Every item on this page was hand-picked by a House Beautiful editor. We may earn commission on some of the items you choose to buy.While some design-minded folks prefer the shiny, unmarked quality of newly made furniture and decor, others opt for the charm and history associated with vintage and antique treasures. Buying secondhand and locally is not only more sustainable, but it's a great way to avoid increased fees from recent tariff policies. There's never been a better time to invest in ready-made pieces that have seen decades (or even centuries) of history unfold. That said, discerning the true value of high-end antiques—whether it be a secretary desk whose top requires a bit of elbow grease to open or a Lalique bottle that bears a tiny chip in the base—is no easy feat. After all, if you don't know the ins and outs of this particular niche, you could very well get duped into overspending.To prepare you for your next outing to the antique shop, vintage store, or flea market, we asked experts in the field for their most helpful shopping tips. Here's what they had to say about sourcing decades-old treasures—without regretting your purchase later. Related Stories Buy From a Reputable Sourcetaikrixel//Getty Images"Fakes are really the rare outliers and not the norm in the world of antiques and vintage furniture," according to Anthony Barzilay Freund, editorial director and director of fine art at 1stDibs. He says that it's always best to investigate the reputation of individual dealers or browse a reputable online marketplace that sells only vetted and authenticated items. "When buying any piece of furniture that purports to be old, it's important that you are working with a reputable dealer who has a history of handling the type of material and a track record of participating in vetted fairs or selling on digital platforms such as 1stDibs that monitor inventory," Freund continues. That way, you can trust the info you're given. "You can perform your due diligence by asking the dealer to provide you with any information about the piece's provenance (who made it, where it was made, and who owned it over the years)."As for antique-hunting at thrift stores and flea markets, you may find a few quality pieces here and there. "And the more you look, the better able you'll be to discern quality," says Freund. So, browse often!Related StoryLook for a Maker’s MarkMany antiques from famed designers bear a stamp or signature indicating who made them—but many don't, and not all stamps can be trusted. "A piece that has a stamp may be an indication that it's by a specific designer, but there have been known cases in which some badly intentioned people use someone else's branding stamp to produce fakes," says Benoist F. Drut, owner of New York–based gallery Maison Gerard. The prolific 18th-century French designer George Jacobs, for instance, was famous for his iconic stamps, but even he didn't mark every piece he designed with a signature, so "you can't rely entirely on the stamp to prove authenticity," Drut says. That being said, he adds, "It's usually obvious if it's a real stamp and not a copy." Herman MillerIf there's an artist or design house you like, do some research first to uncover exactly what type of mark, if any, you should be seeking. For example, one of the most popular vintage pieces is the beloved Eames lounge chair. According to the brand, which still produces some of the designer's original designs, "Labels and stamps can be the best and the quickest method of authenticating your Eames design. It may also help you to date and value your piece." Every Eames piece, from the first designs from the early 1940s to the ones produced now, bears a label. The only exception is the fiberglass shell chair, each of which bears a stamp. Both the labels and stamps feature a series of letters and numbers that can help determine the exact age of the piece. Related StoryAsk for Provenance DocumentsThis may seem like the most straightforward step, but it's usually the least reliable for one key reason. "Pieces that are a few hundred years old move from place to place during their lifetime, and rarely do the papers follow them," Drut explains. In most cases, you simply have to decide whether or not you trust what the dealer is telling you to be true about a piece's provenance. Some items, however, do come with papers that can easily be authenticated. These pieces are typically ones that have been in the family's estate for generations. If such papers aren't available, he adds, a piece may also be listed in probate inventories or wills, so be sure to check everywhere.A piece with family provenance further helps validate its authenticity. In certain occasions, a piece may be seen in an early 20th-century black and white photograph or, in rare instances, in a daguerreotype.—Erik GronningRelated StoryDo Your Own ResearchBeeldbewerking//Getty ImagesIf you're considering an older piece, the dealer from whom you're buying it should have a general idea of the year or decade it was produced. With that information, do some digging about how similar pieces of furniture were made and with which types of materials. "Look at books about that time period and, if you can, visit museums," says Drut. "It doesn't take a professional to see all of the subtle details—such as the materials and techniques used—that indicate if it's authentic or not." Along the way, you might uncover some lesser-known designers whose pieces are still genuine works of art, but may be easier to find and more affordable to purchase. (If an Eames chair is out of your price range, for example, you might want to look into a Plycraft seat.)Related StoryPerform a “Run-Down”Before making a big-ticket purchase, ask the dealer what the piece is made of—the response will be another indicator of authenticity. Take chairs as an example."Plenty of chairs and sofas made today are filled with foam," says Drut. "An 18th-century chair, however, will be filled with horsehair, as foam was not invented until much later in the 20th century."You'll also want to observe where small marks or imperfections in the construction may bear the signature of a handcrafted (as opposed to mass-produced) item. "The process of making a piece of furniture using only hand tools leaves behind 'tool marks,'" says Erik Gronning, Sotheby's head of Americana. "Saws leave a mark called a saw kerf while planes leave plane marks, and modern electrical powered saws and planes also leave marks, but theirs are regular and not inconsistent as one sees with hand tools." Related Story Request Pre-Restoration PhotosGiorez//Getty Images"If the piece has been extensively cleaned and/or refinished," Freund advises, "ask to see pre-restoration photographs." Any reputable restorer regularly enlisted by antique dealers is likely to have a few on hand. Here's the thing about restorations: They're not a bad thing, and they're definitely not a reason to question a piece's authenticity or age. For instance, Drut says, if you're considering buying a 19th-century chair whose back leg is attached with glue, "that's because it's 200 years old and, without the glue, the chair may not be usable." Looking at an image of the chair before the glue was applied can reassure you that you're getting a strengthened original, not a fake. On the other hand, if you find a centuries-old piece that looks spotless, "How can you explain that? You can't," says Drut." An alleged antique that looks too good to be true probably is." Consider what an update may be concealing: "If something has been fully painted over, that often means that someone has something to hide. Stay away," says Drut. More specifically, Gronning adds that "18th- and early 19th-century pieces in their 'original' surface have a very dark or nearly black appearance that, to the untrained eye, could appear dirty or ratty, but it is this appearance that helps authenticate its age." If this is the case with an antique treasure you're considering, it's important to look at any perceived flaws as marks of character. "Antiques and vintage pieces have a patina and personality that one cannot find in a newly constructed object," Freund says. "Rather than viewing this as damage or wear and tear, antique lovers think signs of age give an object a visual interest, warmth, and uniqueness that really enhances the character of a room." Follow House Beautiful on Instagram and TikTok.

We may earn a commission from links on this page.Like shopping on Amazon itself, Prime Video can sometimes feel like a jumble sale: a proliferation of TV and movies from every era, none of it terribly well-curated. There’s a lot to sort through, and the choices can be a little overwhelming. Presentation issues aside, there are some real gems to be found, as long as you’re willing to dig a bit—the streamer offers more than a few impressive exclusives, though they sometimes get lost amid the noise. Here are 20 of the best TV series Prime Video has to offer, including both ongoing and concluded shows.Overcompensating (2025 – ) Comedian Benito Skinner plays himself, sort of, in this buzzy comedy that sees a former high school jock facing his freshman year in college, desperately trying to convince himself and everyone else that he's as straight as they come (relatable, except for the jock part). Much of the show's appeal is in its deft blending of tones: It's a frequently raunchy college comedy, but it's simultaneously a sweet coming-of-age story about accepting yourself without worrying about what everyone else thinks. The impressive cast includes Adam DiMarco (The White Lotus) and Rish Shah (Ms. Marvel) You can stream Overcompensating here. Étoile (2025 –, renewed for season two) Amy Sherman-Palladino and David Palladino (Gilmore Girls, The Marvelous Mrs. Maisel) are back on TV and back in the dance world (following Bunheads) with this series about two world-renowned ballet companies (one in NYC and one in Paris) that decide to spice things up by swapping their most talented dancers. Each company is on the brink of financial disaster, and so Jack McMillan (Luke Kirby), director of the Metropolitan Ballet, and Geneviève Lavigne (Charlotte Gainsbourg), director of of Le Ballet National, come up with the plan, and recruit an eccentric billionaire (Simon Callow) to pay for it. Much of the comedy comes from the mismatched natures of their swapped dancers, and there's a tangible love of ballet that keeps things light, despite the fancy title. You can stream Étoile here.Fallout (2024 – , renewed for second and third seasons) A shockingly effective video game adaptation, Fallout does post-apocalyptic TV with a lot more color and vibrancy than can typically be ascribed to the genre (in the world of Fallout, the aesthetic of the 1950s hung on for a lot longer than it did in ours). The setup is a little complicated, but not belabored in the show itself: It's 2296 on an Earth devastated two centuries earlier by a nuclear war between the United States and China, exacerbated by conflicts between capitalists and so-called communists. Lucy MacLean (Ella Purnell) emerges from the underground Vault where she's lived her whole life protected from the presumed ravages of the world above, hoping to find her missing father, who was kidnapped by raiders. The aboveground wasteland is dominated by various factions, each of which considers the others dangerous cults, and believes that they alone know mankind's way forward. It's also overrun by Ghouls, Gulpers, and other wild radiation monsters. Through all of this, Lucy remains just about the only human with any belief in humanity, or any desire to make things better. You can stream Fallout here.Deadloch (2023 –, renewed for a second season) Both an excellent crime procedural and an effective satire of the genre, this Australian import does about as well as setting up its central mystery as Broadchurch and its many (many) imitators. Kate Box stars as Dulcie Collins, fastidious senior sergeant of the police force in the fictional town of the title. When a body turns up dead on the beach, Dulcie is joined by Madeleine Sami's Eddie Redcliffe, a crude and generally obnoxious detective brought in to help solve the case. Unraveling the web of secrets and mysteries in the tiny Tasmanian town is appropriately addictive, with the added bonus of cop thriller tropes getting mercilessly mocked all the way. You can stream Deadlock here.The Lord of the Rings: The Rings of Power (2022 – , third season coming) All the talk around The Rings of Power in the lead-up to the series had to do with the cost of the planned five seasons expected to be somewhere in the billion dollar range. At that price point, it’s tempting to expect a debacle—but the resulting series is actually quite good, blending epic conflict with more grounded characters in a manner that evokes both Tolkien, and Peter Jackson’s Lord of the Rings films. Set thousands of years before those tales, the series follows an ensemble cast lead by Morfydd Clark as Elven outcast Galadriel and, at the other end of the spectrum, Markella Kavenagh as Nori, a Harfoot (the people we’ll much later know as Hobbits) with a yearning for adventure who finds herself caught up in the larger struggles of a world about to see the rise of the Dark Lord Sauron, the fall of the idyllic island kingdom of Númenor, and the the last alliance of Elves and humans. You can stream The Rings of Power here.Reacher (2022 – , fourth season coming) Getting high marks for his portrayal of the Lee Childs’ character (from both book and TV fans) is Alan Ritchson (Titans), playing Reacher with an appropriately commanding physical presence. The first season finds the former U.S. Army military policeman visiting the rural town of Margrave, Georgia...where he’s quickly arrested for murder. His attempts to clear his name find him caught up in a complex conspiracy involving the town’s very corrupt police force, as well as shady local businessmen and politicians. Subsequent seasons find our ripped drifter reconnecting with members of his old army special-investigations unit, including Frances Neagley (Maria Stan), who's getting her own spin-off. You can stream Reacher here. The Bondsman (2025, one season) It's tempting not to include The Bondsman among Prime's best, given that it's representative of an increasingly obnoxious trend: shows that get cancelled before they ever really got a chance. This Kevin Bacon-led action horror thriller did well with critics and on the streaming charts, and it's had a consistent spot among Prime's top ten streaming shows, but it got the pink slip anyway. Nevertheless, what we did get is a lot of fun: Bacon plays Hub Halloran, a bounty hunter who dies on the job only to discover that he's been resurrected by the literal devil, for whom he now works. It comes to a moderately satisfying conclusion, despite the cancellation. You can stream The Bondsman here. The Lord of the Rings: The Rings of Power (2022 – , third season coming) All the talk around The Rings of Power in the lead-up to the series had to do with the cost of the planned five seasons expected to be somewhere in the billion dollar range. At that price point, it’s tempting to expect a debacle—but the resulting series is actually quite good, blending epic conflict with more grounded characters in a manner that evokes both Tolkien, and Peter Jackson’s Lord of the Rings films. Set thousands of years before those tales, the series follows an ensemble cast lead by Morfydd Clark as Elven outcast Galadriel and, at the other end of the spectrum, Markella Kavenagh as Nori, a Harfoot (the people we’ll much later know as Hobbits) with a yearning for adventure who finds herself caught up in the larger struggles of a world about to see the rise of the Dark Lord Sauron, the fall of the idyllic island kingdom of Númenor, and the the last alliance of Elves and humans. You can stream The Rings of Power here.The Expanse (2015 – 2022, six seasons) A pick-up from the SyFy channel after that network all but got out of the original series business, The Expanse started good and only got better with each succeeding season. Starring Steven Strait, Shohreh Aghdashloo, and Dominique Tipper among a sizable ensemble, the show takes place in a near-ish future in which we’ve spread out into the solar system, while largely taking all of the usual political bullshit and conflicts with us. A salvage crew comes upon an alien microorganism with the potential to upend pretty much everything, if humanity can stop fighting over scraps long enough to make it matter. The show brings a sense of gritty realism to TV sci-fi, without entirely sacrificing optimism—or, at least, the idea that well-intentioned individuals can make a difference. You can stream The Expanse here. Mr. & Mrs. Smith (2024 – , renewed for a second season) One-upping the Brad Pitt/Angelina Jolie movie on which it's based, Mr. & Mrs. Smith stars Donald Glover and Maya Erskine as a couple of spies tasked to pose as a married couple while coordinating (and sometimes competing against one another) on missions. Smartly, each episode takes on a standalone mission in a different location, while complicating the relationship between the two and gradually upping the stakes until the season finale, which sees them pitted against each other. The show is returning for season two, though it's unclear if Glover and Erskine will be returning, or if we'll be getting a new Mr. & Mrs. You can stream Mr. & Mrs. Smith here. Good Omens (2019– , conclusion coming) Michael Sheen and David Tennant are delightful as, respectively, the hopelessly naive angel Aziraphale and the demon Crowley, wandering the Earth for millennia and determined not to let the perpetual conflict between their two sides get in the way of their mismatched friendship. In the show’s world, from the 1990 novel by Neil Gaiman and Terry Pratchett, heaven and hell are are less representative of good and evil than hidebound bureaucracies, more interested in scoring points on each other than in doing anything useful for anyone down here. It’s got a sly, quirky, sometimes goofy sense of humor, even while it asks some big questions about who should get to decide what’s right and what’s wrong. Following some depressingly gross revelations about writer and showrunner Gaiman, it was announced that he'd be off the production and the third season would be reduced to a movie-length conclusion, date tbd. You can stream Good Omens here. The Marvelous Mrs. Maisel (2017 – 2023, five seasons) Mrs. Maisel was one of Prime’s first and buzziest original series, a comedy-drama from Amy Sherman-Palladino (Gilmore Girls) about the title’s Midge Maisel (Rachel Brosnahan), a New York housewife of the late 1950s who discovers a talent for stand-up comedy. Inspired by the real-life careers of comedians like Totie Fields and Joan Rivers, the show is both warm and funny, with great performances and dialogue; it also achieves something rare in being a show about comedy that’s actually funny. You can stream Mrs. Maisel here. The Boys (2019 – , fifth and final season coming) There’s a lot of superhero stuff out there, no question, but, as there was no series quite like the Garth Ennis and Darick Robertson comic book on which this show is based, there’s nothing else quite like The Boys. The very dark satire imagines a world in which superheroes are big with the public, but whose powers don’t make them any better than the average jerk. When his girlfriend is gruesomely killed by a superhero who couldn’t really care less (collateral damage, ya know), Wee Hughie (Jack Quaid) is recruited by the title agency. Led by Billy Butcher (Karl Urban), the Boys watch over the world’s superpowered individuals, putting them down when necessary and possible. A concluding fifth season is on the way, as is a second season of the live-action spin-off (Gen V). An animated miniseries (Diabolical) came out in 2022. The Man in the High Castle (2015–2019, four seasons) From a novel by Philip K. Dick (whose work has been the basis for Blade Runner, Total Recall, Minority Report, A Scanner Darkly, among many others), The Man in the High Castle takes place in an alternate history in which the Axis powers won World War II, and in which the United States is split down the middle; Japan governing the west and Germany the east. The title’s man in the high castle offers an alternate view, though, one in which the Allies actually won, with the potential to rally opposition to the Axis rulers. As the show progresses through its four seasons, the parallels to our increasingly authoritarian-friendly world, making it one of the more relevant shows of recent years. You can stream The Man in the High Castle here. The Wheel of Time (2021 – 2025, three seasons) An effective bit of fantasy storytelling, The Wheel of Time sees five people taken from a secluded village by Moiraine Damodred (Rosamund Pike), a powerful magic user who believes that one of them is the reborn Dragon: a being who will either heal the world, or destroy it entirely. The show has an epic sweep while smartly focusing on the very unworldly villagers, experiencing much of this at the same time as the audience. This is another mixed recommendation in that, while the show itself is quite good, it has just been cancelled following a third season that saw it really getting into its groove. The show goes through the fourth and fifth books of Robert Jordan's fantasy series, so, I suppose, you can always jump into the novels to finish the story. You can stream Wheel of Time here. The Devil’s Hour (2022 – , renewed for a third season) Jessica Raine (Call the Midwife) joins Peter Capaldi (The Thick of It, Doctor Who) for a slightly convoluted but haunting series that throws in just about every horror trope that you can think of while still managing to ground things in the two lead performances. Raine plays a social worker whose life is coming apart on almost every level: She’s caring for her aging mother, her marriage is ending, her son is withdrawn, and she wakes up at 3:33 am every morning exactly. She’s as convincing in the role as Capaldi is absolutely terrifying as a criminal linked to at least one killing who knows a lot more than he makes clear. You can stream The Devil's Hour here. Batman: Caped Crusader (2024 – , second season coming) I know, there's a lot of Batman out there. But this one's got real style, harkening back to Batman: The Animated Series from the 1990s (no surprise, given that Bruce Timm developed this one too). With a 1940s-esque setting, the show dodges some of the more outlandish superhero tropes to instead focus on a Gotham City rife with crime, corrupt cops, and gang warfare. There's just enough serialization across the first season to keep things addictive. You can stream Caped Crusader here. Secret Level (2024 – , renewed for a second season) This is pretty fun: an anthology of animated shorts from various creative teams that tell stories set within the worlds of various (15 so far) video games, including Unreal, Warhammer, Sifu, Mega Man, and Honor of Kings. It's hard to find consistent threads given the variety of source material, but that's kinda the point: There's a little something for everyone, and most shorts don't demand any extensive knowledge of game lore—though, naturally, they're a bit more fun for the initiated. The voice cast includes the likes of Arnold Schwarzenegger, his son Patrick Schwarzenegger, Keanu Reeves, Gabriel Luna, Ariana Greenblatt, and Adewale Akinnuoye-Agbaje. You can stream Secret Level here. Cross (2024 – , renewed for a second season) James Patterson's Alex Cross novels have been adapted three times before, all with mixed results: Morgan Freeman played the character twice, and Tyler Perry took on the role in 2012. Here, the forensic psychologist/police detective of a few dozen novels is played by Aldis Hodge (Leverage, One Night in Miami...), and it feels like he's finally nailed it. There are plenty of cop-drama tropes at work here, but the series is fast-paced and intense, and Hodge is instantly compelling in the iconic lead role. You can stream Cross here. Fleabag (2016–2019, two seasons) Fleabag isn’t a Prime original per se, nor even a co-production, but Amazon is the show’s American distributor and still brands it as such, so we’re going to count it. There’s no quick synopsis here, but stars Phoebe Waller-Bridge as the title character (only ever known as Fleabag) in the comedy drama about a free-spirited, but also deeply angry single woman in living in London. Waller-Bridge won separate Emmys as the star, creator, and writer of the series (all in the same year), and co-stars Sian Clifford, Olivia Coleman, Fiona Shaw, and Kristin Scott Thomas all received well-deserved nominations. You can stream Fleabag here.

Mid-century modern design enthusiasts, rejoice! Herman Miller has announced the return of the iconic Girard Stool, a versatile and charming piece originally designed by the legendary Alexander Girard in 1967. This reintroduction not only brings back a beloved classic but also updates it with a focus on contemporary sustainability. Alexander Girard, best known as the founding director of Herman Miller’s textile division, was a true polymath with a vibrant and expressive design sensibility. The Girard Stool, initially created for the Girard Group and inspired by his furniture designs for Braniff International, perfectly encapsulates this joyful approach to design. This isn’t just a stool; it’s a multi-purpose piece that can serve as a comfortable footrest, a convenient perch for quick seating, or a stylish standalone accent piece. Designer: Herman Miller What makes this re-release particularly exciting is Herman Miller’s commitment to evolving classic designs with modern values. The updated Girard Stool now features legs crafted from recycled aluminum, significantly reducing its environmental footprint. Furthermore, the seat cushion is made with bio-based foam, showcasing a move towards more sustainable materials without compromising on comfort or durability. Staying true to Girard’s signature aesthetic, the reintroduced stool is available in a curated selection of textile options that celebrate his highly sought-after motifs. These vibrant and engaging patterns add a playful touch to any space, reflecting Girard’s deep appreciation for folk art, typography, and vivid color. This new Girard stool is actually a faithful reproduction of Alexander Girard’s original 1967 design. You can use it as a footrest, extra seat, or a decorative perch for when you’re modeling or taking pictures. Or you can just use it as a regular stool. It’s upholstered in a curated selection of Alexander Girard’s celebrated patterns which can still fit in with a lot of modern aesthetics. It weighs only 7 lbs but has a weight capacity of 250 lbs. It’s also ready to use right out of the box so no need for any instructions or assembly. The reintroduction of the Girard Stool underscores Herman Miller’s ongoing dedication to preserving design history while embracing sustainable practices. This updated classic offers a perfect blend of timeless charm, everyday practicality, and responsible material choices, making it a welcome addition to any contemporary home or office. I’m not someone who loves sitting on stools as it’s not lower back friendly but it can be an interesting addition to your space even if you don’t use it for sitting. The post Herman Miller Girard Stool gets a modern update first appeared on Yanko Design.

Smart TVs, take note Breaking down why Apple TVs are privacy advocates’ go-to streaming device Using the Apple TV app or an Apple account means giving Apple more data, though. Scharon Harding – Jun 1, 2025 7:35 am | 22 Credit: Aurich Lawson | Getty Images Credit: Aurich Lawson | Getty Images Story text Size Small Standard Large Width * Standard Wide Links Standard Orange * Subscribers only   Learn more Every time I write an article about the escalating advertising and tracking on today's TVs, someone brings up Apple TV boxes. Among smart TVs, streaming sticks, and other streaming devices, Apple TVs are largely viewed as a safe haven. "Just disconnect your TV from the Internet and use an Apple TV box." That's the common guidance you'll hear from Ars readers for those seeking the joys of streaming without giving up too much privacy. Based on our research and the experts we've consulted, that advice is pretty solid, as Apple TVs offer significantly more privacy than other streaming hardware providers. But how private are Apple TV boxes, really? Apple TVs don't use automatic content recognition (ACR, a user-tracking technology leveraged by nearly all smart TVs and streaming devices), but could that change? And what about the software that Apple TV users do use—could those apps provide information about you to advertisers or Apple? In this article, we'll delve into what makes the Apple TV's privacy stand out and examine whether users should expect the limited ads and enhanced privacy to last forever. Apple TV boxes limit tracking out of the box One of the simplest ways Apple TVs ensure better privacy is through their setup process, during which you can disable Siri, location tracking, and sending analytics data to Apple. During setup, users also receive several opportunities to review Apple's data and privacy policies. Also off by default is the boxes' ability to send voice input data to Apple. Most other streaming devices require users to navigate through pages of settings to disable similar tracking capabilities, which most people are unlikely to do. Apple’s approach creates a line of defense against snooping, even for those unaware of how invasive smart devices can be. Apple TVs running tvOS 14.5 and later also make third-party app tracking more difficult by requiring such apps to request permission before they can track users. "If you choose Ask App Not to Track, the app developer can’t access the system advertising identifier (IDFA), which is often used to track," Apple says. "The app is also not permitted to track your activity using other information that identifies you or your device, like your email address." Users can access the Apple TV settings and disable the ability of third-party apps to ask permission for tracking. However, Apple could further enhance privacy by enabling this setting by default. The Apple TV also lets users control which apps can access the set-top box's Bluetooth functionality, photos, music, and HomeKit data (if applicable), and the remote's microphone. "Apple’s primary business model isn’t dependent on selling targeted ads, so it has somewhat less incentive to harvest and monetize incredible amounts of your data," said RJ Cross, director of the consumer privacy program at the Public Interest Research Group (PIRG). "I personally trust them more with my data than other tech companies." What if you share analytics data? If you allow your Apple TV to share analytics data with Apple or app developers, that data won't be personally identifiable, Apple says. Any collected personal data is "not logged at all, removed from reports before they’re sent to Apple, or protected by techniques, such as differential privacy," Apple says. Differential privacy, which injects noise into collected data, is one of the most common methods used for anonymizing data. In support documentation (PDF), Apple details its use of differential privacy: The first step we take is to privatize the information using local differential privacy on the user’s device. The purpose of privatization is to assure that Apple’s servers don't receive clear data. Device identifiers are removed from the data, and it is transmitted to Apple over an encrypted channel. The Apple analysis system ingests the differentially private contributions, dropping IP addresses and other metadata. The final stage is aggregation, where the privatized records are processed to compute the relevant statistics, and the aggregate statistics are then shared with relevant Apple teams. Both the ingestion and aggregation stages are performed in a restricted access environment so even the privatized data isn’t broadly accessible to Apple employees. What if you use an Apple account with your Apple TV? Another factor to consider is Apple's privacy policy regarding Apple accounts, formerly Apple IDs. Apple support documentation says you "need" an Apple account to use an Apple TV, but you can use the hardware without one. Still, it's common for people to log into Apple accounts on their Apple TV boxes because it makes it easier to link with other Apple products. Another reason someone might link an Apple TV box with an Apple account is to use the Apple TV app, a common way to stream on Apple TV boxes. So what type of data does Apple harvest from Apple accounts? According to its privacy policy, the company gathers usage data, such as "data about your activity on and use of" Apple offerings, including "app launches within our services...; browsing history; search history; [and] product interaction." Other types of data Apple may collect from Apple accounts include transaction information (Apple says this is "data about purchases of Apple products and services or transactions facilitated by Apple, including purchases on Apple platforms"), account information ("including email address, devices registered, account status, and age"), device information (including serial number and browser type), contact information (including physical address and phone number), and payment information (including bank details). None of that is surprising considering the type of data needed to make an Apple account work. Many Apple TV users can expect Apple to gather more data from their Apple account usage on other devices, such as iPhones or Macs. However, if you use the same Apple account across multiple devices, Apple recognizes that all the data it has collected from, for example, your iPhone activity, also applies to you as an Apple TV user. A potential workaround could be maintaining multiple Apple accounts. With an Apple account solely dedicated to your Apple TV box and Apple TV hardware and software tracking disabled as much as possible, Apple would have minimal data to ascribe to you as an Apple TV owner. You can also use your Apple TV box without an Apple account, but then you won't be able to use the Apple TV app, one of the device's key features. Data collection via the Apple TV app You can download third-party apps like Netflix and Hulu onto an Apple TV box, but most TV and movie watching on Apple TV boxes likely occurs via the Apple TV app. The app is necessary for watching content on the Apple TV+ streaming service, but it also drives usage by providing access to the libraries of many (but not all) popular streaming apps in one location. So understanding the Apple TV app’s privacy policy is critical to evaluating how private Apple TV activity truly is. As expected, some of the data the app gathers is necessary for the software to work. That includes, according to the app's privacy policy, "information about your purchases, downloads, activity in the Apple TV app, the content you watch, and where you watch it in the Apple TV app and in connected apps on any of your supported devices." That all makes sense for ensuring that the app remembers things like which episode of Severance you're on across devices. Apple collects other data, though, that isn't necessary for functionality. It says it gathers data on things like the "features you use (for example, Continue Watching or Library)," content pages you view, how you interact with notifications, and approximate location information (that Apple says doesn't identify users) to help improve the app. Additionally, Apple tracks the terms you search for within the app, per its policy: We use Apple TV search data to improve models that power Apple TV. For example, aggregate Apple TV search queries are used to fine-tune the Apple TV search model. This data usage is less intrusive than that of other streaming devices, which might track your activity and then sell that data to third-party advertisers. But some people may be hesitant about having any of their activities tracked to benefit a multi-trillion-dollar conglomerate. Data collected from the Apple TV app used for ads By default, the Apple TV app also tracks "what you watch, your purchases, subscriptions, downloads, browsing, and other activities in the Apple TV app" to make personalized content recommendations. Content recommendations aren't ads in the traditional sense but instead provide a way for Apple to push you toward products by analyzing data it has on you. You can disable the Apple TV app's personalized recommendations, but it's a little harder than you might expect since you can't do it through the app. Instead, you need to go to the Apple TV settings and then select Apps > TV > Use Play History > Off. The most privacy-conscious users may wish that personalized recommendations were off by default. Darío Maestro, senior legal fellow at the nonprofit Surveillance Technology Oversight Project (STOP), noted to Ars that even though Apple TV users can opt out of personalized content recommendations, "many will not realize they can." Apple can also use data it gathers on you from the Apple TV app to serve traditional ads. If you allow your Apple TV box to track your location, the Apple TV app can also track your location. That data can "be used to serve geographically relevant ads," according to the Apple TV app privacy policy. Location tracking, however, is off by default on Apple TV boxes. Apple's tvOS doesn't have integrated ads. For comparison, some TV OSes, like Roku OS and LG's webOS, show ads on the OS's home screen and/or when showing screensavers. But data gathered from the Apple TV app can still help Apple's advertising efforts. This can happen if you allow personalized ads in other Apple apps serving targeted apps, such as Apple News, the App Store, or Stocks. In such cases, Apple may apply data gathered from the Apple TV app, "including information about the movies and TV shows you purchase from Apple, to serve ads in those apps that are more relevant to you," the Apple TV app privacy policy says. Apple also provides third-party advertisers and strategic partners with "non-personal data" gathered from the Apple TV app: We provide some non-personal data to our advertisers and strategic partners that work with Apple to provide our products and services, help Apple market to customers, and sell ads on Apple’s behalf to display on the App Store and Apple News and Stocks. Apple also shares non-personal data from the Apple TV with third parties, such as content owners, so they can pay royalties, gauge how much people are watching their shows or movies, "and improve their associated products and services," Apple says. Apple's policy notes: For example, we may share non-personal data about your transactions, viewing activity, and region, as well as aggregated user demographics[,] such as age group and gender (which may be inferred from information such as your name and salutation in your Apple Account), to Apple TV strategic partners, such as content owners, so that they can measure the performance of their creative work [and] meet royalty and accounting requirements. When reached for comment, an Apple spokesperson told Ars that Apple TV users can clear their play history from the app. All that said, the Apple TV app still shares far less data with third parties than other streaming apps. Netflix, for example, says it discloses some personal information to advertising companies "in order to select Advertisements shown on Netflix, to facilitate interaction with Advertisements, and to measure and improve effectiveness of Advertisements." Warner Bros. Discovery says it discloses information about Max viewers "with advertisers, ad agencies, ad networks and platforms, and other companies to provide advertising to you based on your interests." And Disney+ users have Nielsen tracking on by default. What if you use Siri? You can easily deactivate Siri when setting up an Apple TV. But those who opt to keep the voice assistant and the ability to control Apple TV with their voice take somewhat of a privacy hit. According to the privacy policy accessible in Apple TV boxes' settings, Apple boxes automatically send all Siri requests to Apple's servers. If you opt into using Siri data to "Improve Siri and Dictation," Apple will store your audio data. If you opt out, audio data won't be stored, but per the policy: In all cases, transcripts of your interactions will be sent to Apple to process your requests and may be stored by Apple. Apple TV boxes also send audio and transcriptions of dictation input to Apple servers for processing. Apple says it doesn't store the audio but may store transcriptions of the audio. If you opt to "Improve Siri and Dictation," Apple says your history of voice requests isn't tied to your Apple account or email. But Apple is vague about how long it may store data related to voice input performed with the Apple TV if you choose this option. The policy states: Your request history, which includes transcripts and any related request data, is associated with a random identifier for up to six months and is not tied to your Apple Account or email address. After six months, you request history is disassociated from the random identifier and may be retained for up to two years. Apple may use this data to develop and improve Siri, Dictation, Search, and limited other language processing functionality in Apple products ... Apple may also review a subset of the transcripts of your interactions and this ... may be kept beyond two years for the ongoing improvements of products and services. Apple promises not to use Siri and voice data to build marketing profiles or sell them to third parties, but it hasn't always adhered to that commitment. In January, Apple agreed to pay $95 million to settle a class-action lawsuit accusing Siri of recording private conversations and sharing them with third parties for targeted ads. In 2019, contractors reported hearing private conversations and recorded sex via Siri-gathered audio. Outside of Apple, we've seen voice request data used questionably, including in criminal trials and by corporate employees. Siri and dictation data also represent additional ways a person's Apple TV usage might be unexpectedly analyzed to fuel Apple's business. Automatic content recognition Apple TVs aren't preloaded with automatic content recognition (ACR), an Apple spokesperson confirmed to Ars, another plus for privacy advocates. But ACR is software, so Apple could technically add it to Apple TV boxes via a software update at some point. Sherman Li, the founder of Enswers, the company that first put ACR in Samsung TVs, confirmed to Ars that it's technically possible for Apple to add ACR to already-purchased Apple boxes. Years ago, Enswers retroactively added ACR to other types of streaming hardware, including Samsung and LG smart TVs. (Enswers was acquired by Gracenote, which Nielsen now owns.) In general, though, there are challenges to adding ACR to hardware that people already own, Li explained: Everyone believes, in theory, you can add ACR anywhere you want at any time because it's software, but because of the way [hardware is] architected... the interplay between the chipsets, like the SoCs, and the firmware is different in a lot of situations. Li pointed to numerous variables that could prevent ACR from being retroactively added to any type of streaming hardware, "including access to video frame buffers, audio streams, networking connectivity, security protocols, OSes, and app interface communication layers, especially at different levels of the stack in these devices, depending on the implementation." Due to the complexity of Apple TV boxes, Li suspects it would be difficult to add ACR to already-purchased Apple TVs. It would likely be simpler for Apple to release a new box with ACR if it ever decided to go down that route. If Apple were to add ACR to old or new Apple TV boxes, the devices would be far less private, and the move would be highly unpopular and eliminate one of the Apple TV's biggest draws. However, Apple reportedly has a growing interest in advertising to streaming subscribers. The Apple TV+ streaming service doesn't currently show commercials, but the company is rumored to be exploring a potential ad tier. The suspicions stem from a reported meeting between Apple and the United Kingdom's ratings body, Barb, to discuss how it might track ads on Apple TV+, according to a July report from The Telegraph. Since 2023, Apple has also hired several prominent names in advertising, including a former head of advertising at NBCUniversal and a new head of video ad sales. Further, Apple TV+ is one of the few streaming services to remain ad-free, and it's reported to be losing Apple $1 billion per year since its launch. One day soon, Apple may have much more reason to care about advertising in streaming and being able to track the activities of people who use its streaming offerings. That has implications for Apple TV box users. "The more Apple creeps into the targeted ads space, the less I’ll trust them to uphold their privacy promises. You can imagine Apple TV being a natural progression for selling ads," PIRG's Cross said. Somewhat ironically, Apple has marketed its approach to privacy as a positive for advertisers. "Apple’s commitment to privacy and personal relevancy builds trust amongst readers, driving a willingness to engage with content and ads alike," Apple's advertising guide for buying ads on Apple News and Stocks reads. The most private streaming gadget It remains technologically possible for Apple to introduce intrusive tracking or ads to Apple TV boxes, but for now, the streaming devices are more private than the vast majority of alternatives, save for dumb TVs (which are incredibly hard to find these days). And if Apple follows its own policies, much of the data it gathers should be kept in-house. However, those with strong privacy concerns should be aware that Apple does track certain tvOS activities, especially those that happen through Apple accounts, voice interaction, or the Apple TV app. And while most of Apple's streaming hardware and software settings prioritize privacy by default, some advocates believe there's room for improvement. For example, STOP's Maestro said: Unlike in the [European Union], where the upcoming Data Act will set clearer rules on transfers of data generated by smart devices, the US has no real legislation governing what happens with your data once it reaches Apple's servers. Users are left with little way to verify those privacy promises. Maestro suggested that Apple could address these concerns by making it easier for people to conduct security research on smart device software. "Allowing the development of alternative or modified software that can evaluate privacy settings could also increase user trust and better uphold Apple's public commitment to privacy," Maestro said. There are ways to limit the amount of data that advertisers can get from your Apple TV. But if you use the Apple TV app, Apple can use your activity to help make business decisions—and therefore money. As you might expect from a device that connects to the Internet and lets you stream shows and movies, Apple TV boxes aren't totally incapable of tracking you. But they're still the best recommendation for streaming users seeking hardware with more privacy and fewer ads. Scharon Harding Senior Technology Reporter Scharon Harding Senior Technology Reporter Scharon is a Senior Technology Reporter at Ars Technica writing news, reviews, and analysis on consumer gadgets and services. She's been reporting on technology for over 10 years, with bylines at Tom’s Hardware, Channelnomics, and CRN UK. 22 Comments

Navigating city streets by bicycle is an experience that blends independence, speed, and a closer connection to your surroundings. Yet, cycling in the urban landscape also means dealing with shifting weather, crowded roads, and the need to carry essentials in a way that doesn’t slow you down. Every ride calls for a careful balance of safety and convenience—whether you’re commuting to work, running errands, or simply exploring the city’s neighborhoods. Urban cyclists know that the right accessories can make all the difference. A secure lock offers peace of mind at every stop, while smart lights and protective gear boost visibility and confidence among traffic. The challenge of unpredictable rain or the need to carry bulky items can turn a simple trip into a logistical headache without the right solutions. Today’s innovative cycling accessories are designed to meet these demands, combining clever engineering with practical features to support every aspect of city riding. We have curated ten excellent products designed for cyclists who want to ride smarter, safer, and more comfortably in the city. 1. Omnilock The Omnilock is a three-in-one accessory that acts as a heavy-duty bike lock, a bright taillight, and a portable tire inflator. Its integrated design means fewer separate gadgets to carry, making commuting more streamlined and convenient. The taillight increases visibility in low light, while the lock’s sturdy construction helps keep your bike secure at public racks or in urban parking spots. Urban cyclists benefit from knowing they have essential safety and emergency features always at hand. The tire inflator is built directly into the device, so unexpected flats can be handled on the go. Combining these tools into one compact accessory saves space in your bag and reduces the risk of forgetting a critical item during busy daily routines. What we like Combines lock, light, and inflator. Improves night visibility and security. What we dislike Heavier than standard locks. Not as compact as basic alternatives. 2. Sherman Bike Backpack This bike backpack features a flexible tri-fold design with open sides, allowing you to carry large or irregularly shaped objects, like spare tires or boxes, that wouldn’t fit in traditional bags. Adjustable straps help secure oversized items, and the backpack adapts to different cargo shapes, making it ideal for city errands or racing support. It is great for urban cyclists, as it offers the freedom to carry whatever the day demands, from groceries and packages to cycling essentials. Its adaptable structure means fewer limitations, supporting spontaneous trips and unexpected needs. The open sides add versatility, while the overall design keeps your load steady and easy to manage on busy city streets. What we like Fits oversized and odd-shaped items. Adjustable, adaptable design. What we dislike Less protection from rain or dust. It can be awkward with heavy loads. 3. BellBeats BellBeats is a digital bike bell that doubles as a Bluetooth speaker, mounting easily to your handlebars. It delivers clear, customizable alert tones for safety and can stream music, navigation, or calls from your phone. Its compact design keeps your cockpit tidy, while the rechargeable battery ensures consistent performance on daily rides. BellBeats makes it easy for cyclists to alert pedestrians and vehicles, even in noisy city environments. The ability to switch between bell functions and speaker mode adds convenience, letting you stay aware of traffic or enjoy entertainment without removing your hands from the bars. It’s a smart solution for both safety and enjoyment in the city. What we like Dual function as a bell and a speaker. Customizable tones for alerts. What we dislike Needs regular charging. Music quality is basic. 4. vabsRider Bicycle Saddle The vabsRider saddle features a split, movable seat design that adapts to your pedaling motion. This dynamic movement reduces pressure on sensitive areas and aims to prevent soreness, allowing for longer, more comfortable rides. The saddle’s engineering helps distribute weight more evenly, supporting healthy posture and reducing fatigue. Urban cyclists are offered increased comfort, especially on longer commutes or frequent rides. The unique design helps alleviate the discomfort that can come from traditional saddles, making daily cycling a more inviting option. With less pain and better support, city riders can focus on navigating traffic and enjoying their journey. What we like Reduces pressure and soreness. Moves with the rider for comfort. What we dislike Unusual feel at first use. May not fit all seat posts. 5. Flitedeck Flitedeck is a carbon fiber smart handlebar that integrates a touchscreen, built-in headlight, and wireless connectivity (Bluetooth, ANT+, WiFi, 5G) into one cockpit. The system provides instant access to navigation, performance data, and lighting, all without cluttering the handlebars with separate devices. Its carbon construction keeps it lightweight and sleek. It is important for cyclists to have all essential controls and information in one place since it increases both safety and convenience. This integration helps reduce distractions, letting you focus on the road. Real-time data and built-in lighting make city rides easier to manage, especially when navigating unpredictable traffic or dimly lit streets. What we like Integrated touchscreen, lights, and connectivity. Streamlined, lightweight design. What we dislike Heavier than non-digital bars. Advanced setup required. 6. STAN Airbag The STAN Airbag backpack deploys an airbag in 0.1 seconds during a crash, protecting your head, neck, chest, and back. The backpack includes an integrated back protector, offering added safety even without airbag deployment. The system is rechargeable and designed for everyday use, making it a practical upgrade for regular city cycling. For urban cyclists, this backpack brings peace of mind on unpredictable streets. The rapid-deploy airbag provides an extra layer of safety beyond a helmet, while the back protector helps shield against impacts. It’s a valuable choice for riders who prioritize safety on busy or high-risk commutes. What we like Fast-deploying airbag protection. Extra back protection is built in. What we dislike Heavier than standard backpacks. Needs regular charging and checks. 7. Soft Top Cover The Soft Top Cover is a bike-mounted rain and wind shield that attaches quickly to most handlebars. It keeps your upper body, legs, and shoes dry without the need for rain gear. The cover tracks with your steering, is lightweight, and can be easily installed or removed for convenience. Urban cyclists benefit by staying dry and visible in wet weather, turning rainy commutes into manageable rides. The cover’s design is streamlined to reduce wind resistance, and its compactness allows easy storage when not in use. It eliminates the hassle of changing clothes or carrying extra rain gear for city trips. What we like Full-body rain and wind protection. Easy installation and removal. What we dislike Not as compact as a poncho. It can be awkward in strong crosswinds. 8. Aerohead II Helmet The Aerohead II Helmet stands out with its aerodynamic, elongated shape and full wraparound visor. Its design reduces wind resistance and protects your eyes from the sun, dust, and debris. The helmet meets strict safety standards and is built for both speed and protection, with ample internal padding for comfort. Urban cyclists gain the advantage of improved safety and efficiency, particularly on fast commutes or when sharing busy roads with vehicles. The extended visor enhances field of vision and shields you from the elements, while the helmet’s streamlined profile helps reduce drag, even in stop-and-go city traffic. What we like Aerodynamic and protective design. Extended visor for sun and debris. What we dislike Bulky for casual use. A distinctive look may not suit everyone. 9. AirBell The AirBell is a discreet bicycle bell that doubles as an anti-theft device by hiding an Apple AirTag inside. Its universal design fits standard handlebars and is easy to install, requiring just a single screw. The bell itself is made from aluminum for a classic, clear ring, while the rugged clamp uses fiber-reinforced plastic for added durability. The hidden compartment keeps your AirTag out of sight, adding a layer of security without drawing attention. The AirBell offers peace of mind and real-time tracking to cyclists, making it easier to locate your bike if it’s lost or stolen in a crowded city. The ability to use Apple’s Find My network gives riders a modern solution to bike theft, all while maintaining the bell’s core function for safety. The compact, affordable design makes it a practical upgrade for anyone who wants to protect their ride without extra bulk. What we like Discreet AirTag holder for tracking. Simple installation and universal fit. What we dislike Only works with Apple AirTag. Bell sound may be quieter than larger bells. 10. The LIVALL LTSW21 The LIVALL LTS21 wireless earphones are purpose-built for cyclists, featuring an open-ear design that preserves situational awareness while you ride. Unlike traditional earbuds, the LTS21 can be used with most cycling helmets thanks to modular attachments, including a secure sports band and a unique helmet bracket that mounts the earphones directly to your helmet. This setup ensures the earphones stay in place whether you’re riding, running, or working out. It offers urban cyclists the ability to listen to music, podcasts, or take calls without blocking out essential city sounds like car horns, traffic, or warnings from other riders. The open-ear design prioritizes safety, while the hands-free features support convenient communication on the go. Riders can interact with voice assistants and remain connected, all without compromising awareness on busy city streets. What we like Open-ear design maintains situational awareness. Helmet-friendly mounting for secure use. What we dislike Audio quality may not match in-ear earbuds. Open design may let in wind noise at high speeds. The post 10 Best Bike Gear For Urban Cyclists To Boost Safety & Convenience first appeared on Yanko Design.

Small sectional sofas (which are a thing, trust us) are just the right seating solution for those with cramped spaces who recognize that it’s not humanly possible to get cozy on a loveseat. “A sectional can give you that maxed-out seating and help the room feel like a cozy nook, not a cramped back office,” says designer Caroline Burke of Anna Burke Interiors.Though sectionals in all their long configurations can feel counterintuitive for small spaces, designer Ashley Darryl says the opposite is often true. “Sometimes using several small pieces can make a room feel cluttered,” says of the sofa-chair-table cluster that’s become de rigueur in living rooms. Whether your goal is to fit the whole family for movie night or just successfully stretch out completely solo, the right-size sectional can transform a cramped room in unexpected ways.“Typically, sectionals can double your seating,” notes AD100 interior designer Victoria Hagan, and author of Live Now. Burke agrees, adding that choosing a piece with a low back and arms can “help a small room not feel engulfed by a piece of furniture.”To help with your seating journey, we pulled together our favorite sectionals for small spaces—from bouclé beauties to rawhide leather configurations. Read up on some common seating FAQs below, answered by designers, as well.Our Top Picks for the Best Small Sectional SofasBest Leather Option: Castlery Jonathan Leather Side Chaise Sofa, $4,547Best Upholstered Sofa: Vesgantti Modular Sectional Sofa, $700 $550Best Sleeper Sofa: Pottery Barn Shasta Reversible Chaise Sleeper Sectional, $2,599For Sculptural Seating: AllModern Anson Modular Sectional, $3,098 $2,673For Iconic Design: Herman Miller Luva Modular Sectional, $8,430For a Modular Arrangement: Burrow Range 3-Piece Sectional Lounger, $1299 $979In This ArticleBest Leather OptionCastlery Jonathan Leather Side Chaise SectionalSpecsDimensions: 27.6"H x 84.3"W x 94.1"D (long side) and 39.4"D (short side)Seat Depth: 24.4"Materials: Top grain leather, veneer lumber, and plywoodCare: Wipe clean with dry clothAD commerce director Rachel Fletcher has adored this modular sectional since 2022, reviewing it as “modern, minimalist, and tasteful,” pet-friendly, and a powerful design moment for your living room. This modular sectional includes a versatile chaise lounge so you can expand your sectional or split it up when you move.Best Budget SofaWade Logan Fultonham 6-Piece Upholstered SectionalSpecsDimensions: 27.6"H x 84.3"W x 94.1"D (long side) and 39.4"D (short side)Seat Depth: 24.4"Materials: Top grain leather, veneer lumber, and plywoodCare: Wipe clean with dry clothOkay, yes, six pieces seem like a lot for a small sectional sofa. But keep in mind that you can mix-and-match elements, turning some into cozy reading chairs and connecting others into larger lounge spaces. We love the taller back cushions on this blocky option which ensure that you aren’t slouching your way through your next movie marathon.Best Upholstered SofaVesgantti Modular Sectional SofaSpecsDimensions: 60"D x 108"W x 35.5"HSeat Depth: 26"Materials: Wood, foam fill, chenille upholsteryCare: Wipe clean with dry clothReviews of this Amazon sectional tout the benefits of durable-feeling upholstery and easy assembly. Sure, 108 inches may seem large for small spaces, but that’s only if you format this sofa as a three-seater. A modular makeup ensures that you can move each piece around to best suit your living room. As an added bonus, this sofa comes ready with two sets of legs at varying heights, so you can decide how low to the ground you want to be.For Sculptural SeatingAllModern Anson Modular SectionalSpecsDimensions: 32.5''H x 100.75''W x 61.25''DSeat Depth: Not listedMaterials: Wood, foam, synthetic fiber fill, polyester upholsteryCare: Spot clean with dry, solvent-based cleanerWith a curved, high back that draws you in like a hug, and slim lumbar pillows for added back support, All Modern’s Anson sectional takes the best elements of sculptural furniture and makes them compatible with small space living. Available in three upholstery colors and the option of chaise sides, this sectional sofa is an ideal happy medium between sink-in cozy texture and statement-worthy design.Best Sleeper SofaPottery Barn Shasta Reversible Chaise Sleeper SectionalSpecsDimensions: 83.5"W x 59"D x 35"HSeat Depth: 29.5"Materials: Solid rubberwood frame, polyester-wrapped cushions, innerspring mattress,Care: Blot spills immediately with a clean, colorfast towel or sponge, vacuum cushions regularlyHosting guests in a small space requires some compromise, but any consummate host knows that good hospitality doesn’t come in the form of a saggy air mattress. Instead, this sleek sofa folds out into a queen-sized bed, accommodating your guests comfortably without taking up too much additional space. All-white can be dicey for any highly trafficked piece of furniture, but the sofa also comes in a range of hardier fabrics like basketweave, tweed, and velvet in all sorts of rich colors. Buyers even have the option to add storage in the chaise.Best Velvet OptionArticle Abisko Velvet SectionalSpecsDimensions: 28"H x 94.5"W x 63.5"DSeat Depth: 25"Materials: Frame: kiln-dried solid larch, plywood, brushed aluminum; Filling: high-density foam, polyester fiber; Fabric: 100% polyesterCare: Blot stains with a dry clothThe best-selling Sven sectional from Article is made even more beautiful by colorful, performance velvet upholstery. Suitable for those with little ones and pets running around, the fabric is non-absorptive, meaning spills and crumbs won’t stay embedded in its weave. Two orientations—chaise and L-shaped—allow you to Tetris its silhouette into your space as you see fit.For Cloudlike UpholsteryWest Elm Harmony Modular Chaise SectionalSpecsDimensions: 86"W x 62"D x 37"HSeat Depth: 23"Materials: Engineered hardwood frame, fiber-wrapped high-density polyurethane foam, high-gauge sinuous springs, upholstery (linen, basketweave, velvet, chenille, and twill options)Care: Blot spills immediately with a clean, colorfast towel; spot clean with a damp cloth or spongeWith a seat depth of 23 inches, this is the ideal small sectional for sinking in and getting cozy. A multitude of pillows allows for added comfort, while the chaise seat lets at least one person on the end stretch their legs out. Rather than simply make this sofa smaller or more narrow, the entire size has also been scaled down to look proportional without sacrificing style in smaller living rooms.For a Thoroughly Modern SilhouetteDesign Within Reach Pastille Sectional ChaiseSpecsDimensions: 57"D x 80"W x 32"HSeat Depth: 23"Materials: Steel-reinforced plywood frame, high-density, high-resiliency foam cushions, memory foam toppers, fabric or leather upholsteryCare: Spot cleanThe Pastille Sectional with an included chaise is an appropriate ode to the British candy, combining clean lines with cheerful colorways. Designed by Hlynur Atlason, this lounge sofa features a low seat (approximately 18 inches high), for not only cramped quarters, but low-ceilinged ones, too. And thanks to the lightness of the design, this sofa will also never look too heavy or oversized for your living room.For an Artpiece SofaHerman Miller Luva Modular SectionalSpecsDimensions: 61.5"D x 78.25"W x 40.75"HSeat Depth: 51.5"Materials: Steel frame, layered foam, fabric or leather upholsteryCare: Spot cleanSmall in stature but never short on personality, the Luva modular sectional has a squishy texture and a cartoonish shape. Available in a two and three seater configuration and countless upholstery options (like this Kindercore yellow), this versatile 78-inch sectional would feel right at home in a basement or a reading corner in need of some verve. It’s certainly a splurge, but for the iconic Herman Miller name, plus full assembly included in the price tag, it’s an investment that we imagine will hold up nicely over time.For a Modular ArrangementBurrow Range 3-Piece Sectional LoungerSpecsDimensions: 28"H x 62"W x 60.5"DSeat Depth: 21"Materials: Bent plywood frame, medium-density foam, shredded fill, fiber wadding, basketweave or velvet upholsteryCare: Water and bleach solutionInstead of opting for a giant L-shaped sectional that will take up the entire room, aim for something with a smaller footprint. Available in performance fabric and three leg finishes, this sectional couch is ideal for a tiny living space and a major upgrade from a smaller loveseat thanks to the chaise addition. While not an official fold-out sleeper sofa, the back cushions flop back to give you enough space should you be inclined to nap. Contributor David Kaufman, who tested it out for us, calls it “a great starter sofa for a first home or apartment that you won’t have to send to a landfill when you’re ready to move.”For Some TextureUrban Outfitters Macy Modular SofaSpecsDimensions: 30"H x 40"W x 40"DSeat Depth: Not listedMaterials: Polyester, plywood, pine woodCare: Spot cleanThis one is like a “choose your own adventure” in sofa form. Buy each piece separately to create the perfect sectional for your space. Corner chairs, seats with arms, seats without arms, an ottoman—you’ve got options. The ribbed corduroy is a throwback to college-dorm days (but in a good way).For Low-to-the-Ground LeatherArticle Cigar Rawhide Tan Reversible SectionalSpecsDimensions: 26"H x 92"W x 94"DSeat Depth: 27"Materials: Frame: kiln-dried solid pine, MDF, rubberwood; Filling: high-density foam, polyester fiber, duck feathers; Leather: 100% top grain, full-aniline Italian pull-up leatherCare: Wipe with a damp clothThe reversible chaise makes this sectional super versatile—meaning there’s a good chance it’ll fit right into your next space too. Low profile in silhouette and minimalist in style, the smooth leather texture carries this design’s personality while keeping things sturdy for movie nights. And while it may not be a sofa bed, don’t let anyone dissuade you from a full night’s snooze.Best sectionals for small spaces FAQs:What features should I look for in a sectional for small living rooms?Modular furniture—any sectional that comes in several parts so you can adjust your sofa to suit the configurations—is built with flexibility in mind, making it the ideal contender for a small living space. We have tested and loved Castlery modular sofas, but a search for modular sectional should give you plenty of other options. A room tight on space can benefit from couches with storage, like those from Albany Park. Now you’ll be able to minimize the clutter and extra blankets by stowing them underneath your seat.How do I arrange a sectional in a small space?Don’t fall for the tiniest sectional you can find, but rather invest in something well-made—it plays a big part in your living room, after all. While it may seem counterintuitive, Nashville interior designer Amanda Khouri says, “Filling a small room with small furniture can make it feel…well, smaller.”Designer Alicia Murphy used a sectional in the living room of a teensy trailer she converted into a plush family getaway in Montauk, New York, for this very reason: “If you use a corner sectional rather than a sofa and chair, you most likely will add seating for two or three more people,” Murphy explains, noting that the alternative prevents you from having about 36 inches of dead space in the corner.”

Let's make this simple: You want to know if there are any post- or mid-credits scenes in Karate Kid: Legends. The answer is yes!Well, what do you call it when a movie ends, they cut to a title card, but then they immediately cut to another scene? Let’s call it a starts-credit scene. It would be hard to miss, but if you had to pee and were thinking of leaping out of your seat the second it seemed the movie was over, well, you shouldn’t. Full spoilers for the entire movie follow!The prophecy of six movies and six seasons of a TV show – wait, was that a thing? – has been fulfilled, as the Karate Kid franchise returns to theaters in Karate Kid: Legends. Though it is opening just a few months after the conclusion of the hit Netflix series Cobra Kai, the filmmakers have stressed this is a standalone story and that while Daniel LaRusso (Ralph Macchio) is in both, fans shouldn’t expect the film to continue Cobra Kai storylines, as we shift focus to a new Karate Kid, Li Fong (Ben Wang). Still, it was hard not to wonder if there would be any overt connections between the two beyond Daniel’s presence - or if fans should actually worry that the film would outright contradict the series in any way. Ultimately, while the movie sticks to that standalone promise pretty strongly, and Daniel actually has a relatively small role, there are two scenes that touch upon other aspects of the larger Karate Kid franchise - specifically tied to The Karate Kid Part II and, yes, Cobra Kai. Ranking the Karate Kid MoviesThe Karate Kid Part II Connection (and Continuity Error)Karate Kid: Legends has been marketed as a movie where Li Fong gets trained by two legends from Karate Kid history - Daniel LaRusso and Jackie Chan’s Mr. Han. This is pretty notable because Mr. Han’s only appearance prior to this was alongside Jaden Smith in 2010’s The Karate Kid, a film that was intended at the time to be an outright remake of the 1984 original. And while it changed the character names and locations, it used nearly every notable story beat from the 1984 film. All of which makes it pretty funny that it’s now been retconned to be part of the larger Karate Kid/Cobra Kai universe, since it means we just have to accept Mr. Han and Mr. Miyagi had remarkably similar experiences as widowed handymen who were secretly martial arts masters that ended up mentoring and befriending a bullied young boy who moved into the building they worked in… And then entered them in a tournament where they could face their bully… And one night drunkenly broke down and spoke about their dead family to the kid they were training... And so on…But hey, the universe works in mysterious ways, and I guess maybe it’s even more cosmic that Han and Miyagi lived such similar lives since it turns out they were really good friends whose families had been bonded together for literal centuries! Legends reveals that the two were longtime pals and we even get a photoshopped image of Pat Morita and Jackie Chan in the mid-1980s together to prove it. Legends opens with a flashback scene pulled from The Karate Kid Part II to dive into the bond between the Miyagi and Han families.“Legends actually opens with a flashback scene pulled from The Karate Kid Part II to dive into the bond between the Miyagi and Han families. In Part II, when Daniel traveled with Miyagi to Okinawa, Miyagi explained to him how in the year 1625, his ancestor, fisherman Shimpo Miyagi, got drunk on his boat and woke up to find himself off the coast of China. He would return to Okinawa a decade later with a Chinese wife and two children, also now knowing the secret of Miyagi family karate, bringing karate to Okinawa for the first time in the process. However, Legends transitions from this scene between Daniel and Miyagi into animation accompanied by a soundalike for the late Pat Morita (is it an actual human or AI? Who can say these days?) that goes into specifics we didn’t hear in The Karate Kid Part II. Here, Miyagi says that it was the kung fu experts in the Han family who Shimpo encountered and learned from, and that is what forged a bond that has lasted to the present day between the two families. Oh, and a side note fanboy rant: Karate Kid: Legends literally begins with this flashback scene, alongside onscreen text that says “Okinawa, 1986.” 1986 is the year The Karate Kid Part II was released, yes, but that’s not the year that movie took place in! The Karate Kid Part II is set the summer after Daniel won the All-Valley in December 1984 in the first movie. Hence, it’s the summer of 1985. They make sure to get this right on Cobra Kai when referencing Part II’s events (and hell, when referencing The Karate Kid Part III as well, which takes place later in 1985), so it is odd and annoying that no one noticed this error in the entire process of completing this film, when plenty of Karate Kid/Cobra Kai fans can spot it instantly. Sigh… End rant. PlayLi’s Three Dads (Can Fight)Karate Kid: Legends is actually rather misleading in terms of marketing, because yes, Li ends up being trained by Mr. Han and Daniel together for this film’s big tournament, the New York-based 5 Boroughs. But none of that happens – and we don’t even see Daniel outside of that old Part II footage – until the second half of the movie. The first half follows Li moving to New York with his mom (Ming-Na Wen) where, at first, he’s having the traditional Karate Kid new kid in town path of falling for a friendly cute girl he meets (Sadie Stanley as Mia) whose ex-boyfriend (Aramis Knight as Connor) turns out to be a bullying a-hole who’s also a seemingly unbeatable karate champion. But one big difference this time is that Li actually is a rather formidable kung fu fighter already, thanks to the training he received back in China from Mr. Han - he’s just not ready for someone as skilled as Connor yet. But the other big difference is that the film then takes a huge detour from other Karate Kid films for quite awhile when Li bonds with Mia’s dad, Victor (Joshua Jackson), an ex-boxer turned pizza place owner who’s attempting a boxing comeback in order to quickly make money he needs to pay back a loan from the dangerous O’Shea (Tim Rozon). O’Shea is also the guy who runs the Demolition karate school that trains Connor, so basically think of him as Kreese from the original Karate Kid… if he also had a side hustle as a mobster/loan shark type.      After Li helps Victor fight off some of O’Shea’s goons, Victor is amazed at his fighting prowess and asks the kid to help him train to get back into fighting shape - and pass on some of his kung fu techniques for punching and dodging. Li accepts, and for a surprising amount of the first half of its run time Karate Kid: Legends does a fun twist on the usual underdog story, with the young teen character mentoring the older character on how to fight. However, in Victor’s big comeback fight, his opponent goes for some brutal sucker punches at O’Shea’s orders, sending Victor to the hospital. With Connor still harassing Li and Li now wanting to help Victor and Mia get the money they still need to pay off Victor’s debt, he is convinced by Mr. Han – who comes from China to see him – to enter the 5 Boroughs tournament, which comes with a snazzy $50,000 prize for the winner. Mr. Han will of course help train him, but he can’t do it alone, because the 5 Boroughs is a karate tournament, not kung fu. So it’s off to Los Angeles and to Mr. Miyagi’s house (AKA Miyagi-Do Karate Dojo to Cobra Kai fans) to recruit a reluctant Daniel LaRusso to help, with Han explaining his friendship with Miyagi - though you’d think Daniel might already know about him?Karate Kid: Legends Ending ExplainedSoon enough, as Han predicts, Daniel does come to New York and he and Han team up to get Li ready for the tournament in just a few days time, using his foundation of kung fu to build upon to teach him Miyagi karate. Daniel also gives Li a headband he found among Miyagi’s belongings that he believes is connected to the bond between the Hans and the Miyagis and the idea of “two branches, one tree.” And then Li gets his ass kicked in the tournament and loses to Connor! Li beats Connor, and it being a Karate Kid movie, he does it using a special move he’d practiced earlier, of course.“Just kidding, Li beats Connor, and it being a Karate Kid movie, he does it using a special move he’d practiced earlier, of course - this one a fancy kick his late brother taught him, with an added second slide move suggested by Daniel, since Connor already has seen and countered that kick on its own in a previous skirmish the two had.Does Karate Kid: Legends Have a Mid- or Post-Credits Scene?As mentioned above, Karate Kid: Legends does have an additional scene – two, actually – though they appear almost immediately after the film appears to end, rather than true “mid-credits” scenes, since no credits actually run before they appear. After Li wins, Victor holds him up triumphantly to the cheering crowd and we get the traditional Karate Kid freeze frame on Li and then cut to the movie’s logo filling the screen… Except then, instead of the closing credits beginning, we get the two back-to-back scenes that actually wrap up the story. In the first scene, Victor is opening a new second location for his pizza place, with Li and Mia assisting. Han is there too alongside Li’s mom, though he mentions he will be returning to China soon, while Li says something about a pizza delivery to a notably far address. William Zabka (center) does show up as Johnny Lawrence in the "mid-credits" scene!We then cut to Los Angeles and a knock at the door of Mr. Miyagi’s home. Daniel answers and is confused to see it’s a pizza, saying he didn’t order one. However, when he opens the box, alongside the pizza (which we only glimpse, but it does appear to be freeze-dried, thankfully) is a note from Li, thanking Daniel for his help. Daniel walks inside with the pizza and up to… Johnny Lawrence! Yes, William Zabka does make a cameo in this movie as Johnny, in the one moment at my press screening of Karate Kid: Legends that got a big cheer from the crowd. The scene is an amusing comedic one, as Johnny first mocks the New York pizza Daniel received, insisting the best pizza is in the Valley’s own Encino. He then suggests to Daniel they open their own pizza place, which he has the perfect name for - Miyagi-Dough. An exasperated Daniel tells Johnny that’s offensive and walks off as Johnny begins brainstorming slogans like “Slice hard, slice fast.”So Is That It for Cobra Kai Connections in Karate Kid: Legends? Pretty much. And obviously the Johnny appearance is not an “important” scene, in that it doesn’t overtly set up anything for the future (unless we get a Miyagi-Dough Netflix series), but it does acknowledge Cobra Kai for the first time in the film. Prior to that, at no point does Daniel mention his wife or kids or that he runs a car dealership and an active dojo or really anything about the characters and events from the series, who we can presume are all simply living their lives off screen. But Johnny finally showing up, as Daniel’s pal, does at least let us know they are reinforcing where the show left off as far as where Daniel is in his life. If you’re searching for possible connections beyond that, there are a couple of slight/tenuous ones. When Li is explaining how vicious Connor fights, they end up describing him like he’s a tiger, with Daniel suggesting they just need to bait him. He mentions having fought opponents like that before, though it’s up to the viewer to determine if he means Johnny, Chozen, Mike Barnes, Kreese, Terry Silver, some combination of those guys, or someone else entirely. Then there’s the headband that Daniel says he found among Miyagi’s belongings. Was this something Daniel has had in his possession since Miyagi died or did he find it more recently? The final season of Cobra Kai had Daniel discover a trunk Miyagi had hidden away, containing artifacts from his past, including his headband from the brutal Sekai Taikai tournament. Was this second headband in there too and we just didn’t see it on the show or did Daniel already have it? That’s probably not a question we’ll ever get an answer to on screen, so the answer may be whichever you’d like it to be.But what did you think of Legends? Let’s discuss in the comments!

On this episode of the fxpodcast, we have an exclusive behind-the-scenes look at the visual effects work for Amazon’s Étoile, featuring an in-depth discussion with David Gaddie from Afterparty VFX. The team undertook the challenging face replacement work for the show’s ballet dancers, employing cutting-edge AI technology to seamlessly blend lead actors’ faces onto the performances of professional dance doubles. Étoile, the latest series from Amy Sherman-Palladino, renowned creator of The Marvelous Mrs. Maisel and Gilmore Girls, centers on elite ballet dancers. To realize this vision, the show’s VFX supervisor, Lesley Robson Foster, engaged Afterparty VFX to research and develop innovative AI-driven solutions capable of handling the demanding visual complexities inherent in ballet sequences. This task was notably difficult, as traditional deepfake tools are typically optimized for straightforward, frontal shots. Ballet, however, involves rapid spinning, flips, significant motion blur, and hair frequently obscuring faces, creating immense technical hurdles. Additionally, director Amy Sherman-Palladino preferred long, uninterrupted takes, some lasting nearly a full minute, eliminating conventional editing methods and cheats used to mask transitions between the actors and their dance doubles. Crucially, the final shots needed to authentically reflect the actors’ performances, rather than simply showcasing their doubles. In this episode, we explore in-depth how David Gaddie and the Afterparty VFX team developed proprietary solutions tailored specifically to these unique challenges. Their process combined computer-generated imagery, advanced AI, meticulous data segmentation, extensive manual refinements, and significant artistic skill to achieve convincing, performance-driven visual effects.

We may earn a commission from links on this page.HBO was, for at least a couple of generations, the home of movies on cable—no one else could compete. For a while, it seemed like HBO Max Max HBO Max could well be the ultimate streaming destination for movie lovers, but the jury is still out.Even still, HBO Max maintains a collaboration with TCM, giving it a broad range of classic American and foreign films. It's also the primary streaming home for Studio Ghibli and A24, so even though the streamer hasn't been making as many original films as it did a few years ago, it still has a solid assortment of movies you won't find anywhere else.Here are 30 of the best of HBO Max's recent and/or exclusive offerings.Mickey 17 (2025) The latest from Bong Joon Ho (Parasite, Snowpiercer), Mickey 17 didn't do terribly well at the box office, but that's not entirely the movie's fault. It's a broad but clever and timely satire starring Robert Pattinson as Mickey Barnes, a well-meaning dimwit who signs on with a spaceship crew on its way to colonize the ice world Niflheim. Because of his general lack of skills, he's deemed an Expendable—his memories and DNA are kept on file so that when he, inevitably, dies (often in horrific ways), he'll be reprinted and restored to live and work and die again. Things get complicated when a new Mickey is accidentally printed before the old one has died—a huge taboo among religious types who can handle one body/one soul, but panic at the implications of two identical people walking around. It's also confusing, and eventually intriguing, for Mickey's girlfriend, Nasha (Naomi Ackie). Soon, both Mickey's are on the run from pretty much everyone, including the new colony's MAGA-esque leader (Mark Ruffalo). You can stream Mickey 17 here. Pee-Wee As Himself (2025) Paul Reubens participated in dozens of hours worth of interviews for this two-part documentary, directed by filmmaker Matt Worth, but from the opening moments, the erstwhile Pee-Wee Herman makes clear that he is struggling with the notion of giving up control of his life story to someone else. That's a through line in the film and, as we learn, in the performer's life, as he spent decades struggling with his public profile while maintaining intense privacy in his personal life. Reubens' posthumous coming out as gay is the headline story, but the whole thing provides a fascinating look at an artist who it seems we barely knew. You can stream Pee-Wee As Himself here. The Brutalist (2024) Brady Corbet's epic period drama, which earned 10 Oscar nominations and won Adrian Brody his second Academy Award for Best Actor, follows László Tóth (Adrien Brody), a Hungarian-born Holocaust survivor who emigrates to the United States following the war. His course as a refugee follows highs and devastating lows—he's barely able to find work at first, despite his past as an accomplished Bauhaus-trained architect in Europe. A wealthy benefactor (Guy Pearce) seems like a godsend when he offers László a high-profile project, but discovers the limitations of his talent in the face of American-style antisemitism and boorishness. You can stream The Brutalist here. Babygirl (2024) Nicole Kidman stars in this modern erotic thriller as CEO Romy Mathis, who begins a dangerous (i.e. naughty) affair with her much younger intern (Harris Dickinson). After an opening scene involving some deeply unfulfilling lovemaking with her husband (we'll have to suspend disbelief on the topic of Antonio Banderas as a schlubby, sexually disappointing husband), Romy runs into Samuel (Dickinson), who saves her from a runaway dog before taking her on as his mentor at work. She teaches him about process automation while he teaches her about BDSM, but his sexy, dorky charm soon gives way to something darker. For all the online chatter (Nicole Kidman on all fours lapping up milk!), the captivating performances, and the chilly direction from Halina Reijn, elevate it above more pruient erotic thrillers. You can stream Babygirl here. Bloody Trophy (2025) Bloody Trophy, HBO Max Credit: Bloody Trophy, HBO Max This documentary, centered on the illegal rhinoceros horn trade, gets extra points for going beyond poaching in southern Africa to discuss the global networks involved, and by focusing on the activists and veterinarians working to protect and preserve the endangered species. The broader story is as awful as it is fascinating: webs of smuggling that start with pretend hunts, allowing for quasi-legal exporting of horns to Europe countries (Poland and the Czech Republic being particular points of interest), and often coordinated by Vietnamese mafia organizations. You can stream Bloody Trophy here. Adult Best Friends (2024) Katie Corwin and Delaney Buffett co-write and star as a pair of lifelong friends, now in their 30s, who find their lives going in very different directions. Delaney (Buffett, who also directs) who has no interest in settling down or committing to one guy, while Katie (Corwin) is afraid to tell her hard-partying bestie that she's getting married. Katie plans a BFF weekend to break the news, only to see that the trip back to their childhood home town fall prey to a string of wild and wacky complications. You can stream Adult Best Friends here.2073 (2024) Inspired by Chris Marker's 1962 featurette La Jetée, which itself inspired the feature 12 Monkeys, docudrama 2073 considers the state of our world in the present through the framing device of a woman (Samantha Morton) gazing back from the titular year and meditating on the road that led to an apocalypse of sorts. Her reverie considers, via real-life, current, news footage, the rise of modern popular authoritarianism in the modes of Orbán, Trump, Putin, Modi, and Xi, and their alignment with tech bros in such a way as to accelerate a coming climate catastrophe. It's not terribly subtle, but neither is the daily news. You can stream 2073 here. Flow (2024) A gorgeous, wordless animated film that follows a cat through a post-apocalyptic world following a devastating flood. The Latvian import, about finding friends and searching for home in uncertain times, won a well-deserved Best Animated Picture Oscar. It's also, allegedly, very popular with pets—though my dog slept right through it. You can stream Flow here. Heretic (2024) Two young Mormon missionaries (Sophie Thatcher and Chloe East) show up at the home of a charming, reclusive man (a deeply creepy Hugh Grant) who invites them in because, he says, he wants to explore different faiths. Which turns out to be true—except that he has ideas that go well beyond anything his two guests have in their pamphlets. It soon becomes clear that they're not going to be able to leave without participating in Mr. Reed's games, and this clever, cheeky thriller doesn't always go where you think it's going. You can stream Heretic here. Queer (2024) Director Luca Guadagnino followed up his vaguely bisexual tennis movie Challengers with this less subtle (it's in the title) William S. Burroughs adaptation. Daniel Craig plays William Lee (a fictionalized version of Burroughs himself), a drug-addicted American expat living in Mexico City during the 1950s. He soon becomes infatuated with Drew Starkey's Eugene Allerton, and the two take a gorgeous journey through Mexico, through ayahuasca, and through their own sexualities. You can stream Queer here. The Parenting (2025) Rohan (Nik Dodani) and Josh (Brandon Flynn) invite both their sets of parents to a remote country rental so that everyone can meet, which sounds like plenty of horror for this horror-comedy. But wait! There's more: A demon conjured from the wifi router enters the body of Rohan's dad (Brian Cox), an event further complicated by the arrival of the house's owner (Parker Posey). It's wildly uneven, but there's a lot of fun to be had. The supporting cast includes Edie Falco, Lisa Kudrow, and Dean Norris. You can stream The Parenting here.Juror #2 (2024) Clint Eastwood's latest (last?) is a high-concept legal drama that boasts a few impressive performances highlighted by his straightforward directorial style. Nicholas Hoult stars as Justin Kemp, a journalist and recovering alcoholic assigned to jury duty in Savannah, Georgia. The case involves the death of a woman a year earlier, presumably killed by the defendant, her boyfriend at the time. But as the case progresses,Kemp slowly comes to realize that he knows more about the death than anyone else in the courtroom, and has to find a way to work to acquit the defendant without implicating himself. You can stream Juror #2 here.Godzilla x Kong: The New Empire (2024) While Godzilla Minus One proved that Japanese filmmakers remain adept at wringing genuine drama out of tales of the city-destroying kaiju, the American branch of the franchise is offering up deft counter-programming. That is to say, Godzilla x Kong: The New Empire is every bit as ridiculous as its title suggests, with Godzilla and Kong teaming up to battle a tribe of Kong's distant relatives—they live in the other dimensional Hollow Earth and have harnessed the power of an ice Titan, you see. It's nothing more, nor less, than a good time with giant monsters. You can stream Godzilla x Kong: The New Empire here.We Live in Time (2024) Director John Crowley had a massive critical success with 2015's Brooklyn, but 2019's The Goldfinch was a disappointment in almost every regard. Nonlinear romantic drama We Live in Time, then, feels like a bit of a return to form, with Florence Pugh and Andrew Garfield displaying impressive chemistry as the couple at the film's center. The two meet when she hits him with her car on the night he's finalizing his divorce, and the movie jumps about in their relationship from the early days, to a difficult pregnancy, to a cancer diagnosis, without ever feeling excessively gimmicky. You can stream We Live in Time here.Trap (2024) Cooper (Josh Hartnett) is a pretty cool dad in M. Night Shyamalan’s latest, taking his daughter Riley (Ariel Donoghue) to see a very cool Billie Eilish-ish pop star in concert. But we soon learn that Cooper is also a notorious serial killer (this is not the patented Shyamalan twist, in case you were worried about spoilers). The FBI knows that "The Butcher" will be at the concert, even if they don't know exactly who it is, and the whole thing is a, yes, trap that Cooper must escape. Of such premises are fun thrillers made, and Hartnett has fun with the central role, his performance growing increasingly tic-y and unhinged even as Cooper tries to make sure his daughter gets to enjoy the show. You can stream Trap here.Caddo Lake (2024) While we're on the subject of M. Night Shyamalan, he produced this trippy thriller that spends a big chunk of its runtime looking like a working-class drama before going full whackadoo in ways best not spoiled. Eliza Scanlen stars as Ellie, who lives near the title lake with her family, and where it appears that her 8-year-old stepsister has vanished. Dylan O'Brien plays Paris, who works dredging the lake while dealing with survivor's guilt and the trauma of his mother's slightly mysterious death. Their stories (and backstories) merge when they discover that one doesn't always leave the lake the same as they went in. You can stream Caddo Lake here.Dune: Part Two (2024) Denis Villeneuve stuck the landing on his adaptation of the latter part of Frank Herbert's epic novel, so much so that Dune zealots are already looking ahead to a third film, adapting the second book in the series. The chilly (metaphorically) and cerebral sequel was a critical as well as a box office success—surprising on both counts, especially considering that the beloved book was once seen as more or less unadaptable (with the deeply weird David Lynch version serving as Exhibit A in support of that assertion). If you're playing catch-up, HBO Max also has the first Dune, and the rather excellent spin-off series (Dune: Prophecy). You can stream Dune: Part Two here.Problemista (2024) Julio Torres (creator of Los Espookys and Fantasmas, also available on HBO Max) wrote, produced, directed, and stars in this surreal comedy about a toy designer from El Salvador working in the United States under a visa that's about to expire. What to do but take a desperation job with quirky, volatile artist Elizabeth (Tilda Swinton)? The extremely offbeat and humane comedy has been earning raves since it debuted at South by Southwest last year. RZA, Greta Lee, and Isabella Rossellini also star. You can stream Problemista here.MaXXXine (2024) The final (for now, anyway) film in Ti West's X trilogy once again stars Mia Goth as fame-obsessed Maxine Minx. Moving on from adult films, Maxine gets a lead role in a horror movie, only to find herself watched by a leather-clad assailant. This film-industry take-down includes Michelle Monaghan, Kevin Bacon, and Giancarlo Esposito in its solid cast. You can stream MaXXXine here.The Lord of the Rings: The War of the Rohirrim (2024) An anime-infused take on Tolkien's world, The War of the Rohirrim boats the return of co-writer Philippa Boyens, who helped to write each of the six previous LOTR movies. In this animated installment, we're taken back 200 years before Peter Jackson's films, to when the king of Rohan (Brian Cox) accidentally kills the leader of the neighboring Dunlendings during marriage negotiations, kicking off a full-scale war. Miranda Otto reprises her role of Éowyn, who narrates. You can stream War of the Rohirrim here.A Different Man (2024) Though it was all but shut out at the Oscars (getting only a nomination for Best Makeup and Hairstyling), A Different Man made several of 2024's top ten lists, and earned Sebastian Stan a Golden Globe (he got an Oscar nomination for an entirely different movie, so the erstwhile Winter Soldier had a pretty good year). Here he plays Edward, an actor with neurofibromatosis, a genetic disorder that manifests in his body as a disfiguring facial condition. An experimental procedure cures him, and Edward assumes a new identity—which does nothing to tame his deep-rooted insecurities, especially when he learns of a new play that's been written about is life. It's a surprisingly funny look into a damaged psyche. You can stream A Different Man here. Super/Man: The Christopher Reeve Story (2024) Alternating between Christopher Reeve's life before and after the horse riding accident that paralyzed him, this heartfelt and heart wrenching documentary follows the Superman actor as he becomes an activist for disability rights. Archival footage of Christopher and wife Dana blends with new interviews with their children, as well as with actors and politicians who knew and worked with them both. You can stream Super/Man here.Sing Sing (2024) A fictional story based on the real-life Rehabilitation Through the Arts program at Sing Sing Correctional Facility, this Best Picture nominee follows Diving G (Colman Domingo), an inmate who emerges as a star performer in the group. The movie celebrates the redemptive power of art and play with a tremendous central performance from Domingo, who was also Oscar-nominated. You can stream Sing Sing here. Am I OK? (2024) Real-life married couple Tig Notaro and Stephanie Allynne directed this comedy based, loosely, on Allyne's own life. Dakota Johnson plays Lucy, a directionless 32-year-old woman in Los Angeles who finds that her unsatisfying romantic life might have something to do with her being other than straight. She navigates her journey of self-discovery and coming out with the help of her best friend Jane (House of the Dragon's Sonoya Mizuno). You can stream Am I OK? here.Love Lies Bleeding (2024) In a world of movies that are very carefully calibrated to be as inoffensive as possible, it's nice to see something as muscular, frenetic, and uncompromising as Love Lies Bleeding. Kristen Stewart plays small-town gym manager Lou; she's the daughter of the local crime boss (Ed Harris), with a sister (Jena Malone) suffering from the abuse of her no-good husband (Dave Franco). It's all quietly tolerated until bodybuilder Jackie (Katy O’Brian) stops off in town. She's 'roided up and ready for action, falling hard for Lou before the two of them get caught up in an act of violence that sends everything spiraling toward a truly wild final act. You can stream Love Lies Bleeding here.Slave Play. Not a Movie. A Play. (2024) A provocative title for a provocative documentary film, Slave Play. Not a Movie. A Play. sees playwright Jeremy O. Harris exploring the creative process behind the title work, a play that earned a record number of Tony nominations, won none, and that is equally loved and hated (it's about interracial couples having sex therapy at an antebellum-era plantation house). The narrative here is entirely non-linear, and the rules of a traditional making-of are out the window, with Harris instead taking a nearly train-of-thought approach to examining the process of creating the play, and in understanding reactions to it. You can stream Slave Play here.Justice League: Crisis on Infinite Earths – Parts One, Two, and Three (2024) While the live-action DC slate went out with a whimper (at least until next year's Superman reboot), the animated series of films has been chugging along more quietly, but also with more success. This trilogy adapts the altogether biggest story in DC history, as heroes from across the multiverse are brought together to prevent an antimatter wave that's wiping out entire universes. Darren Criss, Stana Katic, Jensen Ackles, and Matt Bomer are among the voice cast. You can stream Crisis on Infinite Earths, starting with Part One, here.The Front Room (2024) Adapted from a short story by Susan Hill (The Woman in Black), The Front Room gets a fair bit of mileage out of its in-law-from-hell premise. Brandy plays Belinda, a pregnant anthropology professor forced to quit her job by hostile working conditions. Her deeply weird mother-in-law Solange (a scene-stealing Kathryn Hunter) makes Brandy and husband Norman an offer that could solve the resulting financial problems: if they'll take care of her in her dying days, she'll leave them everything. Of course, the psychic religious fanatic has no interest in making any of that easy. It's more silly than scary, but perfectly entertaining if that's the kind of mood you're in. You can stream The Front Room here. Quad Gods (2024) We spend a lot of time fearing new technology, often with good reason, but Quad Gods offers a brighter view: for people with quadriplegia, for whom spots like football are out of the question, esports offer a means of competing and socializing among not only other people with physical restrictions, but in the broader world of what's become a major industry. While exploring the contrast between day-to-day life for the Quad Gods team and their online gaming talents, the documentary is an impressively upbeat look at the ways in which technology can put us all on a similar playing field. You can stream Quad Gods here.Elevation (2024) There's not much new in this Anthony Mackie-lad post-apocalyptic thriller, but Elevation is nonetheless a well-executed action movie that never feels dumb. Just a few years before the film opens, predatory Reapers rose from deep underground and wiped out 95% of humanity. Now, single dad Will (Mackie) is forced to leave his sanctuary to travel to Boulder, Colorado, the closest place he can get air filters to help with his son's lung disease. On the way, he's joined, reluctantly, by scientist Nina (Morena Baccarin), whose lab may contain a way to kill the Reapers. You can stream Elevation here.

Sébastien Broca, sociologue : « Les Big Tech entretiennent des relations plus complexes qu’on ne le pense avec les utopistes d’Internet » Dans un entretien au « Monde », le sociologue revient sur l’évolution des Gafam, ces géants du Web qui se disent héritiers de la contre-culture américaine mais sont aujourd’hui les alliés du pouvoir capitaliste en place. Article réservé aux abonnés Sébastien Broca, le 12 mars 2025. HERMANCE TRIAY Sébastien Broca est sociologue et maître de conférences en science de l’information et de la communication à l’université Paris-VIII. Dans son livre Pris dans la Toile (Seuil, 288 pages, 23 euros), il raconte comment les géants du numérique ont récupéré à leur profit les idéaux des pionniers d’Internet. Son récit s’intéresse aux différents mouvements critiques de cette évolution, pour mieux saisir les ressorts d’un échec politique. Expliquez-nous de quoi étaient faites les utopies d’Internet, récupérées par les entreprises du numérique… Ces utopies portaient l’espoir que les technologies numériques, l’informatique et Internet, soient des technologies émancipatrices. Elles feraient advenir une société qui laisserait plus de place à l’autonomie individuelle, aux capacités collectives d’auto-organisation et permettraient d’abattre un certain nombre de pouvoirs institués, comme les Etats ou les grandes entreprises. Plus généralement, elles seraient un outil de démocratisation. Il vous reste 89.03% de cet article à lire. La suite est réservée aux abonnés.