Cabin in Woods by Ediz Demirel Works: A Study in Tectonic Contrast
Cabin in Woods | © Egemen Karakaya
Set on the Kozak Plateau near Pergamon in western Turkey, Cabin in Woods by Ediz Demirel Works presents a compelling investigation into the relationship between architecture, landscape, and inhabitation. Modest in scale but conceptually rigorous, the 36-square-meter structure explores dualities in materiality, spatial experience, and construction technique. Its design resists conventional tropes of vernacular mimicry, opting instead for conscious contrast. This architectural gesture neither disappears into the land nor dominates it but negotiates a dynamic tension between embeddedness and autonomy.
Cabin in Woods Technical Information
Architects1-2: Ediz Demirel Works
Location: Kozak Plateau, Pergamon, Izmir, Turkey
Area: 36 m2 | 387 Sq. Ft.
Completion Year: 2025
Photographs: © Egemen Karakaya
The identity of the structure is shaped by the interplay of two opposing tectonic approaches in terms of materials, construction techniques, production methods, and the contrast between locality and foreignness.
– Ediz Demirel
Cabin in Woods Photographs
© Egemen Karakaya
© Egemen Karakaya
© Egemen Karakaya
© Egemen Karakaya
© Egemen Karakaya
© Egemen Karakaya
© Egemen Karakaya
© Egemen Karakaya
© Egemen Karakaya
© Egemen Karakaya
© Egemen Karakaya
© Egemen Karakaya
© Egemen Karakaya
Design Intent and Conceptual Framework
The cabin occupies a terrace wall from a former vineyard, utilizing the dry stone retaining wall as a literal and conceptual foundation. This gesture roots the project within the existing agricultural topography, establishing a minimal intervention approach. Yet from this grounded base, the cabin rises as an artificial insertion. Its steel frame and corten cladding introduce a formal and material vocabulary foreign to the rural surroundings, underscoring a deliberate dialectic between context and object.
At the heart of the project is a sunken conversation pit, an introspective space that anchors the plan and serves as the primary social node. This recessed area draws the inhabitant downward into the landscape, offering a tactile and spatial contrast to the protective shell above. The lowered core reframes domesticity in spatial terms, allowing for a gathering space that privileges horizontality, intimacy, and thermal mass. Around this core, other functional programs such as wet areas, storage, and circulation are deployed as appendages. Above, a mezzanine floor is delicately inserted within the steel shell, creating zones for sleeping and working without compromising the spatial clarity of the core below.
Spatial Organization and Experiential Strategy
Despite its compact footprint, the cabin achieves a high degree of spatial complexity. This is accomplished not through planimetric manipulation but through sectional richness and the careful calibration of views, light, and thresholds. A singular horizontal aperture cuts through the shell, framing a panoramic view of the forested hills. This gesture provides more than visual access; it actively orchestrates a dialogue between the interior and the broader ecological context.
The facade, punctuated with small cantilevered openings, introduces sculptural moments that protrude into the landscape. These elements operate simultaneously as light sources, thermal breaks, and spatial cues. They animate the exterior envelope while mediating the inhabitant’s sensory experience from within. The strategy reveals an architectural sensibility attuned to the nuances of perception, perspective, and phenomenology.
The sunken core, in particular, reinforces this experiential ambition. It is not merely a spatial curiosity but a site of temporal deceleration, a hearth-like void where fire, conversation, and reflection converge. In this sense, the project subtly reinvigorates domestic rituals through spatial articulation, encouraging modes of living that prioritize gathering and grounding over visual spectacle.
Material Strategy and Construction Logic
The architectural language of Cabin in Woods is structured around a deliberate contrast between local, irregular materials and prefabricated, controlled systems. The foundation, comprising a reinforced concrete slab cast directly into the existing dry stone terrace, extends the material logic of the landscape. This decision grounds the structure physically and symbolically, linking it to the region’s vernacular heritage.
Conversely, the corten steel cladding and the structural steel frame are fabricated off-site and assembled locally. This bifurcation in construction methods aligns with the project’s conceptual division. The base engages the earth and honors the irregularity of place, while the shell expresses a technological detachment and formal precision. With its evolving patina and atmospheric depth, the use of corten adds a layer of temporal expression to the architectural language. It ages, oxidizes, and marks time, introducing a poetic dimension to the otherwise industrial envelope.
Such a contrast is not merely aesthetic. It reflects a broader interrogation of architectural identity—how buildings can simultaneously belong, estrange, settle, and provoke. The tectonic opposition between ground and shell becomes a vehicle for this inquiry, inviting reflection on how architecture positions itself in relation to site and memory.
Contextual and Critical Significance
Beyond its immediate programmatic function as a short-term rental, Cabin in Woods engages with urgent disciplinary questions. How should contemporary architecture respond to rural contexts without defaulting to nostalgia? How can compact dwellings foster depth of experience without resorting to over-programming? And how might architecture embrace contradiction as a generative force rather than a problem to be resolved?
Ediz Demirel’s response is measured yet assertive. Rather than dissolving into the landscape, the cabin asserts its autonomy while acknowledging the terrain. The project frames its site not as a passive backdrop but as an active participant in the architectural narrative. Its minimal footprint, precise detailing, and tectonic clarity demonstrate how small-scale interventions can yield disproportionately rich spatial and conceptual outcomes.
Cabin in Woods Plans
Floor Plan | © Ediz Demirel Works
Section | © Ediz Demirel Works
Elevations | © Ediz Demirel Works
Details | © Ediz Demirel Works
© Ediz Demirel Works
Cabin in Woods Image Gallery
About Ediz Demirel Works
Ediz Demirel Worksis an Istanbul-based architectural studio founded in 2022 by Ediz Demirel. The practice focuses on small to medium-scale projects integrating design, construction, and development. EDWorks emphasizes material experimentation, site-specific strategies, and balancing traditional craftsmanship and contemporary tectonics. Notable projects include Cabin in Woods and Pergamon House in the Izmir region. The studio’s approach reflects a commitment to architectural clarity and contextual sensitivity.
Credits and Additional Notes
Design Architect: Ediz Demirel
Site Architects: Ediz Demirel, Tuna Ökten
#cabin #woods #ediz #demirel #works
Cabin in Woods by Ediz Demirel Works: A Study in Tectonic Contrast
Cabin in Woods | © Egemen Karakaya
Set on the Kozak Plateau near Pergamon in western Turkey, Cabin in Woods by Ediz Demirel Works presents a compelling investigation into the relationship between architecture, landscape, and inhabitation. Modest in scale but conceptually rigorous, the 36-square-meter structure explores dualities in materiality, spatial experience, and construction technique. Its design resists conventional tropes of vernacular mimicry, opting instead for conscious contrast. This architectural gesture neither disappears into the land nor dominates it but negotiates a dynamic tension between embeddedness and autonomy.
Cabin in Woods Technical Information
Architects1-2: Ediz Demirel Works
Location: Kozak Plateau, Pergamon, Izmir, Turkey
Area: 36 m2 | 387 Sq. Ft.
Completion Year: 2025
Photographs: © Egemen Karakaya
The identity of the structure is shaped by the interplay of two opposing tectonic approaches in terms of materials, construction techniques, production methods, and the contrast between locality and foreignness.
– Ediz Demirel
Cabin in Woods Photographs
© Egemen Karakaya
© Egemen Karakaya
© Egemen Karakaya
© Egemen Karakaya
© Egemen Karakaya
© Egemen Karakaya
© Egemen Karakaya
© Egemen Karakaya
© Egemen Karakaya
© Egemen Karakaya
© Egemen Karakaya
© Egemen Karakaya
© Egemen Karakaya
Design Intent and Conceptual Framework
The cabin occupies a terrace wall from a former vineyard, utilizing the dry stone retaining wall as a literal and conceptual foundation. This gesture roots the project within the existing agricultural topography, establishing a minimal intervention approach. Yet from this grounded base, the cabin rises as an artificial insertion. Its steel frame and corten cladding introduce a formal and material vocabulary foreign to the rural surroundings, underscoring a deliberate dialectic between context and object.
At the heart of the project is a sunken conversation pit, an introspective space that anchors the plan and serves as the primary social node. This recessed area draws the inhabitant downward into the landscape, offering a tactile and spatial contrast to the protective shell above. The lowered core reframes domesticity in spatial terms, allowing for a gathering space that privileges horizontality, intimacy, and thermal mass. Around this core, other functional programs such as wet areas, storage, and circulation are deployed as appendages. Above, a mezzanine floor is delicately inserted within the steel shell, creating zones for sleeping and working without compromising the spatial clarity of the core below.
Spatial Organization and Experiential Strategy
Despite its compact footprint, the cabin achieves a high degree of spatial complexity. This is accomplished not through planimetric manipulation but through sectional richness and the careful calibration of views, light, and thresholds. A singular horizontal aperture cuts through the shell, framing a panoramic view of the forested hills. This gesture provides more than visual access; it actively orchestrates a dialogue between the interior and the broader ecological context.
The facade, punctuated with small cantilevered openings, introduces sculptural moments that protrude into the landscape. These elements operate simultaneously as light sources, thermal breaks, and spatial cues. They animate the exterior envelope while mediating the inhabitant’s sensory experience from within. The strategy reveals an architectural sensibility attuned to the nuances of perception, perspective, and phenomenology.
The sunken core, in particular, reinforces this experiential ambition. It is not merely a spatial curiosity but a site of temporal deceleration, a hearth-like void where fire, conversation, and reflection converge. In this sense, the project subtly reinvigorates domestic rituals through spatial articulation, encouraging modes of living that prioritize gathering and grounding over visual spectacle.
Material Strategy and Construction Logic
The architectural language of Cabin in Woods is structured around a deliberate contrast between local, irregular materials and prefabricated, controlled systems. The foundation, comprising a reinforced concrete slab cast directly into the existing dry stone terrace, extends the material logic of the landscape. This decision grounds the structure physically and symbolically, linking it to the region’s vernacular heritage.
Conversely, the corten steel cladding and the structural steel frame are fabricated off-site and assembled locally. This bifurcation in construction methods aligns with the project’s conceptual division. The base engages the earth and honors the irregularity of place, while the shell expresses a technological detachment and formal precision. With its evolving patina and atmospheric depth, the use of corten adds a layer of temporal expression to the architectural language. It ages, oxidizes, and marks time, introducing a poetic dimension to the otherwise industrial envelope.
Such a contrast is not merely aesthetic. It reflects a broader interrogation of architectural identity—how buildings can simultaneously belong, estrange, settle, and provoke. The tectonic opposition between ground and shell becomes a vehicle for this inquiry, inviting reflection on how architecture positions itself in relation to site and memory.
Contextual and Critical Significance
Beyond its immediate programmatic function as a short-term rental, Cabin in Woods engages with urgent disciplinary questions. How should contemporary architecture respond to rural contexts without defaulting to nostalgia? How can compact dwellings foster depth of experience without resorting to over-programming? And how might architecture embrace contradiction as a generative force rather than a problem to be resolved?
Ediz Demirel’s response is measured yet assertive. Rather than dissolving into the landscape, the cabin asserts its autonomy while acknowledging the terrain. The project frames its site not as a passive backdrop but as an active participant in the architectural narrative. Its minimal footprint, precise detailing, and tectonic clarity demonstrate how small-scale interventions can yield disproportionately rich spatial and conceptual outcomes.
Cabin in Woods Plans
Floor Plan | © Ediz Demirel Works
Section | © Ediz Demirel Works
Elevations | © Ediz Demirel Works
Details | © Ediz Demirel Works
© Ediz Demirel Works
Cabin in Woods Image Gallery
About Ediz Demirel Works
Ediz Demirel Worksis an Istanbul-based architectural studio founded in 2022 by Ediz Demirel. The practice focuses on small to medium-scale projects integrating design, construction, and development. EDWorks emphasizes material experimentation, site-specific strategies, and balancing traditional craftsmanship and contemporary tectonics. Notable projects include Cabin in Woods and Pergamon House in the Izmir region. The studio’s approach reflects a commitment to architectural clarity and contextual sensitivity.
Credits and Additional Notes
Design Architect: Ediz Demirel
Site Architects: Ediz Demirel, Tuna Ökten
#cabin #woods #ediz #demirel #works