In a 12,000-square-foot warehouse in Zeeland, Michigan, hundreds of chairs, sofas, and loveseats rest on open storage racks. Their bold colors and elegant forms stand in striking contrast to the industrial setting. A plush recliner, seemingly made for sinking into, sits beside a mesh desk chair like those found in generic office cubicles. Nearby, a rare prototype of the Knoll Womb® Chair, gifted by Eero Saarinen to his mother, blooms open like a flower–inviting someone to sit. There’s also mahogany furniture designed by Gilbert Rohde for Herman Miller, originally unveiled at the 1933 World’s Fair; early office pieces by Florence Knoll; and a sculptural paper lamp by Isamu Noguchi. This is the newly unveiled MillerKnoll Archive, a space that honors the distinct legacies of its formerly rival brands. In collaboration with New York–based design firm Standard Issue, MillerKnoll has created a permanent display of its most iconic designs at the company’s Michigan Design Yard headquarters. In the early 1920s, Dutch-born businessman Herman Miller became the majority stakeholder in a Zeeland, Michigan, company where his son-in-law served as president. Following the acquisition, Star Furniture Co. was renamed the Herman Miller Furniture Company. Meanwhile, across the Atlantic in Stuttgart, Germany, Walter Knoll joined his family’s furniture business and formed close ties with modernist pioneers Ludwig Mies van der Rohe and Walter Gropius, immersing himself in the Bauhaus movement as Germany edged toward war.  Just before the outbreak of World War II, Walter Knoll relocated to the United States and established his own furniture company in New York City. Around the same time, Michigan native Florence Schust was studying at the Cranbrook Academy of Art under Eliel Saarinen. There, she met Eero Saarinen and Charles Eames. Schust, who later married Walter Knoll, and Saarinen would go on to become key designers for the company, while Eames would play a similarly pivotal role at Herman Miller—setting both firms on parallel paths in the world of modern design. The facility was designed in collaboration with New York-based design firm Standard Issue. The archive, located in MillerKnoll’s Design Yard Headquarters, is 12,000 square feet and holds over one million objects. (Nicholas Calcott/Courtesy MillerKnoll) Formerly seen as competitors, Herman Miller acquired Knoll four years ago in a $1.8 billion merger that formed MillerKnoll. The deal united two of the most influential names in American furniture, merging their storied design legacies and the iconic pieces that helped define modern design. Now, MillerKnoll is honoring the distinct histories of each brand through this new archive. The archive is a permanent home for the brands’ archival collections and also exhibits the evolution of modern design. The facility is organized into three distinct areas: an exhibition space, open storage, and a reading room.  The facility’s first exhibition, Manufacturing Modern, explores the intertwined histories of Knoll and Herman Miller. It showcases designs from the individuals who helped shape each company. The open storage area displays over 300 pieces of modern furniture, featuring both original works from Knoll and Herman Miller as well as contemporary designs. In addition to viewing the furniture pieces, visitors can kick back in the reading room, which offers access to a collection of archival materials, including correspondence, photography, drawings, and textiles. The facility is organized into three distinct areas: an exhibition space, open storage, and a reading room and will be open for tours in partnership with the Cranbrook Art Academy this summer. (Nicholas Calcott/Courtesy MillerKnoll) “The debut of the MillerKnoll Archives invites our communities to experience design history – and imagine its future– in one dynamic space,” said MillerKnoll’s chief creative and product officer Ben Watson. “The ability to not only understand how iconic designs came to be, but how design solutions evolved over time, is a never-ending source of inspiration.” Exclusive tours of the archive will be available in July and August in partnership with the Cranbrook Art Museum and in October in partnership with Docomomo.

The Fantastic Four: First Steps doesn’t just look unlike any other mainstream superhero movie in recent years, it’s also got an unusual sound to match. Following tickets going on sale for the movie, Marvel released the full track for the film’s main theme, created by longtime film composer Michael Giacchino. There’ve been snippets of the theme present in trailers and the IMAX pre-roll for Thunderbolts*, so we already knew it would sound as 1960s as the world the heroes live in. But hearing the full thing really underlines the importance of a composer that vibes with the material and wants to make a score that’s exciting and memorable music. For the most part, this is something Marvel’s not really done well at, save for works composed by Alan Silvestri or Ludwig Göransson or Son Lux’s more recent work on Thunderbolts*. But having memorable music is what Giacchino’s always been good at—his scores for the most recent Star Trek movies are still sublime, and his Fantastic Four: First Steps work sounds like some of his best for Marvel specifically. (Starting with the first Doctor Strange, he’s composed for the MCU Spider-Man trilogy, Thor: Love & Thunder, and Werewolf by Night, the latter of which he also directed.) Like everything else from this movie, the score is sounding promising, and we can’t wait to hear all of it, ditto seeing the punny titles Giacchino has undoubtedly come up with for each track. Fantastic Four: First Steps comes to theaters July 25. Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

These annual rankings were last updated on June 6, 2025. Want to see your firm on next year’s list? Continue reading for more on how you can improve your studio’s ranking. Traversing the German nation, one will encounter a similar historic program to other European capitals — Romanesque churches, Renaissance monuments and more — blended with functionalist and modernist structures. Early twenty-first-century Germany gave rise to the thriving Bauhaus. Founded by Walter Gropius, this school introduced brand-new architectural thinking, an ideology rooted in function, clarity and mass production. Materials like concrete and glass were favored, socially progressive housing blocks were constructed, and a newfound appreciation for modernism emerged. The spirit of the great Bauhaus teachers — Mies van der Rohe, for example — vigorously lives on and inspires contemporary designers today. Additionally, modern industrial architecture took off post-war and has played a prominent role in the nation’s economic growth, continuing to do so today. The architectural devastation from WWII resulted in mass reconstruction efforts. The post-war restoration and rebuilding embraced a functional attitude, which continued the legacy of the Bauhaus movement despite its closing over a decade prior. Today, German architecture continues to champion the nation’s modernist brilliance through innovative designs that push technological boundaries and celebrate culture. With so many architecture firms to choose from, it’s challenging for clients to identify the industry leaders that will be an ideal fit for their project needs. Fortunately, Architizer is able to provide guidance on the top design firms in Germany based on more than a decade of data and industry knowledge. How are these architecture firms ranked? The following ranking has been created according to key statistics that demonstrate each firm’s level of architectural excellence. The following metrics have been accumulated to establish each architecture firm’s ranking, in order of priority: The number of A+Awards won (2013 to 2025) The number of A+Awards finalists (2013 to 2025) The number of projects selected as “Project of the Day” (2009 to 2025) The number of projects selected as “Featured Project” (2009 to 2025) The number of projects uploaded to Architizer (2009 to 2025) Each of these metrics is explained in more detail at the foot of this article. This ranking list will be updated annually, taking into account new achievements of Germany architecture firms throughout the year. Without further ado, here are the 30 best architecture firms in Germany: 30. Format Elf Architekten © Format Elf Architekten Simple and touching. Format Elf Architekten is an architecture firm that focuses on residential architecture. Some of Format Elf Architekten’s most prominent projects include: Longhouses, Bad Birnbach, Germany FORMSTELLE, Töging am Inn, Germany House B, Munich, Germany Die Basis, Munich, Germany The following statistics helped Format Elf Architekten achieve 30th place in the 30 Best Architecture Firms in Germany: Featured Projects 1 Total Projects 4 29. Bruzkus Batek Architects © Jens Bösenberg | Whitelight Studio GmbH BRUZKUS BATEK Since 2007, this internationally active office specialised in designing hotels, offices, shops, restaurants and private housing – and particularly in the detailing of high-quality interiors. After 10 successful years, it is time for a change. As of 2018, Bruzkus Batek is splitting into BATEK ARCHITECTS and ESTER BRUZKUS ARCHITECTS. Some of Bruzkus Batek Architects’ most prominent projects include: Razorfish, Berlin, Germany Office Ester Bruzkus Architekten, Berlin, Germany Colette Tim Raue Munich, Munich, Germany Apartment PP, Berlin, Germany Dean, Berlin, Germany The following statistics helped Bruzkus Batek Architects achieve 29th place in the 30 Best Architecture Firms in Germany: A+Awards Finalist 1 Featured Projects 3 Total Projects 28 28. Ester Bruzkus Architekten © Ester Bruzkus Architekten Founded in 2002 in Berlin, Ester Bruzkus Architekten is an architecture and interior design practice with global ties: Berlin, New York, Paris, Tel Aviv, Boston, Dubai, Moscow, Vladivostok, Tenerife. We have extensive experience with design at many scales: from the design of tables and furniture to exquisite residences and workspaces to international theaters, restaurants and hotels. Straight lines, precise planning, material contrasts – and plenty of surprises. The architecture of Ester Bruzkus and her team makes use of contrasts of thick and thin, sharp and soft, curved and straight, rough and smooth, common and opulent, colorful and restrained, playful and well-resolved. Special projects result from a dialogue of space and light, materiality and color, existing constraints and new opportunities – and especially a synergy between the needs of the client, the space and the aspirations of great design. Some of Ester Bruzkus Architekten’s most prominent projects include: Razorfish, Berlin, Germany Office Ester Bruzkus Architekten, Berlin, Germany Colette Tim Raue Munich, Munich, Germany Apartment PP, Berlin, Germany Dean, Berlin, Germany The following statistics helped Ester Bruzkus Architekten achieve 28th place in the 30 Best Architecture Firms in Germany: A+Awards Finalist 1 Featured Projects 3 Total Projects 34 27. Architekten Wannenmacher + Möller © Architekten Wannenmacher + Möller GmbH Architects Wannenmacher + Möller, based in Bielefeld Germany, has been in practice for almost 60 years. Today the office is run by second generation Andreas Wannenmacher and Hans-Heinrich Möller. It was founded by Gregor Wannenmacher in Düsseldorf, Germany in 1955. Over the years the office grew continuously and became one of the largest architectural firms in the German region Eastern Westfalia. Most of the activities were focused in this region. During the last years, however, the office had the opportunity to design buildings and control their realization outside this region, some of them in foreign countries throughout Europe, Asia, and the USA. Some of Architekten Wannenmacher + Möller’s most prominent projects include: Ford Hagemeier Halle , Germany Wohnhaus Möllmann, Bielefeld, Germany House P+G, Weinheim, Germany House in Paderborn, Paderborn, Germany Borchen Sports Hall, Borchen, Germany The following statistics helped Architekten Wannenmacher + Möller achieve 27th place in the 30 Best Architecture Firms in Germany: A+Awards Finalist 1 Featured Projects 4 Total Projects 14 26. Design.Develop.Build – GA Tech | PBSA | RWTH © Design.Develop.Build - GA Tech | PBSA | RWTH Students from the Georgia Institute of Technology, RWTH Aachen University and PBSA Düsseldorf design, develop and build civic architecture. Some of Design.Develop.Build’s most prominent projects include: Guga S’Thebe Children’s Theatre, Cape Town, South Africa The following statistics helped Design.Develop.Build achieve 26th place in the 30 Best Architecture Firms in Germany: A+Awards Winner 2 A+Awards Finalist 1 Featured Projects 1 Total Projects 1 25. Ecker Architekten © Ecker Architekten Ecker Architekten is an architecture and design firm based in Germany. Ecker Architekten’s design portfolio includes a variety of architectural projects, such as cultural, commercial, government and health, educational, and more. Some of Ecker Architekten’s most prominent projects include: The Forum at Eckenberg Gymnasium, Adelsheim, Germany Field Chapel, Buchen (Odenwald), Germany Kindergarten Dandelion Clock, Germany Kanzlei Balkenhol, BW, Germany Branch Bank in Hettingen, Hettingen, Germany The following statistics helped Ecker Architekten achieve 25th place in the 30 Best Architecture Firms in Germany: Featured Projects 4 Total Projects 8 24. Sehw Architektur © Helin Bereket “Sehw stands for meaningfulness, emotion, attitude and change.” Our mission: building architecture sustainably, thinking innovatively and creating social added value. “Sehw stands for an aesthetic of sustainability in architecture.” // Sustainability // Acting sustainably We are not just planning for today but for the generation of tomorrow and beyond. For us, sustainable architecture means forward-looking planning and the development of future-proof utilization concepts. In times of rapid climate change, we are committed to resource-conserving construction methods and the use of renewable energies. Recyclable building materials and circular economy are the basis for a long life cycle and corresponding sustainability certifications of our buildings. We value and protect existing structures and materials. Some of Sehw Architektur’s most prominent projects include: KIT, Karlsruhe, Germany Weitblick Innovation Campus, Augsburg, Germany Inclusive School Centre Döbern, Döbern, Germany The Copper Coil, Rostock, Germany Around the Corner – Student Apartment Building, Berlin, Germany The following statistics helped Sehw Architektur achieve 24th place in the 30 Best Architecture Firms in Germany: Featured Projects 5 Total Projects 18 23. PHILIPPARCHITEKTEN Anna Philipp © PHILIPPARCHITEKTEN Anna Philipp A passion for houses. There’s nothing more significant to describe what our architecture office is about: houses — simple, yet complex. The archetype of all construction is our passion. That’s what we stand for. On this we work holistically with a team of architects and engineers. Center of our designing is the human being. We understand architecture as a second skin, which must be tailored. At the same time it’s essential to reflect the unique character of the location. The goal is a harmonious triad of mankind, nature and architecture. The focus and specialization on houses and villas is faced by a wide diversification in the range of services offered. Some of PHILIPPARCHITEKTEN Anna Philipp’s most prominent projects include: Villa Philipp, Waldenburg, Germany Villa Lombardo, Lugano, Switzerland A monastery of modernity, Augsburg, Germany Villa Schatzlmayr, Passau, Germany Villa Mauthe, Bahlingen, Germany The following statistics helped PHILIPPARCHITEKTEN Anna Philipp achieve 23rd place in the 30 Best Architecture Firms in Germany: Featured Projects 5 Total Projects 22 22. KRESINGS © Roman Mensing KRESINGS is a studio for architecture, interior design, urban planning and product design with offices in Munster and Dusseldorf. Since its founding by Rainer Maria Kresing in 1985 four further partners joined the management: Kilian Kresing, Christian Kawe, Matthias Povel and André Perret. More than 60 employees — architects, designers, planners and engineers — guarantee a broad range of creative and qualified services. Experience meets creative ease. The studio has been awarded with national awards like those of the BDA (Bund Deutscher Architekten) and the DAM (Deutsches Architektur Museum). KRESINGS: Experts and team players in areas of office and industrial buildings, facilities for research, education and culture as well as individual designs for residential buildings. Some of KRESINGS’ most prominent projects include: Student Residence Boeselagerstraße, Münster, Germany Headquarters Mitsubishi Electric Europe, Ratingen, Germany Petting Zoo, Öhringen, Germany Freiherr-vom-Stein-High-School, Münster, Germany Residential Building Hoher Heckenweg, Münster, Germany The following statistics helped KRESINGS achieve 22nd place in the 30 Best Architecture Firms in Germany: Featured Projects 5 Total Projects 33 21. 3deluxe © 3deluxe The interdisciplinary design collective 3deluxe, consisting of about 30 individuals centered around Dieter Brell, Peter Seipp and Andreas and Stephan Lauhoff, has been creating groundbreaking impulses in the fields of architecture and interior design, graphic and media design. In creative synergy hybrid forms of two and three dimensional design are created: graphic works develop a spatial impact, while architectural drafts are based on communication principles. In this way, complex collages are contrived, so called ‚multilayered atmospheres‘, that foster multiple sensory experiences and allow for a multitude of potential interpretations. Paramount is the broadening of an absolute understanding of space and image towards a dynamic, processual approach. Some of 3deluxe’s most prominent projects include: V- Plaza Urban Development, Kaunas, Lithuania Kaffee Partner Headquarters, Osnabrück, Germany Butterfly Pavilion, Sharjah, United Arab Emirates Leonardo Glass Cube, Bad Driburg, Germany Cyberhelvetia The following statistics helped 3deluxe achieve 21st place in the 30 Best Architecture Firms in Germany: A+Awards Finalist 2 Featured Projects 3 Total Projects 20 20. Christoph Hesse Architects © Deimel und Wittmar Christoph Hesse Architects was founded in 2010 by Christoph Hesse, has offices in Korbach and, since 2018, in Berlin. The architectural practice currently employs an international team of 15 people and has won numerous awards. Some of Christoph Hesse Architects’ most prominent projects include: VITOS Outpatient psychiatric clinic for traumatized refugees, Korbach, Germany Villa F / the off-the-grid house in the central highlands of Germany, Medebach, Germany StrohTherme, Medebach, Germany Room of Silence, Korbach, Germany The following statistics helped Christoph Hesse Architects achieve 20th place in the 30 Best Architecture Firms in Germany: A+Awards Winner 2 Featured Projects 2 Total Projects 4 19. Zeller & Moye © Zeller & Moye Zeller & Moye is a design studio based in Mexico City and Berlin that works at the intersection of architecture, arts, design and latest technology through an experimental, multidisciplinary and collaborative working culture. Some of Zeller & Moye’s most prominent projects include: HAUS KÖRIS, Brandenburg, Germany SANDRA WEIL Store, Mexico City, Mexico TROQUER FASHION HOUSE, Mexico City, Mexico CASA VERNE, Mexico City, Mexico CASA HILO, Mexico The following statistics helped Zeller & Moye achieve 19th place in the 30 Best Architecture Firms in Germany: Featured Projects 5 Total Projects 12 18. Ippolito Fleitz Group – Identity Architects © Ippolito Fleitz Group - Identity Architects Ippolito fleitz group is a multidisciplinary, internationally operating design studio based in Stuttgart.We are identity architects. We work in unison with our clients to develop architecture, products and communication that are part of a whole and yet distinctive in their own right. This is how we define identity.With meticulous analysis before we begin.With animated examination in the conceptional phase. With a clarity of argument in the act of persuasion.With a love of accuracy in the realisation.With a serious goal and a lot of fun along the way. Working together with our clients.As architects of identity, we conceive and construct buildings, interiors and landscapes; we develop products and communication measures. Some of Ippolito Fleitz Group – Identity Architects’ most prominent projects include: Das GERBER, Stuttgart, Germany Hunke – Jewellers and Opticians, Ludwigsburg, Germany Bella Italia Weine, Stuttgart, Germany ippolito fleitz group | Residential Building, Denkendorf, Germany WakuWaku Dammtor, Hamburg, Germany The following statistics helped Ippolito Fleitz Group - Identity Architects achieve 18th place in the 30 Best Architecture Firms in Germany: A+Awards Finalist 1 Featured Projects 4 Total Projects 26 17. VON M © Zooey Braun VON M is an architecture and design firm based in Germany. VON M’s design portfolio includes a variety of architectural projects, such as cultural, residential, educational, commercial, hospitality and sport, and more. Some of VON M’s most prominent projects include: Museum Luthers Sterbehaus, Eisleben, Germany BHM Pavillon, Wolfegg, Germany Kinder- und Familienzentrum, Ludwigsburg, Germany Hotel Bauhofstrasse, Ludwigsburg, Germany HS77, Stuttgart, Germany The following statistics helped VON M achieve 17th place in the 30 Best Architecture Firms in Germany: Featured Projects 6 Total Projects 11 16. Plastique Fantastique © Plastique Fantastique Plastique Fantastique is a collective for temporary architecture that samples the performative possibilities of urban environments. Established in Berlin in 1999, Plastique Fantastique has been influenced by the unique circumstances that made the city a laboratory for temporary spaces. Plastique Fantastique’s synthetic structures affect surrounding spaces like a soap bubble does: Similar to a foreign body, it occupies and mutates urban space. Their interventions change the way we perceive and interact in urban environments. By mixing different landscape types, an osmotic passage between private and public space is generating new hybrid environments.Regardless the way people view a bubble, walk around its exterior or move inside it, the pneumatic structure is a medium to experience the same physical setting in a temporary extraordinary situation. Some of Plastique Fantastique’s most prominent projects include: LOUD SHADOWS, Terschelling, Netherlands Blurry Venice, Venice, Italy Aeropolis, Copenhagen, Denmark superKOLMEMEN, Helsinki, Finland MOBILE PPS (Personal Protective Space) for Doctors The following statistics helped Plastique Fantastique achieve 16th place in the 30 Best Architecture Firms in Germany: Featured Projects 5 Total Projects 5 15. 4a Architekten © 4a Architekten GmbH Shaping atmosphere, lending identity, creating quality of space — these are the values that characterize the buildings of 4a Architekten. The starting point and guiding principle of our work is the concept of architecture as living space. Our buildings come into being through intensive team work shaped by interdisciplinary thinking and action. What characterizes a location in terms of its culture and history? What are the client’s expectations and objectives? What is viable within the budget and what are the benefits for users? These questions and this approach bring us to solutions with an individual character — and they apply just as much to the planning of buildings as to the design of interior spaces. Some of 4a Architekten’s most prominent projects include: Therme Lindau on Lake Constance, Lindau, Germany Balingen Civic Hall, Balingen, Germany Emser Thermal Baths, Bad Ems, Germany Spreewald Spa Hotel, Burg, Germany Stegermatt Aquatic Centre, Offenburg, Germany The following statistics helped 4a Architekten achieve 15th place in the 30 Best Architecture Firms in Germany: Featured Projects 7 Total Projects 15 14. schneider+schumacher © schneider+schumacher / Frankfurt - Vienna - Tianjin Our architectural approach is characterized by the enjoyment we have in finding solutions to the complex demands of today’s buildings. We adapt our buildings to fit into their surroundings, yet we also create landmarks. Pragmatic poetry, nurtured not only by design clarity and a conscientious attitude towards the task in hand, but also by a delight in fine details. This design process is constantly informed by the dialogue that takes place on a daily basis between the various professional disciplines in all our specialized divisions – architecture, construction and project management, design, a.o. — and international offices. schneider+schumacher is headquartered in Frankfurt (GE), and has two branches in Vienna (AU) and Tianjin (CN). Some of schneider+schumacher’s most prominent projects include: Autobahn Church, Wilnsdorf, Germany Oil Harbour Bridge, Raunheim, Germany DOXX – Quayside Development at Mainz Customs Port, Mainz, Germany Städel Museum Extension, Frankfurt, Germany Siegerland Motorway Church, Wilnsdorf, Wilnsdorf, Germany The following statistics helped schneider+schumacher achieve 14th place in the 30 Best Architecture Firms in Germany: A+Awards Winner 1 A+Awards Finalist 2 Featured Projects 5 Total Projects 12 13. ingenhoven associates © ingenhoven associates Celebrating 40 years of excellence since 1985, the studio is pioneer in sustainable architecture, designing and delivering projects of all sizes and typologies across nearly every region of the world, adhering to the highest green building standards, including LEED, Green Star, Minergie, BREEAM, DGNB and CASBEE. With a tailored approach to each location, the multinational, interdisciplinary team creates nuanced architectural solutions with added value and positive social impact. Some of ingenhoven associates’ most prominent projects include: Düsseldorfer Schauspielhaus, Düsseldorf, Germany Freiburg Town Hall, Freiburg, Germany Kö-Bogen 2, Düsseldorf, Germany Marina One, Singapore, Singapore Daniel Swarovski Corporation, Männedorf, Switzerland The following statistics helped ingenhoven associates achieve 13th place in the 30 Best Architecture Firms in Germany: A+Awards Finalist 2 Featured Projects 5 Total Projects 28 12. gmp · Architects von Gerkan, Marg und Partner © HG Esch Photography The architects von Gerkan, Marg and Partners (gmp) are an architectural practice that was founded in Hamburg and has branches worldwide. With our generalist approach and more than 50 years of experience, we complete projects in dialogue with our clients and the participating planning disciplines, at all scales and cultural contexts, covering all design phases and working on all continents. The range of our projects extends from family residences to high-rise buildings, from stadiums to concert halls, from office buildings to bridges, and from door hardware to urban planning. With holistic sustainability in mind, we aim to create new and refurbished architecture that is long-lasting and goes beyond temporary fashions, taking into account the global challenges and issues of urbanization, digitalization, and mobility. Some of gmp · Architects von Gerkan, Marg und Partner’s most prominent projects include: Guna Villa, Jūrmala, Latvia Universiade 2011 Sports Center, Shenzhen, China Olympic Stadium, Kiev, Ukraine, Kyiv, Ukraine Olympic Stadium, Berlin, Germany Twin Towers, Commodity Exchange Plaza, Dalian, China The following statistics helped gmp · Architects von Gerkan, Marg und Partner achieve 12th place in the 30 Best Architecture Firms in Germany: Featured Projects 8 Total Projects 36 11. kadawittfeldarchitektur © kadawittfeldarchitektur We are kadawittfeldarchitektur. Originally founded in Aachen in 1999, we today stand for more than just architectural design. The interdisciplinary approach of our work, linking architecture, interior and product design on the one hand and at the interface of town planning and urban projects on the other hand, reflects the full range of our creative output. kadawittfeldarchitektur develops added value space. In a team of more than 170 persons, we create architecture with added value space for living, communication and work environments. In the way we deal with volumes, materials, structures and functions, we strive to integrate our schemes into their surroundings with the objective of creating contemporary and sustainable architecture and meeting the needs of both the users and the general public. Some of kadawittfeldarchitektur’s most prominent projects include: CELTIC MUSEUM, Glauburg, Germany ADIDAS LACES, Herzogenaurach, Germany SPZ, HALLEIN, Hallein, Austria SENIOR CITIZENS RESIDENCE ALTENMARKT, Altenmarkt im Pongau, Austria SALZBURG CENTRAL STATION, Salzburg, Austria The following statistics helped kadawittfeldarchitektur achieve 11th place in the 30 Best Architecture Firms in Germany: Featured Projects 8 Total Projects 32 10. GRAFT © GRAFT What is graft? The English word ‘graft’ provokes a variety of meanings and multiple readings. It stands for transplants in the field of medicine, for cheating, but also for hard work.  In the terminology of botany, grafting is described as the addition of one shoot onto a genetically different host. Some of GRAFT’s most prominent projects include: Ice Stadion “Arena Schierke”, Wernigerode, Germany Show Palace Munich, Munich, Germany Autostadt Roof and Service Pavilion, Wolfsburg, Germany Eiswerk, Berlin, Germany Villa M , Berlin, Germany The following statistics helped GRAFT achieve 10th place in the 30 Best Architecture Firms in Germany: A+Awards Finalist 2 Featured Projects 7 Total Projects 17 9. HENN © HENN HENN is an international architecture studio with over 75 years of experience in designing innovative work environments across office, science, healthcare, industry, education, and culture. An interdisciplinary team of 400 professionals works from offices in Munich, Berlin, Frankfurt am Main, and Shanghai. The design process is collaborative and driven by curiosity. HENN draws from the rich expertise of three generations and a global network of partners. All three generations share a common mindset: openness and curiosity. This spirit drives the studio to continuously question and redefine architectural typologies. HENN was founded in 1947 by Walter Henn in Dresden. Early on, he specialized in industrial buildings and played a key role in establishing the Braunschweig School through his academic work. Some of HENN’s most prominent projects include: Porsche Pavilion, Wolfsburg, Germany Zalando Headquarters Berlin, Berlin, Germany Bugatti Atelier, Molsheim, France MobileLife Campus, Wolfsburg, Germany The CUBE, Dresden, Germany The following statistics helped HENN achieve 9th place in the 30 Best Architecture Firms in Germany: A+Awards Winner 2 A+Awards Finalist 2 Featured Projects 6 Total Projects 30 8. Auer Weber © Aldo Amoretti Photography Founded in 1980, we are an internationally active architectural firm with offices in Stuttgart and Munich. We employ around 150 people from 20 countries and work on projects of various sizes and tasks from initial design through to completion. Each year, we create entries for between 30 and 40 competitions in our two offices, from which we generate a large proportion of our orders. These range from buildings for the community to educational and administrative buildings, sports and leisure facilities and large infrastructure projects. The diversity of our architecture is the result of in-depth study of the building tasks and where these tasks originate. Some of Auer Weber’s most prominent projects include: Aquatic Centre “Aquamotion” Courchevel , Saint-Bon-Tarentaise, France Arena du Pays d’Aix, Aix-en-Provence, France Extension of the District Office in Starnberg, Starnberg, Germany ESO Headquarters Extension, Garching, Germany Olympic Aquatics Stadium, Route de Torcy, France The following statistics helped Auer Weber achieve 8th place in the 30 Best Architecture Firms in Germany: A+Awards Winner 2 A+Awards Finalist 1 Featured Projects 9 Total Projects 24 7. Peter Ruge Architekten © Peter Ruge Architekten GmbH Identity+Sustainability=Architecture Peter Ruge Architekten is a locally and internationally active planning office based in Berlin. Our mission is simple: to develop and build sustainable architecture of the future. The agenda of the team along with three partners Peter Ruge, Kayoko Uchiyama and Matthias Matschewski includes new buildings, optimization of existing properties and urban planning designs. The projects are holistic, i.e. adapted to the climate, culture and needs of the users, and have received numerous awards and certifications. Our detailed understanding of sustainable design processes supports the decisions of our clients. In education field, Prof. Ruge shares our knowledge with a global design community at DIA, Anhalt University of Applied Sciences in Dessau, Shenyang Jianzhu University in China and Kyoto Seika University in Japan. Some of Peter Ruge Architekten’s most prominent projects include: Busan Opera House, South Korea, Busan, South Korea Congress Center Hangzhou, Hangzhou, China House O, Germany, Potsdam-Mittelmark, Germany LTD_1 Hamburg, Germany, Hamburg, Germany Muzeum Lotnictwa Krakow, Poland The following statistics helped Peter Ruge Architekten achieve 7th place in the 30 Best Architecture Firms in Germany: Featured Projects 12 Total Projects 18 6. HPP Architects © Christa Lachenmaier Photography HPP Architects is one of Europe’s leading architectural partnerships with a full range of architectural and master planning services. Since its foundation by Professor Hentrich, the 4th generation of HPP partnership today includes a global team of more than 25 nationalities and 480 architects, engineers, urban designers and specialists. Today it comprises 13 offices including 8 regional offices in Germany and 5 international branches in Turkey, China and Netherlands. HPP Architects’ headquarter is located in the Düsseldorf Media Harbor, further offices are located in Amsterdam, Beijing, Berlin, Cologne, Frankfurt, Hamburg, Istanbul, Leipzig, Munich, Shanghai, Shenzhen and Stuttgart. HPP completed more than 1200 buildings worldwide and aspires to create architectural quality of lasting value beyond the here and now: timeless and yet clearly part of their time, innovative and equally grounded in history. Some of HPP Architects’s most prominent projects include: LVM 5 , Münster, Germany Medical Library Oasis (O.A.S.E.), Düsseldorf, Germany Hochschule Ruhr West, Mülheim, Germany Henkel Asia-Pacific and China Headquarters, Shanghai, China Dreischeibenhaus, Düsseldorf, Germany The following statistics helped HPP Architects achieve 6th place in the 30 Best Architecture Firms in Germany: A+Awards Finalist 3 Featured Projects 12 Total Projects 25 5. Behnisch Architekten © David Matthiessen The Stuttgart-based practice known today as Behnisch Architekten was founded in 1989 under the leadership of Stefan Behnisch. Originally established as a branch office of Günter Behnisch’s practice Behnisch & Partner, it became independent in 1991 and has subsequently developed into an international practice with offices in Stuttgart, Munich, Los Angeles/California (1999 – 2011), and Boston. These offices are directed by Stefan Behnisch and his partners in varying combinations. The Partners are Robert Hösle, Robert Matthew Noblett and Stefan Rappold. Stefan Behnisch is involved in all three offices. From the outset, the social dimension of architecture has been a fundamental aspect of the firm’s design philosophy. Some of Behnisch Architekten’s most prominent projects include: SC Workplaces, California City of Santa Monica Public Parking Structure #6, Santa Monica, California Primary School Infanteriestrasse, München, Germany Harvard University Science and Engineering Complex, Boston, Massachusetts John and Frances Angelos Law Center, University of Baltimore, Baltimore, Maryland The following statistics helped Behnisch Architekten achieve 5th place in the 30 Best Architecture Firms in Germany: A+Awards Finalist 9 Featured Projects 8 Total Projects 24 4. wulf architekten © Tobias Vollmer wulf architekten emerged from the architecture practice established 1987 in Stuttgart by Tobias Wulf. Currently the office is managed by Tobias Wulf, Jan-Michael Kallfaß, Ingmar Menzer and Steffen Vogt. From 1996 to 2018, Kai Bierich and Alexander Vohl were partners of Tobias Wulf at wulf architekten. Currently, the company has about 140 employees, nine of them being senior architects. With three office locations – Stuttgart, Berlin and Basel (CH) – wulf architekten is also working on projects abroad. Some of wulf architekten’s most prominent projects include: Parking Garage Facade P22a at the Cologne Exhibition Centre, Cologne, Germany Four primary schools in modular design, Munich, Germany School Center North, Stuttgart, Germany Canteen and Media Center for North vocational school center, Darmstadt, Germany Chamber of Industry and Commerce, headquarters, Stuttgart, Germany The following statistics helped wulf architekten achieve 4th place in the 30 Best Architecture Firms in Germany: A+Awards Winner 1 A+Awards Finalist 1 Featured Projects 11 Total Projects 18 3. TCHOBAN VOSS Architekten © TCHOBAN VOSS Architekten GmbH TCHOBAN VOSS Architekten design, plan and build for national and international clients in the public and private sectors. The company, with offices in Hamburg, Berlin and Dresden, is named after Sergei Tchoban, architect BDA, and his partner Ekkehard Voss, architect BDA (1963-2024). With over 150 highly qualified, interdisciplinary employees and many years of experience, it offers architecturally and functionally sustainable solutions for a wide range of building projects in Germany and abroad. TCHOBAN VOSS Architekten is member of the Association of German Architects (BDA), the Chambers of Architects in Hamburg, Berlin and Saxony, the Förderverein Bundesstiftung Baukultur e.V. as well as of the European Architects Network (EAN). Some of TCHOBAN VOSS Architekten’s most prominent projects include: EDGE Suedkreuz Berlin, Berlin, Germany SKF Test Centre for large-scale bearings, Schweinfurt, Germany Seestraße, Berlin, Berlin, Germany Koenigstadt-Quartier, Berlin, Germany EMBASSY – Living alongside Koellnischer Park, Berlin, Berlin, Germany The following statistics helped TCHOBAN VOSS Architekten achieve 3rd place in the 30 Best Architecture Firms in Germany: A+Awards Winner 1 A+Awards Finalist 6 Featured Projects 12 Total Projects 29 2. Barkow Leibinger © Barkow Leibinger The scope of Barkow Leibinger’s work spans from cultural projects to industrial ones. Their focus on industrial architecture includes master planning and building representational and functional buildings for production, logistical and office spaces. Some of Barkow Leibinger’s most prominent projects include: Production Hall Trumpf, Hettingen, Germany Stadthaus M1 – Green City Hotel, Freiburg, Germany Harvard ArtLab, Boston, Massachusetts Production Hall, Grüsch, Switzerland Fraunhofer Research Campus, Waischenfeld, Germany The following statistics helped Barkow Leibinger achieve 2nd place in the 30 Best Architecture Firms in Germany: Featured Projects 12 Total Projects 17 1. J.MAYER.H © J.MAYER.H J. MAYER H’s studio, focuses on works at the intersection of architecture, communication and new technology. From urban planning schemes and buildings to installation work and objects with new materials, the relationship between the human body, technology and nature form the background for a new production of space. Some of J.MAYER.H’s most prominent projects include: MIAMI MUSEUM GARAGE, Miami, Florida n.n. Residence, Moscow, Russia Hasselt Court House , Hasselt, Belgium Highway Rest Stops, Tbilisi, Georgia Rest Stops, Gori, Georgia Featured image: Tram Stops, Kehl, Germany The following statistics helped J.MAYER.H achieve 1st place in the 30 Best Architecture Firms in Germany: A+Awards Winner 5 A+Awards Finalist 3 Featured Projects 19 Total Projects 30 Why Should I Trust Architizer’s Ranking? With more than 30,000 architecture firms and over 130,000 projects within its database, Architizer is proud to host the world’s largest online community of architects and building product manufacturers. Its celebrated A+Awards program is also the largest celebration of architecture and building products, with more than 400 jurors and hundreds of thousands of public votes helping to recognize the world’s best architecture each year. Architizer also powers firm directories for a number of AIA (American Institute of Architects) Chapters nationwide, including the official directory of architecture firms for AIA New York. An example of a project page on Architizer with Project Award Badges highlighted A Guide to Project Awards The blue “+” badge denotes that a project has won a prestigious A+Award as described above. Hovering over the badge reveals details of the award, including award category, year, and whether the project won the jury or popular choice award. The orange Project of the Day and yellow Featured Project badges are awarded by Architizer’s Editorial team, and are selected based on a number of factors. The following factors increase a project’s likelihood of being featured or awarded Project of the Day status: Project completed within the last 3 years A well written, concise project description of at least 3 paragraphs Architectural design with a high level of both functional and aesthetic value High quality, in focus photographs At least 8 photographs of both the interior and exterior of the building Inclusion of architectural drawings and renderings Inclusion of construction photographs There are 7 Projects of the Day each week and a further 31 Featured Projects. Each Project of the Day is published on Facebook, Twitter and Instagram Stories, while each Featured Project is published on Facebook. Each Project of the Day also features in Architizer’s Weekly Projects Newsletter and shared with 170,000 subscribers.     We’re constantly look for the world’s best architects to join our community. If you would like to understand more about this ranking list and learn how your firm can achieve a presence on it, please don’t hesitate to reach out to us at editorial@architizer.com. The post 30 Best Architecture and Design Firms in Germany appeared first on Journal.

News Sapphire 2025: BASF evolves business with move to SAP S/4Hana Germany-based global chemical giant BASF has elected to move its SAP IT estate to S/4Hana private cloud to evolve its business in uncertain times By Brian McKenna, Enterprise Applications Editor Published: 29 May 2025 15:30 Chemical industry giant BASF is moving its SAP IT estate to the supplier’s S/4Hana enterprise resource planning (ERP) system as part of a business modernisation strategy, it was announced at the SAP Sapphire user and partner conference in Madrid. Petra Scheithe, senior vice-president of digitalization of services and ERP platforms at BASF Business Services, outlined the latest development in the company’s long-standing relationship with SAP. BASF, which employs around 112,000 people, has been an SAP customer for 40 years. Its headquarters in Ludwigshafen are a half-hour drive from SAP’s in Walldorf. According to a joint SAP/BASF statement, the chemical firm “adopted a hybrid system landscape to integrate SAP S/4Hana Cloud into BASF’s vast system and reduce the complexity of on-premise management. With a clean core strategy in place, any new customisations and functional extensions will be cloud-ready, allowing simplified system maintenance and operations in the long run.” BASF also intends to use SAP’s artificial intelligence (AI) and sustainability software.   The first of its new systems on S/4Hana, in its coatings business, is already live. BASF has four “core businesses”, in chemicals, materials, industrial solutions, and nutrition and care, and four standalone business units in agriculture and surface technologies, catalysts and metals, battery materials, and coatings. BASF is also using SAP’s Joule copilot for initial use cases in SAP’s SuccessFactors HR system, and is looking at other cases for core business processes. “We signed a new strategic partnership with SAP in December 2024,” said Scheithe, in an interview at Sapphire. “This includes Rise [with SAP], which we did not have before.” Rise is a so-called business transformation as a service programme that is fundamentally about cloud migration, and getting customers, new and existing, onto a cloud-delivered version of its S/4Hana ERP system based on its in-memory database, Hana. BASF’s existing SAP estate is one single global instance. “That has brought some challenges with it because over the last decade, we have really grown that system to a point where we said ‘this is difficult to manage’,” said Scheithe. “We have a very broad product portfolio, from our agricultural business, our coatings business, catalysts, battery materials, and copper and metals,” she said. “Combining all of those requirements in one SAP system led to the point that we have more than 300,000 custom objects in the system, so it’s huge and monolithic. The transition to S/4Hana is a chance to clear that up.” The idea is to back up the BASF strategy, called Winning Ways, with a modernised ERP system. The overall corporate strategy has the goal of BASF being “the preferred chemical company to enable our customers’ green transformation”. It includes a €10bn investment in what the company calls a Verbund site in Zhanjiang in China. At these sites, production plants, energy and material flows, logistics, and site infrastructure are all integrated, according to the company. There are currently six worldwide. In relation to the SAP environment, Scheithe said they decided to split the one instance into several business-related ones. The new company strategy, minted in 2024, means there is a pillar dedicated to “differentiated steering with different market requirements”, she added. Read more about SAP customers Rise with SAP offers a path to the cloud for SAP customers, but adoption is still hindered by customer concerns over costs, flexibility and SAP's cloud-only innovation strategy. SAP sales tactic fuels IT disconnect. SAP customer unrest: How did we get here? BASF started to build an S/4Hana instance in 2022 for the coatings business, with “a greenfield approach using clean core strategy”. This went live in March of this year, “on time and on budget, which I am super proud of”, said Scheithe. The firm is now implementing S/4 for the battery materials division and piloting for the agricultural business. “Clean core” in an SAP context means keeping the core system as standard as possible, with minimal custom modifications.  They also opted for SAP’s Rise programme so that their systems are as close as possible to standard SAP and to leverage the IT supplier’s innovations in AI. Scheithe said she’s very interested to explore the use of the technology from SAP’s 2024 acquisition, WalkMe. This is a digital adoption platform technology that is increasingly associated with the use of SAP’s GenAI assistant, Joule. WalkMe sits on top of an organisation’s IT applications layer and determines where users might experience difficulties such as getting stuck when performing a process or task. WalkMe then provides guidance and automated processes that help the user complete the task. BASF is not using it as yet. It’s using Joule for HR tasks, in SuccessFactors, and Sheithe is especially interested in its use for developers. “We are not so naïve as to believe now that with implementing S/4 we will cover all our business requirements that we had in the past,” she said. “We have more than 300,000 custom objects in our system, and those were not done just because developers like to develop, but for business requirements. If we can’t get rid of those, we don’t want them in our core system, so it will be helpful if we have tools on hand that make our developers more efficient. This why I’m so excited about Joule for developers.” Thomas Saueressig, a member of the executive board of SAP for customer services and delivery, said: “We are proud to partner with BASF on this transformative journey. “By choosing SAP S/4Hana Cloud, BASF is laying a strong foundation for future growth and innovation,” he said. “The ability to leverage a clean core and standardised processes will provide BASF with the agility and resilience needed to thrive in today’s dynamic business environment.” In The Current Issue: UK government outlines plan to surveil migrants with eVisa data Why we must reform the Computer Misuse Act: A cyber pro speaks out Download Current Issue FinOps Foundation lays down 2025 Framework for Cloud+ cost control – Open Source Insider Bit Cloud offers Hope AI for developers  – CW Developer Network View All Blogs

According to the U.S. Bureau of Labor Statistics, unemployment rates have not shifted much in recent years. The current unemployment rate is reported as being 4.2%—just a slight increase from the 4% it hovered around between 2022 and 2024. But according to a new report, another measure of unemployment is much higher, and steadily growing. The April report, which comes from the Ludwig Institute for Shared Economic Prosperity (LISEP), a nonprofit that produces original economic research, documents what it calls the “true rate” of unemployment. That rate refers to “functional unemployment,” which takes into account those who are job-seeking yet unable to find work, as well as those with full-time jobs but whose earnings put them below the poverty line (under $25,000/year). The functional unemployment rate has risen for three consecutive months and is currently 24.4%. That means about one in four U.S. adults are considered functionally unemployed.  LISEP Chair Gene Ludwig said in a press release that the outlook on the trend shows “little signs of improvement” amid lack of an “influx of dependable, good-paying jobs.” The report showed the functional unemployment rate rising 1.4% among Black workers to 26.7%. It decreased slightly for white workers, moving from 23.1% to 23%. While the rate for men increased (by 1.2%) bringing the total to 20%, women narrowed the gender gap. Women’s true unemployment rate dipped 0.8 percentage points to 28.6%. While it’s no secret that the federal government has been steadily shedding jobs, there haven’t been major increases in the unemployment rate. However, the new findings paint a grim picture of how many U.S. workers are struggling to find employment and a livable income. Meanwhile, wage increases haven’t kept up with a rising cost of living, not to mention the cost to raise a child, which has ticked up 25% in the past two years alone. “Amid an already uncertain economic outlook, the rise in functional unemployment is a concerning development,” Ludwig explains. “This uncertainty comes at a price, and unfortunately, the low- and middle-income wage earners ultimately end up paying the bill.”

Editor's take: The University of Arizona could become the birthplace of the world's first petahertz-speed transistor. If successful, this research work could mark the dawn of a new era in computing, where the speed of light, rather than electricity, sets the pace for innovation. A team of scientists has unveiled a breakthrough that could one day propel computers to operate at speeds millions of times faster than today's most advanced processors. The discovery, led by researchers at the University of Arizona and their international collaborators, centers on harnessing ultrafast pulses of light to control the movement of electrons in graphene – a material just one atom thick. The research, recently published in Nature Communications, demonstrates that electrons can be made to bypass barriers almost instantaneously by firing laser pulses lasting less than a trillionth of a second at graphene. This phenomenon, known as quantum tunneling, has long intrigued physicists, but the team's ability to observe and manipulate it in real time marks a significant milestone. Mohammed Hassan, an associate professor of physics and optical sciences at the University of Arizona, explained that this advance could usher in processing speeds in the petahertz range – over a thousand times faster than the chips powering today's computers. Such a leap, he said, would transform the landscape of computing, enabling dramatic progress in fields ranging from artificial intelligence and space research to chemistry and health care. Hassan, who previously led the development of the world's fastest electron microscope, worked alongside colleagues from the University of Arizona, the California Institute of Technology's Jet Propulsion Laboratory, and Ludwig Maximilian University of Munich. Their initial focus was studying how graphene conducts electricity when exposed to laser light. Typically, the symmetrical structure of graphene causes the currents generated on either side to cancel each other out, resulting in no net current. However, the team made a surprising discovery after modifying the graphene samples. They observed that a single electron could "tunnel" through the material – and that this fleeting event could be captured in real time. This unexpected result prompted further investigation and ultimately led to the creation of what Hassan calls "the world's fastest petahertz quantum transistor." // Related Stories To achieve this, the scientists used a commercially available graphene phototransistor, enhanced with a special silicon layer. They exposed it to a laser switching on and off at an astonishing rate of 638 attoseconds – each attosecond being one quintillionth of a second. The result was a transistor capable of operating at petahertz speeds, a feat previously considered far beyond reach. Unlike many scientific breakthroughs that require highly controlled laboratory environments, this new transistor functioned in everyday, ambient conditions. This opens the door for the technology to be adapted for commercial use and integrated into future generations of electronic devices. Hassan and his team are now working with Tech Launch Arizona to patent and commercialize their invention. Their next goal is to develop a version of the transistor that operates using standard, commercially available lasers, making the technology more accessible to industry partners.

Every item on this page was chosen by an ELLE Decor editor. We may earn commission on some of the items you choose to buy.At the recently reopened Wayfare Tavern in San Francisco, a custom, hand-painted mural hangs above the dining room tables. And across the country, in The Otter, opened in late 2024 in New York’s Manner Hotel, a regal mural spreads out above the restaurant’s banquettes. If you haven't noticed, restaurant murals seem to be making comeback. And for good reason. These one-of-a-kind, site-specific works add something to a space that no replica, or digitally crafted work, ever could. “Hand-painted work carries emotions and warmth that printed graphics simply can’t replicate,” says Mirim Yoo, a visual artist and creative director of Shirukuro restaurant. Opened this spring, Shirokuro caused a splash online with its fully hand-painted interior—not just the walls but the floors, chairs, and tables—that made it look like a 2D illustration. “There’s a human rhythm in every brushstroke,” says Yoo. “That’s something no machine or print could ever mimic.”Courtesy Yeon J YueDetail of a wall, tables, chairs and floor in Shirokuro, hand-painted by Mirim Yoo. ’Murals on restaurant walls are nothing new. For decades, tourists have flocked to spaces famous for them. Like the King Cole bar, in New York, whose mural was painted by Maxfield Parrish in 1906, originally for John Jacob Astor’s hotel The Knickerbocker (and later moved to its current location, the St. Regis, in 1920). Likewise, Bemelmans Bar, inside the Carlyle, opened in 1947, is famous for walls decorated by its namesake, Ludwig Bemelmans, the writer and illustrator of the Madeline books. But works like these were made in or around what some consider a heyday for the mural, when artists were commissioned to decorate the walls of fine dining rooms and other commercial spaces such as banks and building lobbies. For years, the practice was largely dormant as other trends like wallpaper, faux-finishes, or just bare-bones walls (minimalism and its endless hangover) dominated. William Jess LairdA mural by artist Matthew Benedict is painted around the walls of the dining area and bar on the first floor of Izzy’s Steaks and Chops, in San Francisco. In the last few years, however, there’s been a noticeable uptick in large-scale murals in restaurants and bars. In San Francisco, the recently updated Izzy’s Steaks and Chops has one that depicts the owner and other notables, painted by renowned artist Matthew Benedict above its dining room and bar. At Cecchi’s, opened in 2023, in New York, a mural by rising star Jean-Pierre Villafañe inflects the space with Art Deco grandeur.By Yeon J Yue courtesy ShirokuroDetail of a wall in Shirokuro, painted by Mirim Yoo. Though these murals take cues from the ancient tradition of telling stories through large-scale paintings, a new class of mural-makers is going about it in new and innovative ways. For example, the hand-painted wallcovering in the Wayfare Tavern was custom made by De Gournay, with input from the restaurant's designer, Jon de la Cruz of DLCID, who wanted to tap into local history—in particular, old San Francisco, the Barbary Coast, and the California Gold Rush—through the painting’s narrative. Starting with one of their design templates, called Voyage of the Pacific, de la Cruz and team worked with De Gournay to craft a custom scene, which was then painted directly onto gold, gilded paper. “So the installation process was as direct as conventional rolled wallpaper,” de la Cruz tells us. Likewise, for The Otter, Spanish architect-turned-painter, Elvira Solana made what would become the restaurant’s mural on canvas in her studio in Madrid. When it was done, the canvas was rolled, shipped and mounted by a crew inside the restaurant. ELLE Decor A-Lister Hannes Peer’s design for the space was inspired by “1960s French Riviera with Italian Mediterranean modernism,” according to his website, and Solana’s mural draws on the mediterranean-modernist palette through its shapes and colors. View full post on Instagram At Shirokuro, Yoo’s work puts a spin on classical mural-making by covering the entire interior of the space. The original concept for the restaurant was inspired by Take On Me, the ‘80s music video by the band A-ha, and a 2D cafe that owner and founder James Eunsuk Lim visited in Korea. Yoo leaned on these references as she sketched and refined the design in a notebook. “Since the restaurant first opened as a sushi-focused omakase, I incorporated drawings inspired by Japanese culinary culture,” says Yoo, as well as Japanese sumi-e ink paintings. From start to finish, it took Yoo just under three months to complete the painting inside Shirokuro. The result is impressive, but not without the inconsistencies only a human hand could make. And that’s the point. “The hesitation when I was afraid of making a mistake, the slight imperfections, the uneven lines—all of that holds emotion,” says Yoo. “I think guests can truly feel my presence in the space. It creates a more personal, more alive experience.”Artist Erin Lynn Welsh feels similarly. “To me, a mural is not just decoration—it’s an emotional extension of a space,” she says. “A painted wall can be beautiful, but it often serves a more surface-level or aesthetic purpose. A mural, on the other hand, tells a story. It’s site-specific, intentional, and rooted in both the architecture and the cultural context of the environment.” By Alan Tansey, Courtesy Erin Lynn WelshArtist Erin Lynn Welsh at work on the Anagram Nomad Hotel lobby mural. One of Lynn Welsh’s first major murals was made inside the lobby of the Anagram Nomad, in New York. Another is in the Hotel Lucile, in Los Angeles, opening in July. In all of her work, she draws inspiration from the landscape, particularly that of Southern California, and florals, especially arrangements made by Fox Fodder Farm. Ultimately, though, it’s the architecture of a building, and the light inside it, that informs what she’ll paint there. “I approach each mural site-specifically so that the work doesn’t end up feeling like generic wall art. My goal is always to create something unique, truly responsive, and fully integrated into its surroundings.”“Murals are part of the woodwork of a building—there’s no hiding, no taking them down,” she continues. “You have to make the right decisions in real time or embrace the flaws and transform them into something meaningful.”As we careen toward a digital future filled with AI everything, the palpable presence of an artist’s hand—the choices made, and the mural's integration with the constraint's of a space—is only going to become more precious, and desirable. “In our fast-paced, high-tech world—where everything is instantly accessible—there’s something profoundly special about hand-painted murals,” says de la Cruz. “They’re slow, intentional, and completely bespoke.”

Mid-Century & Mid-Western: Tracing the Modernist Movement in America’s Industrial CorridorSave this picture!United States Chicago Federal Center by Mies van der Rohe. Image © Samuel LudwigThe Mid-Century Modernist movement was more than an aesthetic or material shift in the United States, as it was a response to a rapidly changing world. Emerging after World War II, this architectural revolution rejected ornate, traditional styles of the past in favor of clean lines, functional design, and incorporation of flashy materials like steel, glass, and concrete. Modernism was a break from tradition, focusing instead on simplicity, efficiency, and a vision for the future. It reflected the optimism of a nation rebuilding itself, where technology and innovation shaped everything from cityscapes to suburban homes.Open floor plans, large windows, flat roofs, and the integration of interior and exterior spaces characterized mid-century modernism in the United States. Buildings were designed with functionality in mind, stripped of unnecessary ornamentation, and adapted to the needs of a modern, postwar society. These structures often blurred the boundaries between architecture and landscape, seeking harmony with their surroundings rather than imposing on them. From the glass-and-steel towers of Chicago to the minimalist ranch homes in California, this movement redefined what it meant to live in the modern world.While cities like New York and Los Angeles are often associated with Mid-Century Modernism, the Midwest played a pivotal role in shaping the movement across the country. Some of the most influential modernist architects found their canvas in this region, using the Midwest's urban and rural landscapes to explore new architectural possibilities. From skyscrapers in Chicago to churches in small towns like Columbus, Indiana, the Midwest was a fertile ground for architectural innovation. Related Article Mid-Century Modernism and East Coast Ruralism: A Study of Adaptive Design An Urban Epicenter of Post-War Modernism in Chicago, Illinois Save this picture!It is impossible to exclude Chicago from the conversation of modernism in North America. It stands, even today, as a city whose relationship with modernism was more symbiotic than incidental. The city's long history of architectural innovation laid the groundwork for the birth of the Mid-Century Modern movement, which took off in the aftermath of World War II. Famously admired as the birthplace of modern skyscraper design and home to pioneers like Louis Sullivan and Frank Lloyd Wright, Chicago was uniquely positioned to embrace the principles of the International Style, perfected by Mies van der Rohe.The arrival of Mies van der Rohe at the Illinois Institute of Technology in the 1930s marked a pivotal moment for the city. Mies's architectural philosophy, characterized by minimalist forms and an emphasis on new industrial materials like steel and glass, found a perfect outlet in Chicago's rapidly evolving urban landscape. His designs, such as the Lake Shore Drive Apartments (1951) and Crown Hall (1956), broke from the past, rejecting ornamentation in favor of structure as the form of beauty. These buildings were more than just physical structures—they were a new way of seeing the world that blended art and function into an elegant whole.Save this picture!Chicago's embrace of modernism wasn't just theoretical but intensely practical. The John Hancock Center by SOM (1970), with its bold tapering shape and integrated design, embodied the city's ongoing transformation. These skyscrapers weren't just symbols of wealth—they represented a forward-thinking, industrial city reinventing itself in the face of postwar change. Modernism in Chicago was about making a statement, about pushing the boundaries of what was possible, and the skyline became an urban laboratory for this new architectural philosophy.An Unexpected Modernist Haven in Columbus, IndianaSave this picture!Modernism in the Midwest wasn't only defined by the sprawling urban landscapes. Small-town America, too, embraced the movement with a surprising fervor, most notably in Columbus, Indiana. A town of less than 50,000, Columbus became an unlikely hub of modernist architecture, thanks to the vision of J. Irwin Miller, the CEO of Cummins Engine Company.Miller was convinced that architecture could be a tool for civic pride, and he set out to bring some of the world's greatest architects to his hometown. This endeavor transformed Columbus into an architectural mecca, attracting renowned figures like Eliel Saarinen, I.M. Pei, and Richard Meier. These architects didn't just design buildings—they shaped a new identity for the town, infusing it with the spirit of Mid-Century Modernism. One of the town's most notable landmarks, the First Christian Church (1942), designed by Eliel Saarinen, is a stunning example of how modernism could transform sacred spaces. The church's minimalist design, with its soaring concrete arches and light-filled interior, departs from traditional religious architecture, yet remains deeply spiritual in its simplicity.Save this picture!But Columbus didn't just embrace modernism in its public buildings. It influenced the narrative and construction of its schools, libraries, and bus stations. By the 1970s, the town had more modernist structures per capita than any other place in the United States. Columbus is a perfect example of how modernism transcended urban centers and became a way of life in a small Midwestern town, elevating everyday spaces and embedding a sense of future-oriented civic pride into the region's identity.Rural Mid-Century Modernism in Small-Town AmericaSave this picture!While Chicago and Columbus may stand as the most iconic expressions of Mid-Century Modernism in the Midwest, the movement's influence rippled through even the most rural corners of the region. In towns like Mason City, Iowa, and Fort Wayne, Indiana, the modernist ideals of simplicity, openness, and functionality weren't just limited to grand urban projects. They found their way into everyday life, shaping residential homes, schools, libraries, civic buildings, and community infrastructure. Unlike the towering skyscrapers and bold public spaces in Chicago or Columbus, the rural examples of Mid-Century Modernism were more modest in scale. Still, they reflected the same commitment to clean lines, efficient design, and environmental integration.Take, for example, the Frank Lloyd Wright-designed Prairie School houses in Mason City, Iowa. With their flat rooflines, wide overhangs, and open, flowing interiors, these homes captured the essence of Mid-Century Modern design, breaking away from traditional boxed-in rooms to create spaces that were expansive and connected to nature. While these houses were private homes, they served as a microcosm of the broader Mid-Century ethos, embracing local materials, blending with the landscape, and using design to enhance the quality of life. Wright's work in Mason City reflects how Mid-Century Modernism did not answer only to aesthetics, but to the ideologies of designing spaces that are simple, functional, and intrinsically linked to their environmental context.Save this picture!Beyond architecture, the principles of Mid-Century Modernism began to permeate every facet of design in these rural communities. The same values that shaped the homes and schools of the region also influenced furniture design, product design, and even infrastructure. In small towns, schools were designed with expansive glass windows to foster openness and connect students to the natural world outside. At the same time, the clean lines of modernist furniture became commonplace in local homes, offering simplicity and functionality. Schools in Fort Wayne, like those designed by the notable architect Eero Saarinen, incorporated modernist elements such as open, flexible spaces that could adapt to the needs of students, reflecting the movement's broader aim of creating environments that encouraged collaboration, innovation, and community.Moreover, Mid-Century Modernism in rural areas extended into urban planning and community infrastructure—with designs focused on efficiency, accessibility, and a seamless integration with the natural landscape. Roads, parks, and even public transportation in these small towns were planned with an emphasis on simplicity and clarity of form, ensuring that the built environment was not an imposition, but a complement to the natural surroundings. Urban planners in small towns embraced the modernist ideal that architecture and design should serve the community as a backdrop to daily life and a means to enrich it.Save this picture!In these Midwestern towns, the modernist movement was not simply a top-down trend but a deeply ingrained part of the local culture, resonating with residents' desire for a forward-thinking yet regionally grounded approach to life. The Mid-Century ideals of openness, simplicity, and a connection to nature found expression not just in towering civic buildings or sweeping urban parks, but in the very fabric of small-town life. Here, modernism was not about creating grand, world-changing gestures—it was about designing for the people, in the here and now, with an eye toward the future, and understanding the past. This local adaptation of modernist principles shows how the movement's philosophy could be realized at any scale, and how rural America embraced a movement that was fundamentally about making life simpler, more efficient, and more beautiful.Scales of Mid-Century Modernism in the MidwestSave this picture!Mid-century modernism in the Midwestern states refused to be confined by scale, geography, or urban context. It remains proof that modern architecture was not the exclusive realm of sprawling cities or privileged elites. Instead, it was a versatile and democratic force in sprawling urban contexts and furniture design decisions.The beauty of mid-century modernism in the Midwest lies in its ability to translate the ideals of openness, simplicity, and functionality into various forms. The movement reshaped the Midwestern landscape at every level through monumental civic buildings, streamlined homes, or sleek furniture designs, from the grandest civic gestures to the most miniature everyday objects. In this multi-scaled application of modernism, the heart of the Midwest's architectural legacy truly shines.Save this picture!As cities and towns across the region look to the future, the lessons of this movement offer valuable insight into creating functional spaces that reflect a community's spirit and aspirations. However, preserving these structures remains a contested issue, with some modernist landmarks lost to time while others are finally recognized for their cultural and architectural significance. This ongoing conversation about preservation speaks to the broader legacy of the movement.Ultimately, the Midwest's embrace of Mid-Century Modernism stands as a testament to an era marked by optimism, forward-thinking, and a profound belief in the potential of design to shape everyday life. In the industrial heartland of the United States, modernism adopted a vision for a future that was accessible, scalable, and grounded in the values of simplicity, function, and beauty. Related Article Mid-Century Modernism and East Coast Ruralism: A Study of Adaptive Design Image gallerySee allShow less About this authorOlivia PostonAuthor••• Cite: Olivia Poston. "Mid-Century & Mid-Western: Tracing the Modernist Movement in America’s Industrial Corridor" 25 May 2025. ArchDaily. Accessed . <https://www.archdaily.com/1026454/mid-century-and-mid-western-tracing-scales-of-the-modernist-movement-in-americas-industrial-corridor&gt ISSN 0719-8884Save世界上最受欢迎的建筑网站现已推出你的母语版本!想浏览ArchDaily中国吗?是否 You've started following your first account!Did you know?You'll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my stream

Hadi Karimi, a 3D Sculptor and CG Artist celebrated for his highly realistic 3D portraits of famous people and historical figures, showcased a stunning recreation of the renowned actress and Princess of Monaco, Grace Kelly.The creator showed a finalized version, crafted with ZBrush and rendered with Arnold, and a WIP, sharing a glimpse at the creation of this photorealistic model.If you wish to learn more about Hadi Karimi's workflow, check out our interview with him, in which the artist detailed his Tom Hardy likeness project and discussed the changes in the artistic industry, such as the evolution of real-time rendering:The artist unveiled many remarkable realistic portraits, including the recreation of Bruce Lee, Elton John, Liv Tyler's Arwen, Audrey Hepburn, Ludwig van Beethoven, and more:Visit the artist's ArtStation and Twitter for more amazing works. Also, don't forget to join our 80 Level Talent platform and our new Discord server, follow us on Instagram, Twitter, LinkedIn, Telegram, TikTok, and Threads, where we share breakdowns, the latest news, awesome artworks, and more.

Casa La Paz / Ludwig Godefroy ArchitectureSave this picture!© Cesar BelioHouses•La Paz, Mexico Architects: Ludwig Godefroy Architecture Area Area of this architecture project Area:  200 m² Year Completion year of this architecture project Year:  2024 Photographs Photographs:Cesar Belio Lead Architects: Ludwig Godefroy More SpecsLess Specs Save this picture! The Casa La Paz project proposes to invert the traditional house model, flipping its common scheme of a house with a garden in order to create a garden with its house. By making the external element an integral part of the living space, the house and its garden cease to be two distinct entities and merge into a single, unified element. The fusion of interior and exterior generates a sense of expansiveness in the habitable space of the house.Save this picture!Save this picture!This new permeability between the garden and the house erases the classic hermetic border between inside and outside, leading to the creation of a unique, habitable garden. To realize this idea of a garden/house, the key was to preserve and work with the original essence of the land and its topography, ensuring its identity would be maintained and transferred to the house itself.But how can the land's identity be transferred to the house without destroying it during construction?Save this picture!Save this picture!There was a subtle preexisting relationship between the land and a dry creek on the south side, where both were merging. The challenge of the project was to integrate the house into the topography of the land without disrupting this preexisting connection between the land and its creek.It is precisely at this point that the balance between destruction and preservation had to be found. The house had to allow the land to enter—the project had to become permeable, never interrupting the topography. In this way, the land could continue to express itself and evolve, moving from its relationship with the creek into a new relationship that includes the house—placing the house between those two original elements without trying to tame either the land or the creek.Save this picture!Save this picture!The Casa La Paz project, by embracing the topography and allowing it to remain, seeks to preserve the feeling that existed when walking the untouched land for the first time. It is designed like a walk through the land and, by extension, through the house. The house isn't static; it invites people to move, to explore, and to enjoy the land as it changes throughout the day, under the action of successive lights.Save this picture!The house appears as a collection of pavilions, creating multiple corners and, thus, multiple atmospheres. It's a small house, but composed of multiple spaces where people can coexist in the same place without always being aware of each other's presence.The project encourages living outdoors; therefore, it eliminates the fundamental architectural element of the façade. It proposes a house organized around a large void—without a façade—that does not create an enclosure. The house is permanently open and ventilated, yet it still meets the basic needs for protection and privacy of its inhabitants.Save this picture!Casa La Paz is a house conceived from its negative space. Let me explain: rather than starting from the design of the built living spaces—the positive space of the house—the project was conceived in reverse, beginning with this void that defines the garden. This garden space is the crucial element that protects the house and all of its interior spaces, serving as a buffer between the house, the street, and its surroundings.Save this picture!This large void controls the views from neighboring properties, allows the house to open up, and generates a strong sense of interiority in the garden. A sense of well-being envelops each space of the house, which is nestled among tall organ pipe cacti, thick elephant trees, and twisted desert bushes.Save this picture!Save this picture!By responding in this way to the reality of the land, the conventional idea of what would normally be a living room has been redefined. The entire ground floor, its garden, and every single tree become one large open living area. There is no longer any distinction between interior and exterior. The garden becomes the living room, kitchen, and dining room in their entirety.Save this picture!Casa La Paz inverts the traditional scheme of a house with its garden to create a garden with its house.Save this picture! Project gallerySee allShow less About this office MaterialsStoneConcreteMaterials and TagsPublished on May 17, 2025Cite: "Casa La Paz / Ludwig Godefroy Architecture" 17 May 2025. ArchDaily. Accessed . <https://www.archdaily.com/1030047/casa-lapaz-ludwig-godefroy-architecture&gt ISSN 0719-8884Save世界上最受欢迎的建筑网站现已推出你的母语版本!想浏览ArchDaily中国吗?是否 You've started following your first account!Did you know?You'll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my stream