireland based on more than a decade of data and industry knowledge. How are these architecture firms ranked? The following ranking has been created according to key statistics that demonstrate each firm’s level of architectural excellence. The following metrics have been accumulated to establish each architecture firm’s ranking, in order of priority: The number of A+Awards won (2013 to 2025) The number of A+Awards finalists (2013 to 2025) The number of projects selected as “Project of the Day” (2009 to 2025) The number of projects selected as “Featured Project” (2009 to 2025) The number of projects uploaded to Architizer (2009 to 2025) Each of these metrics is explained in more detail at the foot of this article. This ranking list will be updated annually, taking into account new achievements of Ireland architecture firms throughout the year. Without further ado, here are the 30 best architecture firms in Ireland: 30. Hussey Architects © Hussey Architects Hussey Architects was established in 2009 in Dublin. The practice has grown from working on small domestic projects then to large healthcare, housing and hospitality projects now. We are a small practice with experience completing large projects. Over the past decade we have completed seven Primary Care Centres, two hotels, a nursing home, ten masterplans and over one hundred houses. Our focus is on designing simple economical buildings that respect their context. Our style has evolved from our more angular early buildings and projects to a more classical simple architectural language in traditional materials. Some of Hussey Architects’ most prominent projects include: National Leprechaun Museum Cafe The Hendrick, Dublin, Ireland Navan Road Primary Care Centre, Dublin, Ireland Celbridge Primary Care Centre, Celbridge, Ireland Balbriggan Primary Care Centre, Balbriggan, Ireland The following statistics helped Hussey Architects achieve 30th place in the 30 Best Architecture Firms in Ireland: Total Projects 14 29. Donaghy & Dimond Architects © Donaghy & Dimond Architects Based in Dublin, Donaghy + Dimond Architects was established in 2001 by Marcus Donaghy and Will Dimond, two architects with extensive experience of working on urban and rural design projects in Ireland and abroad. The practice has developed a reputation for high-quality, innovative and sustainable design, and has been selected for numerous national and international awards for completed projects. Their work has been published and exhibited in Ireland, Europe and the USA. Some of Donaghy & Dimond Architects’ most prominent projects include: Laneway Wall Garden House, Dublin, Ireland The following statistics helped Donaghy & Dimond Architects achieve 29th place in the 30 Best Architecture Firms in Ireland: Featured Projects 1 Total Projects 1 28. ABK Architects © ABK Architects Established in 1961, ABK Architects is a design-led practice with an international reputation for the delivery of buildings of the highest quality. It is renowned for its work in many fields including master-planning, education, healthcare, housing and the arts. The practice offers skills in architecture and related fields such as urban design and planning, interior and furniture design and is one of the leading exponents of sustainability in the field of architecture. Implicit in the work of ABK is a search for quality, which concerns the character and atmosphere of spaces and a sense of place. Each building proposal is a unique response, integrating the general and the particular into a coherent whole. Some of ABK Architects’ most prominent projects include: Roscommon Civic Offices, Roscommon, Ireland The following statistics helped ABK Architects achieve 28th place in the 30 Best Architecture Firms in Ireland: Featured Projects 1 Total Projects 1 27. de Siún Scullion Architects © de Siún Scullion Architects We are a new Dublin-based Architecture practice offering a broad range of experience and specialist expertise in high quality, innovative and sustainable design to both public and private sector clients Some of de Siún Scullion Architects’ most prominent projects include: 5Cube, Dublin, Ireland The following statistics helped de Siún Scullion Architects achieve 27th place in the 30 Best Architecture Firms in Ireland: Featured Projects 1 Total Projects 1 26. TAKA architects © TAKA architects TAKA is an architectural practice based in Dublin, Ireland. Our practice is focused on creating buildings, places and moments which have a distinct character. Our approach involves a careful and economic approach to materials and construction and a first-principles approach to sustainability. We collaborate closely with clients, professional consultants, and expert makers to ensure the ambitions of projects are met and exceeded. A continuing level of excellence in the built work of the practice is recognized by multiple national and international awards and worldwide publication. Some of TAKA architects’ most prominent projects include: Merrion Cricket Club, Dublin, Ireland The following statistics helped TAKA architects achieve 26th place in the 30 Best Architecture Firms in Ireland: Featured Projects 1 Total Projects 1 25. NOJI Architects © NOJI NOJI Architects are a practice based in Sligo Town working on individual and collaborative projects throughout Ireland. NOJI architects have been in existence for 4 years, now with two staff and the principle architect being John Monahan. The practice has been primarily involved with residential work ranging from renovation extensions of period properties to one off houses and the possibility of community level buildings in the near future. In parallel to the mainly residential work there is an emphasis on the smaller scale design projects allowing an artistic expression and shorter build fruition periods. NOJI architects aim to have craft and innovative design solutions at the core of their work. Some of NOJI Architects’ most prominent projects include: Scale of Ply, Dublin, Ireland The following statistics helped NOJI achieve 25th place in the 30 Best Architecture Firms in Ireland: Featured Projects 1 Total Projects 1 24. Carr Cotter Naessens Architects © Dennis Gilbert, VIEW Box Architecture was created in 1997. Since conception, the company has been established as a leading design practice in the nation. Quality has remained the focus of Box throughout and this has been employed to a variety of projects including urban schemes, apartment units, award-winning private commissions, corporate offices, crèches and housing developments. The success of Box Architecture is achieved through a personal approach to understand client needs. With a hands-on approach, technical expertise, creative execution and a commitment to continued education, the company applies a philosophy of the highest principle in order to contribute to a sustainable future and maintain quality architecture. Some of Carr Cotter Naessens Architects’ most prominent projects include: dlrLexicon, Dublin, Ireland The following statistics helped Carr Cotter Naessens Architects achieve 24th place in the 30 Best Architecture Firms in Ireland: Featured Projects 1 Total Projects 1 23. Box Architecture Timber elements mark the transition between openness and enclosure - © Box Architecture Box Architecture was created in 1997. Since conception, the company has been established as a leading design practice in the nation. Quality has remained the focus of Box throughout and this has been employed to a variety of projects including urban schemes, apartment units, award-winning private commissions, corporate offices, crèches and housing developments. The success of Box Architecture is achieved through a personal approach to understand client needs. With a hands-on approach, technical expertise, creative execution and a commitment to continued education, the company applies a philosophy of the highest principle in order to contribute to a sustainable future and maintain quality architecture. Some of Box Architecture’s most prominent projects include: BALLYROAN PARISH CENTRE Ballyroan Library The following statistics helped Box Architecture achieve 23rd place in the 30 Best Architecture Firms in Ireland: Featured Projects 1 Total Projects 2 22. Kingston Lafferty Design © Donal Murphy Kingston Lafferty Design are an award-winning, international multi-disciplinary design company run by Roisin Lafferty based in Dublin, Ireland. At KLD we think differently about design. Our designs take people on a journey, delivering fun and unexpected experiences. With a holistic approach, we study the way in which people live and work to create tactile and meaningful design, putting human behavior at the centre of every project. Some of Kingston Lafferty Design’s most prominent projects include: Dublin Residence, Dublin, Ireland Ballsbridge Residence, Dublin, Ireland Ranelagh Residence, Dublin, Ireland The following statistics helped Kingston Lafferty Design achieve 22nd place in the 30 Best Architecture Firms in Ireland: Featured Projects 1 Total Projects 3 21. Architecture Republic © Architecture Republic Architecture Republic with offices in Dublin (Ireland)and Lyon (France) operates in the fields of architecture, urbanism and landscape design. We engage with engineers, artists, researchers, policy-makers, and other professionals through research, analysis and cross disciplinary collaboration. We find the seeds of our inspiration in the rich and complex realm of ordinary everyday life. We believe in the social engagement and spatial power of architecture more than its visual or plastic expression. We believe in architecture that creates public spaces and democratic cities. An architecture that revitalizes redefines and strengthens existing buildings and neighbourhoods. Some of Architecture Republic’s most prominent projects include: The Plastic House, Dublin, Ireland Formwork Studio Brick a Back, Gordon Street, Dublin, Ireland Orla Kiely’s New York Store, New York, New York The following statistics helped Architecture Republic achieve 21st place in the 30 Best Architecture Firms in Ireland: Featured Projects 1 Total Projects 4 20. Conneely Wessels Architects © F22 PHOTOGRAPHY Conneely Wessels Architects is an Award Winning Architectural Practice, established in 2008 and based in Kinsale, County Cork. Our practice provides a responsive, imaginative and professional service, tailored to the aspirations of each of our clients, and to deliver quality results, regardless of commission size or type. Some of Conneely Wessels Architects’ most prominent projects include: Three Pavilions, House Clancy, Kinsale, Ireland Peek-a-Boo!, Kinsale, Ireland Cardinal Point, Kinsale, Ireland Ardgwee House, Kinsale, Ireland The following statistics helped Conneely Wessels Architects achieve 20th place in the 30 Best Architecture Firms in Ireland: Featured Projects 1 Total Projects 4 19. ARCHITECTSTM © Ros Kavanagh ARCHITECTSTM is a design practice founded by Tom Maher. Based in Dublin, Ireland the firm boasts a portfolio of residential, cultural and commercial designs. Some of ARCHITECTSTM’s most prominent projects include: K HOUSE, Ranelagh, Ireland GARDENER’S WORLD (FUTURE), Callan, Ireland SLATE STOREY EXTENSION, Dublin, Ireland COTTAGE, County Kilkenny, Ireland 8BY4, Dublin, Ireland The following statistics helped ARCHITECTSTM achieve 19th place in the 30 Best Architecture Firms in Ireland: Featured Projects 1 Total Projects 5 18. Paul Dillon Architects © Paul Dillon Architects In 1999, architect Paul Dillon established his full-service practice in Galway, which quickly earned a reputation for combining design sensitivity with professional management and delivery. Each year, paul dillon architects complete a small number of challenging everyday projects, ranging from domestic extensions and garden designs to large commercial, retail, industrial and public projects. This commitment to the process of building, has been recognized with numerous national and international publications and awards. The completed work, both public and private, is receiving growing understanding and appreciation from those who take responsibility for their built environment. Some of Paul Dillon Architects’ most prominent projects include: Carnaun Primary School, Athenry, Ireland Extension to Secondary School, County Galway, Ireland Kilrickle Primary School, Kilreekill, Ireland Art Room, Secondary School, Aran Islands, County Galway, Ireland Art Room, Inis Mór, County Galway, Ireland The following statistics helped Paul Dillon Architects achieve 18th place in the 30 Best Architecture Firms in Ireland: Featured Projects 1 Total Projects 5 17. Isabel Barros Architects © Robert Mullan Photography isabel barros architects are driven by a passion for creating high quality contemporary architecture. Our goal is to make good design available to the general public while maintaining a strong focus on the energy efficiency and sustainability of our designs. Some of Isabel Barros Architects’ most prominent projects include: Seaview House, Wexford, Ireland Conservation Works at Brandon House Hotel, New Ross, Ireland Extension to House Over 100 Years Old, Ireland River House Kilkenny, Kilkenny, Ireland Shaolin Cottage, Ireland The following statistics helped Isabel Barros Architects achieve 17th place in the 30 Best Architecture Firms in Ireland: Featured Projects 1 Total Projects 6 16. Solearth Architecture © Solearth Architecture Solearth Architecture specialise in design that is both beautiful and deeply sustainable. We have for 15 years been Irelands leading green design firm and now provide architecture, design and consulting services further afield. All projects and client types are of interest to us but our key experience to date lies in hospitality, visitor, environment, wellness and buildings for spirituality as well as housing and private houses. We also have expertise in sustainable masterplanning and urban design. We are Europes only Living Building accredited practice. Some of Solearth Architecture’s most prominent projects include: Airfield Evolution, Dublin, Ireland Castle Espie, Northern Ireland, United Kingdom The Daintree Building, Dublin, Ireland Ballybay Wetland Centre, Ballybay, Ireland Dechen Shying, Cork, Ireland The following statistics helped Solearth Architecture achieve 16th place in the 30 Best Architecture Firms in Ireland: Featured Projects 1 Total Projects 7 15. Foley Architects © Foley Architects, CAMPUS Foley Architects is an architectural practice based in Dublin led by Stephen Foley and Marta Lopez driven by creating sustainable buildings and considered spaces that connect to their physical and social contexts. Our mission is to uncover what is special about each project to create unique spaces and buildings which can inspire communities. The concept of our first built project, the Eastbourne Beach Hut took inspiration from a local story involving fossils and was developed using digital fabrication tools. The pavilion’s translucent skin allows it to transform at night, emitting light and expressing its structure. The Cork Butter museum involved the adaptive reuse of an existing space, it’s remodelling and installation of elements for a collection of artefacts, using economic materials like mild steel and birch plywood. Some of Foley Architects’ most prominent projects include: The Lark Theatre, Dublin, Ireland Eastbourne Beach Hut, Eastbourne, United Kingdom Rossaveel Small Craft Harbour, Galway, Ireland 12th Lock Area Masterplan, Lucan, Ireland Killybegs Small Craft Harbour, Donegal, Ireland The following statistics helped Foley Architects achieve 15th place in the 30 Best Architecture Firms in Ireland: Featured Projects 1 Total Projects 9 14. David Flynn Architects © David Flynn Architects Ltd We are award-winning Architects in Dublin specializing in residential projects, including newbuild houses, reconstruction and significant refurb / extension / transformation of existing. We are currently engaged as Architects in a small number of projects across Dublin with construction values ranging from €400,000 up to €1.5m. The majority of our houses will end up as highly efficient A-rated homes for life. We have a track record in delivering highly bespoke residential architecture projects which run smoothly through design, planning and construction stages, many of which have received awards and been widely published. We use highly detailed 3D Digital models to plan, visualise and clearly communicate from early in the design process to ensure a successful outcome. Some of David Flynn Architects’ most prominent projects include: Garden Retreat, Blackrock, Ireland Mount Merrion, Dublin, Ireland 1930s Extension Renovation, Booterstown, Ireland 1870s period house extension, Sandymount, Ireland Rebuild & Renovation, Clonskeagh, Ireland The following statistics helped David Flynn Architects achieve 14th place in the 30 Best Architecture Firms in Ireland: Featured Projects 1 Total Projects 10 13. ODKM Architects & Designers © ODKM Architects & Designers ODKM are highly experienced award-winning architectural practice, with accolades and publications both in Ireland and abroad. We love design, how it makes us feel, and what it offers us every day, and we are passionate about how important this is in creating new spaces, identities and places that exceed our clients expectations. Ultimately, buildings are about people, and we believe in quality driven design to create environments with a sense of place. Our team each bring unique and diverse skills to the practice, all stemming from a common holistic design philosophy; that design can improve the quality of our lives, and make us happier. Some of ODKM Architects & Designers’ most prominent projects include: Ranelagh House, Dublin, Ireland The following statistics helped ODKM Architects & Designers achieve 13th place in the 30 Best Architecture Firms in Ireland: A+Awards Finalist 1 Featured Projects 1 Total Projects 1 12. Architectural Farm © Ste Murray | Photography & Design Architectural Farm is a design focused architectural studio based in Dublin. The studio has been led by Shane Cotter and Kathryn Wilson since 2010. To date the practice has worked on a variety of projects specializing in residential and public commissions in both urban and rural settings but also have collaborated on retail, commercial and landscaping projects. Some of Architectural Farm’s most prominent projects include: Walled Garden, Ballsbridge, Ireland St Declans Terrace, Saint Declan’s Terrace, Ireland The following statistics helped Architectural Farm achieve 12th place in the 30 Best Architecture Firms in Ireland: Featured Projects 2 Total Projects 2 11. GKMP Architect © GKMP Architect GKMP Architects is a Dublin-based practice that designs high quality modern architecture. Our recent projects include house design, domestic extensions, public spaces and tourist facilities. Some of GKMP Architect’s most prominent projects include: Hedge House at Leeson Walk, Dublin, Ireland House Extension at Silchester Park, Dublin, Ireland The following statistics helped GKMP Architect achieve 11th place in the 30 Best Architecture Firms in Ireland: Featured Projects 2 Total Projects 2 10. Aughey O’Flaherty Architects © Aughey O'Flaherty Architects Since the start, in 1999, we have been blessed with great clients. We work closely with them to understand their needs and create buidings to fit those needs. By 2003, the practice had won the first of many awards and in 2005, we won the prestious RIAI award, best building in the landscape.As conservation architects, we have Grade II RIAI Conservation Accreditation. Some of Aughey O’Flaherty Architects’ most prominent projects include: Fethard House on Mount Anville, Goatstown, Ireland New House The following statistics helped Aughey O'Flaherty Architects achieve 10th place in the 30 Best Architecture Firms in Ireland: Featured Projects 2 Total Projects 3 9. BRENNAN | FURLONG Architects & Urban Planners © BRENNAN | FURLONG Architects & Urban Planners BRENNAN | FURLONG Architects, founded in 2015 by Gareth Brennan and Séamus Furlong, is an award-winning RIAI-registered practice based in Clontarf, Dublin. The practice is accredited in Conservation (Grade III), can act as Project Supervisors for the Design Process (PSDP) and holds full Professional Indemnity Insurance. The work of the practice – a mix of residential and commercial projects — centers on the principle that the well-considered and carefully developed design of buildings and spaces we use every day helps to enrich and enliven our experience and interaction with the built environment. Some of BRENNAN | FURLONG Architects & Urban Planners’ most prominent projects include: GLENTORA, Howth, Dublin, Ireland FOUR WINDS, Dublin, Ireland STRAND ROAD, Dublin, Ireland LERRIG, Dublin, Ireland The following statistics helped BRENNAN | FURLONG Architects & Urban Planners achieve 9th place in the 30 Best Architecture Firms in Ireland: Featured Projects 2 Total Projects 4 8. Ambient Architecture © Ambient Architecture At Ambient Architecture we design exclusive residences for private clients in new builds, renovation and conservation projects. For our commercial partners, we develop innovative, sustainable, and sound feasibility and planning solutions. As architects we focus on providing the best outcome for our clients, in terms of design, costs, and buildability. Some of Ambient Architecture’s most prominent projects include: New house in Malahide, Malahide, Ireland Rathgar Redbrick, Dublin, Ireland Loreto Abbey Dalkey Sportshall, Dalkey, Ireland Rathmines Redbrick, Dublin, Ireland 2SEMIS, Dublin, Ireland The following statistics helped Ambient Architecture achieve 8th place in the 30 Best Architecture Firms in Ireland: Featured Projects 2 Total Projects 5 7. Coady Architects © Coady Architects Coady Architects is an award winning practice of highly skilled professionals, specializing in healthcare, residential, workplace and education design. We are passionate about understanding our clients’ and end users’ needs. We understand commercial drivers and add value at every opportunity. We enjoy design, we listen and explore, we innovate and challenge to deliver better environments and better buildings. Some of Coady Architects’ most prominent projects include: Scholen van Morgen. VIIO, Tongeren, Belgium Eolas, Maynooth University, Maynooth, Ireland Clinical Education and Research Centre, Limerick, Ireland Scholen van Morgen. Heilig Hart van Mariainstituut, Berlaar, Belgium Scholen van Morgen, Virga Jessecollege, Hasselt, Belgium The following statistics helped Coady Architects achieve 7th place in the 30 Best Architecture Firms in Ireland: Featured Projects 2 Total Projects 5 6. Architecture 53seven © Architecture 53seven Architecture 53seven is focussed on the delivery of inventive architecture and urban design, with a particular interest in developing new programmatic forms that reflect the complexities of the contemporary city. Established by Jason O’Shaughnessy in 2000, Architecture 53seven has developed a series of acclaimed projects in Ireland and overseas and was nominated for the European Union Prize for Contemporary Architecture – the Mies van der Rohe Award in 2009. Some of Architecture 53seven’s most prominent projects include: Egans Juice Bar and Roof Terrace, Main Street, Portlaoise, Ireland Tullow Ciivic Offices and Library Montenegro Villa, Dobra Voda, Montenegro Villa Petrovic, Dobra Voda, Montenegro Renaasance day hospital The following statistics helped Architecture 53seven achieve 6th place in the 30 Best Architecture Firms in Ireland: Featured Projects 2 Total Projects 37 5. FKL architects © FKL architects FKL architects is committed to contemporary design with a focus on the application of abstract ideas to built form. Each project is approached from first principles by responding to the specifics of site and program and formulating a singular concept that informs all aspects of the design. This individual concept is firmly rooted in the pragmatics of the project. We seek to condense ideas to their essentials, from the building form to the detail of junctions between materials with all decisions re-affirming and complementing the primary concept. The form and language of each project grows out of this approach leading to a diversity in the work, within a framework given by enduring interests; in space, atmosphere, assemblage, pattern, hierarchy, texture and materiality. Some of FKL architects’ most prominent projects include: A House, Rathmines, Ireland A house, Rathmines, Ireland St John’s House Nursing Home, Dublin, Ireland Brick House Reuben Street Apartments, Dolphins Barn, Ireland The following statistics helped FKL architects achieve 5th place in the 30 Best Architecture Firms in Ireland: Featured Projects 3 Total Projects 17 4. Heneghan Peng Architects © Iwan Baan heneghan peng architects is a design partnership practicing architecture, landscape and urban design. The practice was founded by Shih-Fu Peng and Róisín Heneghan in New York in 1999 and in 2001 opened an office in Dublin, Ireland. We take a multi-disciplinary approach to design and have collaborated with many leading designers and engineers on a range of projects which include larger scale urban masterplans, bridges, landscapes and buildings. Current projects include the Canadian Canoe Museum, The Old Library refurbishment at Trinity College Dublin, the Visitors’ Centre at the Berlin Botanic Gardens and the Grand Egyptian Museum. Some of Heneghan Peng Architects’ most prominent projects include: The Palestinian Museum, Bir Zayt Air BnB European Operations Hub, Dublin, Ireland School of Architecture and Design/Library at the University of Greenwich, London, United Kingdom The following statistics helped Heneghan Peng Architects achieve 4th place in the 30 Best Architecture Firms in Ireland: Featured Projects 3 Total Projects 3 3. Scullion Architects © Scullion Architects SCULLION ARCHITECTS are a Dublin-based Architectural Studio established by Declan Scullion MRIAI, providing architectural services for both the public and private sector. The practice’s work is characterized by a particular attention to user experience supported by an interest in things well-made. Our ambition is to provide a dedicated and professional service delivering exceptional buildings. Some of Scullion Architects’ most prominent projects include: Grand Canal Street, Dublin, Ireland Glass Ribbon, Dublin, Ireland Blackrock House, Dundalk, Ireland Churchtown, Dublin, Ireland The Liberties, Dublin, Ireland The following statistics helped Scullion Architects achieve 3rd place in the 30 Best Architecture Firms in Ireland: Featured Projects 4 Total Projects 5 2. ODOS © ODOS The constant questioning of how people work, rest and play in today’s society is the fundamental driving force behind the practice. We strongly believe our clients deserve to be challenged and that buildings need to inspire their occupants. As architects we have a duty to expose such possibilities. We hope to instill a sense of curiosity and excitement, stimulating a response, confronting and challenging traditional conceptions of architecture Some of ODOS’s most prominent projects include: Flynn Mews House, Dublin, Ireland Dwelling at Maytree, Wicklow, Wicklow, Ireland 3 Mews Houses, Dublin, Ireland Grangegorman, Dublin 7, Dublin, Ireland 31 Carysfort Road, Dalkey, Ireland The following statistics helped ODOS achieve 2nd place in the 30 Best Architecture Firms in Ireland: A+Awards Finalist 1 Featured Projects 4 Total Projects 9 1. McCullough Mulvin Architects © McCullough Mulvin Architects McCullough Mulvin Architects is an architecture and urban design practice based in Dublin. Much of our work has been in the design of cultural and civic buildings around Ireland, projects working to define a new public realm in a changing society, dealing with Ireland’s diffuse light and stark materiality. The work is based around an idea of experimentation – from small domestic work through to larger civic projects – testing at all scales, the work is original and the response to each brief particular. There is no house style, rather a concern for improving the lives of people by designing public and private spaces where life is played out. Some of McCullough Mulvin Architects’ most prominent projects include: Medieval Mile Museum, Kilkenny, Ireland Featured image: Trinity Long Room Hub, Dublin, Ireland Z Square House, Temple Gardens, Dublin, Ireland Beaufort Maritime Research Building, Cork, Ireland one up two down , Dublin, Ireland The following statistics helped McCullough Mulvin Architects achieve 1st place in the 30 Best Architecture Firms in Ireland: Featured Projects 4 Total Projects 6 Why Should I Trust Architizer’s Ranking? With more than 30,000 architecture firms and over 130,000 projects within its database, Architizer is proud to host the world’s largest online community of architects and building product manufacturers. Its celebrated A+Awards program is also the largest celebration of architecture and building products, with more than 400 jurors and hundreds of thousands of public votes helping to recognize the world’s best architecture each year. Architizer also powers firm directories for a number of AIA (American Institute of Architects) Chapters nationwide, including the official directory of architecture firms for AIA New York. An example of a project page on Architizer with Project Award Badges highlighted A Guide to Project Awards The blue “+” badge denotes that a project has won a prestigious A+Award as described above. Hovering over the badge reveals details of the award, including award category, year, and whether the project won the jury or popular choice award. The orange Project of the Day and yellow Featured Project badges are awarded by Architizer’s Editorial team, and are selected based on a number of factors. The following factors increase a project’s likelihood of being featured or awarded Project of the Day status: Project completed within the last 3 years A well written, concise project description of at least 3 paragraphs Architectural design with a high level of both functional and aesthetic value High quality, in focus photographs At least 8 photographs of both the interior and exterior of the building Inclusion of architectural drawings and renderings Inclusion of construction photographs There are 7 Projects of the Day each week and a further 31 Featured Projects. Each Project of the Day is published on Facebook, Twitter and Instagram Stories, while each Featured Project is published on Facebook. Each Project of the Day also features in Architizer’s Weekly Projects Newsletter and shared with 170,000 subscribers.     We’re constantly look for the world’s best architects to join our community. If you would like to understand more about this ranking list and learn how your firm can achieve a presence on it, please don’t hesitate to reach out to us at editorial@architizer.com. The post 30 Best Architecture and Design Firms in Ireland appeared first on Journal.

When a bicoastal couple decided to build a new home along the Lieutenant River in the historic town of Old Lyme, Connecticut, they wanted privacy and plenty of space. They also wanted to capitalize on the unique quality of the area's natural light—an effect so magical that a century ago, it attracted numerous American Impressionist painters, who promptly dubbed it "Lyme light." Courtesy of MarvinIn this, the owners succeeded mightily: Among them, the project's three buildings—main house, carriage house, and pool house—feature no fewer than 110 windows and doors. And for each one, the build team turned to the Marvin Ultimate collection. The handcrafted, customizable windows and glass-paned doors, frequently arrayed to create "walls of glass," allow for an assortment of divided-light designs that deliver on three fronts at once: creating intriguing patterns and subtle gradations of light in every room, giving life and sparkle to the exterior, and, of course, ​​artfully framing the landscape beyond. "It's right on a tributary that leads to the Connecticut River—you've got marsh, cattails, osprey nests," says builder Nick Sapia of Connecticut-based Sapia Builders. "You want to do anything you can to capture that view."Ultimate windows from Marvin are available in a wide range of styles, sizes, and shapes—including specialty options such as triangles, octagons, and the arch-top windows shown in the living room above—and can also be customized to fit a specific placement challenge or design idea. On this home's front facade, for instance, a round window high on the gable was custom-designed with an intricate combination of curved and straight muntins dividing the panes of glass. "It was a tribute to one in the original house on the site," says Sapia, who worked with architect Scot Samuelson and interior designer Janine Dowling to bring the project to life. "If you can dream it and draw it, Marvin can build it."Courtesy of MarvinThis wealth of options allows for visual variety—the home features casement, picture, and specialty windows—while maintaining a cohesive overall look. The resolutely traditional exterior is enlivened by swaths of SDL (simulated divided lite) windows, which deliver the classic gridded look of multiple individual panes without sacrificing the energy efficiency of single panes. Combining those with Ultimate Swinging doors, as in the pool house below, creates sweeping glass "walls" that offer the greatest possible amount of light and access to views.Courtesy of MarvinThe Ultimate collection represents the brand's most extensive selection of features, options, colors, and finishes. Each piece of wood is individually sanded, conditioned, stained, and oven-cured (ensuring structural integrity) for a stately, high-end look both inside and out. "You want a sense of permanency," Sapia says. "Something of that quality and craftsmanship tends to have longevity."The windows invite that spellbinding Lyme light indoors, of course, but it's the vistas outside that steal the show. "From any point on the first floor, because of the glass, you're brought into the site—literally," Sapia says. "When you have such a dynamic view, with a bend in the river, the beautiful work inside the house almost goes away. You walk in and go right to the windows to gaze out."To learn more about Marvin Ultimate windows and doors, click here.