• Decades ago, concrete overtook steel as the predominant structural material for towers worldwide—the Skyscraper Museum’s new exhibition examines why and how

    “Is that concrete all around, or is it in my head?” asked Ian Hunter in “All the Young Dudes,” the song David Bowie wrote for Mott the Hoople in 1972. Concrete is all around us, and we haven’t quite wrapped our heads around it. It’s one of the indispensable materials of modernity; as we try to decarbonize the built environment, it’s part of the problem, and innovations in its composition may become part of the solution. Understanding its history more clearly, the Skyscraper Museum’s new exhibition in Manhattan implies, just might help us employ it better.

    Concrete is “the second most used substance in the world, after water,” the museum’s founder/director/curator Carol Willis told AN during a recent visit. For plasticity, versatility, and compressive strength, reinforced concrete is hard to beat, though its performance is more problematic when assessed by the metric of embodied and operational carbon, a consideration the exhibition acknowledges up front. In tall construction, concrete has become nearly hegemonic, yet its central role, contend Willis and co-curator Thomas Leslie, formerly of Foster + Partners and now a professor at the University of Illinois, Urbana-Champaign, is underrecognized by the public and by mainstream architectural history. The current exhibition aims to change that perception.
    The Skyscraper Museum in Lower Manhattan features an exhibition, The Modern Concrete Skyscraper, which examines the history of material choices in building tall towers.The Modern Concrete Skyscraper examines the history of tall towers’ structural material choices, describing a transition from the early dominance of steel frames to the contemporary condition, in which most large buildings rely on concrete. This change did not happen instantly or for any single reason but through a combination of technical and economic factors, including innovations by various specialists, well-recognized and otherwise; the availability of high-quality limestone deposits near Chicago; and the differential development of materials industries in nations whose architecture grew prominent in recent decades. As supertalls reach ever higher—in the global race for official height rankings by the Council on Tall Buildings and Urban Habitatand national, corporate, or professional bragging rights—concrete’s dominance may not be permanent in that sector, given the challenge of pumping the material beyond a certain height.For the moment, however, concrete is ahead of its chief competitors, steel andtimber. Regardless of possible promotional inferences, Willis said, “we did not work with the industry in any way for this exhibition.”

    “The invention of steel and the grid of steel and the skeleton frame is only the first chapter of the history of the skyscraper,” Willis explained. “The second chapter, and the one that we’re in now, is concrete. Surprisingly, no one had ever told that story of the skyscraper today with a continuous narrative.” The exhibition traces the use of concrete back to the ancient Roman combination of aggregate and pozzolana—the chemical formula for which was “largely lost with the fall of the Roman Empire,” though some Byzantine and medieval structures approximated it. From there, the show explores comparable materials’ revival in 18th-century England, the patenting of Portland cement by Leeds builder Joseph Aspdin in 1824, the proof-of-concept concrete house by François Coignet in 1856, and the pivotal development of rebar in the mid-19th century, with overdue attention to Ernest Ransome’s 1903 Ingalls Building in Cincinnati, then the world’s tallest concrete building at 15 stories and arguably the first concrete skyscraper.
    The exhibition includes a timeline that depicts concrete’s origins in Rome to its contemporary use in skyscraper construction.Baker’s lectures, Willis reported, sometimes pose a deceptively simple question: “‘What is a skyscraper?’ In 1974, when the World Trade Center and Sears Tower are just finished, you would say it’s a very tall building that is built of steel, an office building in North America. But if you ask that same question today, the answer is: It’s a building that is mixed-use, constructed of concrete, andin Asia or the Middle East.” The exhibition organizes the history of concrete towers by eras of engineering innovation, devoting special attention to the 19th- and early-20th-century “patent era” of Claude Allen Porter Turnerand Henry Chandlee Turner, Ransome, and François Hennebique. In the postwar era, “concrete comes out onto the surfaceboth a structural material and aesthetic.” Brutalism, perhaps to some observers’ surprise, “does not figure very large in high-rise design,” Willis said, except for Paul Rudolph’s Tracey Towers in the Bronx. The exhibition, however, devotes considerable attention to the work of Pier Luigi Nervi, Bertrand Goldberg, and SOM’s Fazlur Khan, pioneer of the structural tube system in the 1960s and 1970s—followed by the postmodernist 1980s, when concrete could express either engineering values or ornamentation.
    The exhibition highlights a number of concrete towers, including Paul Rudolph’s Tracey Towers in the Bronx.“In the ’90s, there were material advances in engineering analysis and computerization that helped to predict performance, and so buildings can get taller and taller,” Willis said. The current era, if one looks to CTBUH rankings, is dominated by the supertalls seen in Dubai, Shanghai, and Kuala Lumpur, after the Petronas Towers“took the title of world’s tallest building from North America for the first time and traumatized everybody about that.” The previous record holder, Chicago’s SearsTower, comprised steel structural tubes on concrete caissons; with Petronas, headquarters of Malaysia’s national petroleum company of that name, a strong concrete industry was represented but a strong national steel industry was lacking, and as Willis frequently says, form follows finances. In any event, by the ’90s concrete was already becoming the standard material for supertalls, particularly on soft-soiled sites like Shanghai, where its water resistance and compressive strength are well suited to foundation construction. Its plasticity is also well suited to complex forms like the triangular Burj, Kuala Lumpur’s Merdeka 118, andthe even taller Jeddah Tower, designed to “confuse the wind,” shed vortices, and manage wind forces. Posing the same question Louis Kahn asked about the intentions of a brick, Willis said, with concrete “the answer is: anything you want.”

    The exhibition is front-loaded with scholarly material, presenting eight succinct yet informative wall texts on the timeline of concrete construction. The explanatory material is accompanied by ample photographs as well as structural models on loan from SOM, Pelli Clarke & Partners, and other firms. Some materials are repurposed from the museum’s previous shows, particularly Supertall!and Sky High and the Logic of Luxury. The models allow close examination of the Burj Khalifa, Petronas Towers, Jin Mao Tower, Merdeka 118, and others, including two unbuilt Chicago projects that would have exceeded 2,000 feet: the Miglin-Beitler Skyneedleand 7 South Dearborn. The Burj, Willis noted, was all structure and no facade for a time: When its curtain-wall manufacturer, Schmidlin, went bankrupt in 2006, it “ended up going to 100 stories without having a stitch of glass on it,” temporarily becoming a “1:1 scale model of the structural system up to 100 stories.” Its prominence justifies its appearance here in two models, including one from RWDI’s wind-tunnel studies.
    Eero Saarinen’s only skyscraper, built for CBS in 1965 and also known as “Black Rock,” under construction in New York City.The exhibition opened in March, with plans to stay up at least through October, with accompanying lectures and panels to be announced on the museum’s website. Though the exhibition’s full textual and graphic content is available online, the physical models alone are worth a trip to the Battery Park City headquarters.
    Intriguing questions arise from the exhibition without easy answers, setting the table for lively discussion and debate. One is whether the patenting of innovations like Ransome bar and the Système Hennebique incentivized technological progress or hindered useful technology transfer. Willis speculated, “Did the fact that there were inventions and patents mean that competition was discouraged, that the competition was only in the realm of business, rather than advancing the material?” A critical question is whether research into the chemistry of concrete, including MIT’s 2023 report on the self-healing properties of Roman pozzolana and proliferating claims about “green concrete” using alternatives to Portland cement, can lead to new types of the material with improved durability and lower emissions footprints. This exhibition provides a firm foundation in concrete’s fascinating history, opening space for informed speculation about its future.
    Bill Millard is a regular contributor to AN.
    #decades #ago #concrete #overtook #steel
    Decades ago, concrete overtook steel as the predominant structural material for towers worldwide—the Skyscraper Museum’s new exhibition examines why and how
    “Is that concrete all around, or is it in my head?” asked Ian Hunter in “All the Young Dudes,” the song David Bowie wrote for Mott the Hoople in 1972. Concrete is all around us, and we haven’t quite wrapped our heads around it. It’s one of the indispensable materials of modernity; as we try to decarbonize the built environment, it’s part of the problem, and innovations in its composition may become part of the solution. Understanding its history more clearly, the Skyscraper Museum’s new exhibition in Manhattan implies, just might help us employ it better. Concrete is “the second most used substance in the world, after water,” the museum’s founder/director/curator Carol Willis told AN during a recent visit. For plasticity, versatility, and compressive strength, reinforced concrete is hard to beat, though its performance is more problematic when assessed by the metric of embodied and operational carbon, a consideration the exhibition acknowledges up front. In tall construction, concrete has become nearly hegemonic, yet its central role, contend Willis and co-curator Thomas Leslie, formerly of Foster + Partners and now a professor at the University of Illinois, Urbana-Champaign, is underrecognized by the public and by mainstream architectural history. The current exhibition aims to change that perception. The Skyscraper Museum in Lower Manhattan features an exhibition, The Modern Concrete Skyscraper, which examines the history of material choices in building tall towers.The Modern Concrete Skyscraper examines the history of tall towers’ structural material choices, describing a transition from the early dominance of steel frames to the contemporary condition, in which most large buildings rely on concrete. This change did not happen instantly or for any single reason but through a combination of technical and economic factors, including innovations by various specialists, well-recognized and otherwise; the availability of high-quality limestone deposits near Chicago; and the differential development of materials industries in nations whose architecture grew prominent in recent decades. As supertalls reach ever higher—in the global race for official height rankings by the Council on Tall Buildings and Urban Habitatand national, corporate, or professional bragging rights—concrete’s dominance may not be permanent in that sector, given the challenge of pumping the material beyond a certain height.For the moment, however, concrete is ahead of its chief competitors, steel andtimber. Regardless of possible promotional inferences, Willis said, “we did not work with the industry in any way for this exhibition.” “The invention of steel and the grid of steel and the skeleton frame is only the first chapter of the history of the skyscraper,” Willis explained. “The second chapter, and the one that we’re in now, is concrete. Surprisingly, no one had ever told that story of the skyscraper today with a continuous narrative.” The exhibition traces the use of concrete back to the ancient Roman combination of aggregate and pozzolana—the chemical formula for which was “largely lost with the fall of the Roman Empire,” though some Byzantine and medieval structures approximated it. From there, the show explores comparable materials’ revival in 18th-century England, the patenting of Portland cement by Leeds builder Joseph Aspdin in 1824, the proof-of-concept concrete house by François Coignet in 1856, and the pivotal development of rebar in the mid-19th century, with overdue attention to Ernest Ransome’s 1903 Ingalls Building in Cincinnati, then the world’s tallest concrete building at 15 stories and arguably the first concrete skyscraper. The exhibition includes a timeline that depicts concrete’s origins in Rome to its contemporary use in skyscraper construction.Baker’s lectures, Willis reported, sometimes pose a deceptively simple question: “‘What is a skyscraper?’ In 1974, when the World Trade Center and Sears Tower are just finished, you would say it’s a very tall building that is built of steel, an office building in North America. But if you ask that same question today, the answer is: It’s a building that is mixed-use, constructed of concrete, andin Asia or the Middle East.” The exhibition organizes the history of concrete towers by eras of engineering innovation, devoting special attention to the 19th- and early-20th-century “patent era” of Claude Allen Porter Turnerand Henry Chandlee Turner, Ransome, and François Hennebique. In the postwar era, “concrete comes out onto the surfaceboth a structural material and aesthetic.” Brutalism, perhaps to some observers’ surprise, “does not figure very large in high-rise design,” Willis said, except for Paul Rudolph’s Tracey Towers in the Bronx. The exhibition, however, devotes considerable attention to the work of Pier Luigi Nervi, Bertrand Goldberg, and SOM’s Fazlur Khan, pioneer of the structural tube system in the 1960s and 1970s—followed by the postmodernist 1980s, when concrete could express either engineering values or ornamentation. The exhibition highlights a number of concrete towers, including Paul Rudolph’s Tracey Towers in the Bronx.“In the ’90s, there were material advances in engineering analysis and computerization that helped to predict performance, and so buildings can get taller and taller,” Willis said. The current era, if one looks to CTBUH rankings, is dominated by the supertalls seen in Dubai, Shanghai, and Kuala Lumpur, after the Petronas Towers“took the title of world’s tallest building from North America for the first time and traumatized everybody about that.” The previous record holder, Chicago’s SearsTower, comprised steel structural tubes on concrete caissons; with Petronas, headquarters of Malaysia’s national petroleum company of that name, a strong concrete industry was represented but a strong national steel industry was lacking, and as Willis frequently says, form follows finances. In any event, by the ’90s concrete was already becoming the standard material for supertalls, particularly on soft-soiled sites like Shanghai, where its water resistance and compressive strength are well suited to foundation construction. Its plasticity is also well suited to complex forms like the triangular Burj, Kuala Lumpur’s Merdeka 118, andthe even taller Jeddah Tower, designed to “confuse the wind,” shed vortices, and manage wind forces. Posing the same question Louis Kahn asked about the intentions of a brick, Willis said, with concrete “the answer is: anything you want.” The exhibition is front-loaded with scholarly material, presenting eight succinct yet informative wall texts on the timeline of concrete construction. The explanatory material is accompanied by ample photographs as well as structural models on loan from SOM, Pelli Clarke & Partners, and other firms. Some materials are repurposed from the museum’s previous shows, particularly Supertall!and Sky High and the Logic of Luxury. The models allow close examination of the Burj Khalifa, Petronas Towers, Jin Mao Tower, Merdeka 118, and others, including two unbuilt Chicago projects that would have exceeded 2,000 feet: the Miglin-Beitler Skyneedleand 7 South Dearborn. The Burj, Willis noted, was all structure and no facade for a time: When its curtain-wall manufacturer, Schmidlin, went bankrupt in 2006, it “ended up going to 100 stories without having a stitch of glass on it,” temporarily becoming a “1:1 scale model of the structural system up to 100 stories.” Its prominence justifies its appearance here in two models, including one from RWDI’s wind-tunnel studies. Eero Saarinen’s only skyscraper, built for CBS in 1965 and also known as “Black Rock,” under construction in New York City.The exhibition opened in March, with plans to stay up at least through October, with accompanying lectures and panels to be announced on the museum’s website. Though the exhibition’s full textual and graphic content is available online, the physical models alone are worth a trip to the Battery Park City headquarters. Intriguing questions arise from the exhibition without easy answers, setting the table for lively discussion and debate. One is whether the patenting of innovations like Ransome bar and the Système Hennebique incentivized technological progress or hindered useful technology transfer. Willis speculated, “Did the fact that there were inventions and patents mean that competition was discouraged, that the competition was only in the realm of business, rather than advancing the material?” A critical question is whether research into the chemistry of concrete, including MIT’s 2023 report on the self-healing properties of Roman pozzolana and proliferating claims about “green concrete” using alternatives to Portland cement, can lead to new types of the material with improved durability and lower emissions footprints. This exhibition provides a firm foundation in concrete’s fascinating history, opening space for informed speculation about its future. Bill Millard is a regular contributor to AN. #decades #ago #concrete #overtook #steel
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    Decades ago, concrete overtook steel as the predominant structural material for towers worldwide—the Skyscraper Museum’s new exhibition examines why and how
    “Is that concrete all around, or is it in my head?” asked Ian Hunter in “All the Young Dudes,” the song David Bowie wrote for Mott the Hoople in 1972. Concrete is all around us, and we haven’t quite wrapped our heads around it. It’s one of the indispensable materials of modernity; as we try to decarbonize the built environment, it’s part of the problem, and innovations in its composition may become part of the solution. Understanding its history more clearly, the Skyscraper Museum’s new exhibition in Manhattan implies, just might help us employ it better. Concrete is “the second most used substance in the world, after water,” the museum’s founder/director/curator Carol Willis told AN during a recent visit. For plasticity, versatility, and compressive strength, reinforced concrete is hard to beat, though its performance is more problematic when assessed by the metric of embodied and operational carbon, a consideration the exhibition acknowledges up front. In tall construction, concrete has become nearly hegemonic, yet its central role, contend Willis and co-curator Thomas Leslie, formerly of Foster + Partners and now a professor at the University of Illinois, Urbana-Champaign, is underrecognized by the public and by mainstream architectural history. The current exhibition aims to change that perception. The Skyscraper Museum in Lower Manhattan features an exhibition, The Modern Concrete Skyscraper, which examines the history of material choices in building tall towers. (Courtesy the Skyscraper Museum) The Modern Concrete Skyscraper examines the history of tall towers’ structural material choices, describing a transition from the early dominance of steel frames to the contemporary condition, in which most large buildings rely on concrete. This change did not happen instantly or for any single reason but through a combination of technical and economic factors, including innovations by various specialists, well-recognized and otherwise; the availability of high-quality limestone deposits near Chicago; and the differential development of materials industries in nations whose architecture grew prominent in recent decades. As supertalls reach ever higher—in the global race for official height rankings by the Council on Tall Buildings and Urban Habitat (CTBUH) and national, corporate, or professional bragging rights—concrete’s dominance may not be permanent in that sector, given the challenge of pumping the material beyond a certain height. (The 2,717-foot Burj Khalifa, formerly Burj Dubai, uses concrete up to 1,987 and steel above that point; Willis quotes SOM’s William Baker describing it as “the tallest steel building with a concrete foundation of 156 stories.”) For the moment, however, concrete is ahead of its chief competitors, steel and (on a smaller scale) timber. Regardless of possible promotional inferences, Willis said, “we did not work with the industry in any way for this exhibition.” “The invention of steel and the grid of steel and the skeleton frame is only the first chapter of the history of the skyscraper,” Willis explained. “The second chapter, and the one that we’re in now, is concrete. Surprisingly, no one had ever told that story of the skyscraper today with a continuous narrative.” The exhibition traces the use of concrete back to the ancient Roman combination of aggregate and pozzolana—the chemical formula for which was “largely lost with the fall of the Roman Empire,” though some Byzantine and medieval structures approximated it. From there, the show explores comparable materials’ revival in 18th-century England, the patenting of Portland cement by Leeds builder Joseph Aspdin in 1824, the proof-of-concept concrete house by François Coignet in 1856, and the pivotal development of rebar in the mid-19th century, with overdue attention to Ernest Ransome’s 1903 Ingalls Building in Cincinnati, then the world’s tallest concrete building at 15 stories and arguably the first concrete skyscraper. The exhibition includes a timeline that depicts concrete’s origins in Rome to its contemporary use in skyscraper construction. (Courtesy the Skyscraper Museum) Baker’s lectures, Willis reported, sometimes pose a deceptively simple question: “‘What is a skyscraper?’ In 1974, when the World Trade Center and Sears Tower are just finished, you would say it’s a very tall building that is built of steel, an office building in North America. But if you ask that same question today, the answer is: It’s a building that is mixed-use, constructed of concrete, and [located] in Asia or the Middle East.” The exhibition organizes the history of concrete towers by eras of engineering innovation, devoting special attention to the 19th- and early-20th-century “patent era” of Claude Allen Porter Turner (pioneer in flat-slab flooring and mushroom columns) and Henry Chandlee Turner (founder of Turner Construction), Ransome (who patented twisted-iron rebar), and François Hennebique (known for the re-inforced concrete system exemplified by Liverpool’s Royal Liver Building, the world’s tallest concrete office building when completed in 1911). In the postwar era, “concrete comes out onto the surface [as] both a structural material and aesthetic.” Brutalism, perhaps to some observers’ surprise, “does not figure very large in high-rise design,” Willis said, except for Paul Rudolph’s Tracey Towers in the Bronx. The exhibition, however, devotes considerable attention to the work of Pier Luigi Nervi, Bertrand Goldberg (particularly Marina City), and SOM’s Fazlur Khan, pioneer of the structural tube system in the 1960s and 1970s—followed by the postmodernist 1980s, when concrete could express either engineering values or ornamentation. The exhibition highlights a number of concrete towers, including Paul Rudolph’s Tracey Towers in the Bronx. (Courtesy the Skyscraper Museum) “In the ’90s, there were material advances in engineering analysis and computerization that helped to predict performance, and so buildings can get taller and taller,” Willis said. The current era, if one looks to CTBUH rankings, is dominated by the supertalls seen in Dubai, Shanghai, and Kuala Lumpur, after the Petronas Towers (1998) “took the title of world’s tallest building from North America for the first time and traumatized everybody about that.” The previous record holder, Chicago’s Sears (now Willis) Tower, comprised steel structural tubes on concrete caissons; with Petronas, headquarters of Malaysia’s national petroleum company of that name, a strong concrete industry was represented but a strong national steel industry was lacking, and as Willis frequently says, form follows finances. In any event, by the ’90s concrete was already becoming the standard material for supertalls, particularly on soft-soiled sites like Shanghai, where its water resistance and compressive strength are well suited to foundation construction. Its plasticity is also well suited to complex forms like the triangular Burj, Kuala Lumpur’s Merdeka 118, and (if eventually completed) the even taller Jeddah Tower, designed to “confuse the wind,” shed vortices, and manage wind forces. Posing the same question Louis Kahn asked about the intentions of a brick, Willis said, with concrete “the answer is: anything you want.” The exhibition is front-loaded with scholarly material, presenting eight succinct yet informative wall texts on the timeline of concrete construction. The explanatory material is accompanied by ample photographs as well as structural models on loan from SOM, Pelli Clarke & Partners, and other firms. Some materials are repurposed from the museum’s previous shows, particularly Supertall! (2011–12) and Sky High and the Logic of Luxury (2013–14). The models allow close examination of the Burj Khalifa, Petronas Towers, Jin Mao Tower, Merdeka 118, and others, including two unbuilt Chicago projects that would have exceeded 2,000 feet: the Miglin-Beitler Skyneedle (Cesar Pelli/Thornton Tomasetti) and 7 South Dearborn (SOM). The Burj, Willis noted, was all structure and no facade for a time: When its curtain-wall manufacturer, Schmidlin, went bankrupt in 2006, it “ended up going to 100 stories without having a stitch of glass on it,” temporarily becoming a “1:1 scale model of the structural system up to 100 stories.” Its prominence justifies its appearance here in two models, including one from RWDI’s wind-tunnel studies. Eero Saarinen’s only skyscraper, built for CBS in 1965 and also known as “Black Rock,” under construction in New York City. (Courtesy Eero Saarinen Collection, Manuscripts, and Archives, Yale University Library) The exhibition opened in March, with plans to stay up at least through October (Willis prefers to keep the date flexible), with accompanying lectures and panels to be announced on the museum’s website (skyscraper.org). Though the exhibition’s full textual and graphic content is available online, the physical models alone are worth a trip to the Battery Park City headquarters. Intriguing questions arise from the exhibition without easy answers, setting the table for lively discussion and debate. One is whether the patenting of innovations like Ransome bar and the Système Hennebique incentivized technological progress or hindered useful technology transfer. Willis speculated, “Did the fact that there were inventions and patents mean that competition was discouraged, that the competition was only in the realm of business, rather than advancing the material?” A critical question is whether research into the chemistry of concrete, including MIT’s 2023 report on the self-healing properties of Roman pozzolana and proliferating claims about “green concrete” using alternatives to Portland cement, can lead to new types of the material with improved durability and lower emissions footprints. This exhibition provides a firm foundation in concrete’s fascinating history, opening space for informed speculation about its future. Bill Millard is a regular contributor to AN.
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  • Hoop Dreams: Greece Tips Off a New Vision for Arena Architecture

    Got a project that’s too wild for this world? Submit your conceptual works, images and ideas for global recognition and print publication in the 2025 Vision Awards, June 6th marks the end of the Main Entry period — click here to submit your work.
    What does the future of architecture hold? How will tomorrow’s buildings look, feel, and interact with the existing human-made environment? Which innovations are primed to help us reduce the footprint of construction, improve liveability, and redefine our idea of and relationship to space?
    These are the questions Architizer’s Vision Awards look to answer. Dedicated to the planned and unbuilt, which may or may not ever be, nominations represent one of our most unique human traits — the ability to imagine possibilities and impossibilities, to dream big and think well into unchartered territory.
    Unbuilt architecture, whether it is planned for construction or destined to remain on “paper,” should be more present in a newscycle of press releases for recently constructed or newly opened buildings. Indeed, many of the ideas presented in such projects directly respond to emerging crises exacerbated by our continued reliance on 20th-century practice’s approaches and materiality. Meanwhile, the evolution of architectural visualization allows architects to develop their wildest ideas and to communicate their boldest visions with more clarity and urgency than ever before.
    Kyathos I Mass Timber Arena by KAAF I Kitriniaris Associates Architecture Firm, Βεΐκου, Galatsi, Greece
    Many studios are looking to re-write the script with high tech innovations that simply would not have been possible in the recent past, or emphasize the urgent need to get back to traditional building styles that utilize natural resources and passive principles in a bid to bring down carbon emissions and other outputs with negative environmental impact. The Kyathos Mass Timber Basketball Arena proposal does both.
    It’s fitting that we should look at this concept in spring 2025. The Osaka Expo recently opened in Japan and features the largest free-standing wooden structure ever built. The Grand Ring encases the event site and a section of its coastal waters with a circumference of 61,035 square meters. To us, it reflects what is possible when modern engineering meets one of the world’s most sustainable materials. Likewise, realizing a size previously unthinkable with wood, Alexander Kitriniaris’ KAAF I Kitriniaris Associates Architecture Firm‘s plans for this Greek sports stadium offer a new vision for the athletic facility typology. 
    Kyathos I Mass Timber Arena by KAAF I Kitriniaris Associates Architecture Firm, Βεΐκου, Galatsi, Greece
    Employing a composite timber load bearing system, the project — commissioned by Galatsi Municipality — comprises a main court, spectator stands, internal mezzanine and gallery running the perimeter, changing rooms for athletes and referees, toilets, offices, and auxiliary spaces. Its total surface area is 4,000 square meters, all of which complement the location. Designed for the site of an older, smaller wooden gymnasium, which fails to meet modern standards and is scheduled for demolition, the aesthetics reflect the surrounding Mediterranean flora grove.
    The name Kyathos refers to a type of painted pottery cup popularized in ancient Greece. The design of this was based on the petals of a milkweed belonging to the Euphorbia genus of plants. The countryside in this region is home to around forty such species, making the entire building an ode to indigenous nature and culture that has been here for millennia. When realized, it will stand in sharp contrast to the stereotype of arenas and stadiums most fans across the world have grown accustomed to, which often seem to have landed in situ, from another district if not planet.
    Kyathos I Mass Timber Arena by KAAF I Kitriniaris Associates Architecture Firm, Βεΐκου, Galatsi, Greece
    Above the main court level, the building’s structure is composed entirely of engineered wood, including glue-laminated timber, cross-laminated timber, and plywood. A timber support frame wraps the indoor gymnasium in a precise 45-by-30-meterrectangular grid. The roof is formed by ten identical isostatic frames. Symmetrical in design, these triple-arched assemblies combine beams and posts, reinforced where necessary by discreet metal connectors and stiffeners. Overhead, a lightweight polymer roof — waterproof, UV-resistant, recyclable, and printable — ensures durable protection while minimizing weight. In the renderings, an elegant lattice-like pattern, calls attention to these delicate considerations.
    At the heart of the design, the firm’s plans and visualizations emphasize, lies a bioclimatic structural shell, conceived to provide constant shade while optimizing natural ventilation, daylighting, and passive cooling. Meanwhile, rainwater collected from the roof and shaped surfaces is reused for on-site irrigation, supporting the lush Mediterranean flora of the existing grove.
    Kyathos I Mass Timber Arena by KAAF I Kitriniaris Associates Architecture Firm, Βεΐκου, Galatsi, Greece
    This year, Saudi Arabia has begun working towards the World Cup 2034. Set to be held in November that year due to the incompatibility of regional climate and international football — or football at any level — the environmental price tag for this edition of the planet’s biggest soccer tournament is likely to be huge. While recent years have seen major strides taken to improve the impact of competitive sports, with last year’s Paris Olympics achieving more than 50% carbon reduction compared with the previous two Games, there are clear differences in what’s needed to host matches in cities like Jeddah and Riyadh. Not to mention the ultra-futurist urban experiment, NEOM — a metropolis that doesn’t exist yet.  
    Even during winter months, average temperatures across the desert state sit at a very hot 29°C. Humidity is high in coastal areas, while frost and snow are not uncommon overnight on higher ground. While it’s too early to tell the footprint of the vast mega-stadiums we’ve been promised for the competition, heating and cooling requirements are almost certainly going to be immense. We are, after all, experiencing a surge in global temperatures year-on-year and an increase in weather extremes of all kinds, and this will have significantly worsened in another ten years. More so, whether we’re powered with renewables or dinosaur fossils, high energy consumption of all types is not sustainable in the real sense. 
    Kyathos I Mass Timber Arena by KAAF I Kitriniaris Associates Architecture Firm, Βεΐκου, Galatsi, Greece
    Analyzing the legitimacy, authenticity and suitability of Saudi Arabia as a World Cup host nation is a conversation for another time. Perhaps another publication. But the fundamental point is we urgently need to rethink and reprioritize non-essential undertakings for the sake of the climate and our planet. When seen through this lens, the plans for Kyathos in Greece act as a symbol of progress and sets benchmarks for a future in which we acknowledge the need for our passions to be in balance with the Earth, rather imposing upon it. The fact this is achieved through an homage to a history in which we were more aligned to nature, and associated materials, but also utilizes modern engineering techniques and manufacturing methods of those materials, only accentuates the masterful vision behind this design. 
    Given the number of projects that will be designed between now and the stadium’s project 2028 construction date, and the ever-increasing concentration of carbon in our atmosphere, its urgent that we begin celebrating such plans now — while they’re still plans — rather than waiting for the design to become a physical building. After all, architecture starts before you put two bricks together.
    Learn More About Vision Awards
    Got a project that’s too wild for this world? Submit your conceptual works, images and ideas for global recognition and print publication in the 2025 Vision Awards, June 6th marks the end of the Main Entry period — click here to submit your work.
    The post Hoop Dreams: Greece Tips Off a New Vision for Arena Architecture appeared first on Journal.
    #hoop #dreams #greece #tips #off
    Hoop Dreams: Greece Tips Off a New Vision for Arena Architecture
    Got a project that’s too wild for this world? Submit your conceptual works, images and ideas for global recognition and print publication in the 2025 Vision Awards, June 6th marks the end of the Main Entry period — click here to submit your work. What does the future of architecture hold? How will tomorrow’s buildings look, feel, and interact with the existing human-made environment? Which innovations are primed to help us reduce the footprint of construction, improve liveability, and redefine our idea of and relationship to space? These are the questions Architizer’s Vision Awards look to answer. Dedicated to the planned and unbuilt, which may or may not ever be, nominations represent one of our most unique human traits — the ability to imagine possibilities and impossibilities, to dream big and think well into unchartered territory. Unbuilt architecture, whether it is planned for construction or destined to remain on “paper,” should be more present in a newscycle of press releases for recently constructed or newly opened buildings. Indeed, many of the ideas presented in such projects directly respond to emerging crises exacerbated by our continued reliance on 20th-century practice’s approaches and materiality. Meanwhile, the evolution of architectural visualization allows architects to develop their wildest ideas and to communicate their boldest visions with more clarity and urgency than ever before. Kyathos I Mass Timber Arena by KAAF I Kitriniaris Associates Architecture Firm, Βεΐκου, Galatsi, Greece Many studios are looking to re-write the script with high tech innovations that simply would not have been possible in the recent past, or emphasize the urgent need to get back to traditional building styles that utilize natural resources and passive principles in a bid to bring down carbon emissions and other outputs with negative environmental impact. The Kyathos Mass Timber Basketball Arena proposal does both. It’s fitting that we should look at this concept in spring 2025. The Osaka Expo recently opened in Japan and features the largest free-standing wooden structure ever built. The Grand Ring encases the event site and a section of its coastal waters with a circumference of 61,035 square meters. To us, it reflects what is possible when modern engineering meets one of the world’s most sustainable materials. Likewise, realizing a size previously unthinkable with wood, Alexander Kitriniaris’ KAAF I Kitriniaris Associates Architecture Firm‘s plans for this Greek sports stadium offer a new vision for the athletic facility typology.  Kyathos I Mass Timber Arena by KAAF I Kitriniaris Associates Architecture Firm, Βεΐκου, Galatsi, Greece Employing a composite timber load bearing system, the project — commissioned by Galatsi Municipality — comprises a main court, spectator stands, internal mezzanine and gallery running the perimeter, changing rooms for athletes and referees, toilets, offices, and auxiliary spaces. Its total surface area is 4,000 square meters, all of which complement the location. Designed for the site of an older, smaller wooden gymnasium, which fails to meet modern standards and is scheduled for demolition, the aesthetics reflect the surrounding Mediterranean flora grove. The name Kyathos refers to a type of painted pottery cup popularized in ancient Greece. The design of this was based on the petals of a milkweed belonging to the Euphorbia genus of plants. The countryside in this region is home to around forty such species, making the entire building an ode to indigenous nature and culture that has been here for millennia. When realized, it will stand in sharp contrast to the stereotype of arenas and stadiums most fans across the world have grown accustomed to, which often seem to have landed in situ, from another district if not planet. Kyathos I Mass Timber Arena by KAAF I Kitriniaris Associates Architecture Firm, Βεΐκου, Galatsi, Greece Above the main court level, the building’s structure is composed entirely of engineered wood, including glue-laminated timber, cross-laminated timber, and plywood. A timber support frame wraps the indoor gymnasium in a precise 45-by-30-meterrectangular grid. The roof is formed by ten identical isostatic frames. Symmetrical in design, these triple-arched assemblies combine beams and posts, reinforced where necessary by discreet metal connectors and stiffeners. Overhead, a lightweight polymer roof — waterproof, UV-resistant, recyclable, and printable — ensures durable protection while minimizing weight. In the renderings, an elegant lattice-like pattern, calls attention to these delicate considerations. At the heart of the design, the firm’s plans and visualizations emphasize, lies a bioclimatic structural shell, conceived to provide constant shade while optimizing natural ventilation, daylighting, and passive cooling. Meanwhile, rainwater collected from the roof and shaped surfaces is reused for on-site irrigation, supporting the lush Mediterranean flora of the existing grove. Kyathos I Mass Timber Arena by KAAF I Kitriniaris Associates Architecture Firm, Βεΐκου, Galatsi, Greece This year, Saudi Arabia has begun working towards the World Cup 2034. Set to be held in November that year due to the incompatibility of regional climate and international football — or football at any level — the environmental price tag for this edition of the planet’s biggest soccer tournament is likely to be huge. While recent years have seen major strides taken to improve the impact of competitive sports, with last year’s Paris Olympics achieving more than 50% carbon reduction compared with the previous two Games, there are clear differences in what’s needed to host matches in cities like Jeddah and Riyadh. Not to mention the ultra-futurist urban experiment, NEOM — a metropolis that doesn’t exist yet.   Even during winter months, average temperatures across the desert state sit at a very hot 29°C. Humidity is high in coastal areas, while frost and snow are not uncommon overnight on higher ground. While it’s too early to tell the footprint of the vast mega-stadiums we’ve been promised for the competition, heating and cooling requirements are almost certainly going to be immense. We are, after all, experiencing a surge in global temperatures year-on-year and an increase in weather extremes of all kinds, and this will have significantly worsened in another ten years. More so, whether we’re powered with renewables or dinosaur fossils, high energy consumption of all types is not sustainable in the real sense.  Kyathos I Mass Timber Arena by KAAF I Kitriniaris Associates Architecture Firm, Βεΐκου, Galatsi, Greece Analyzing the legitimacy, authenticity and suitability of Saudi Arabia as a World Cup host nation is a conversation for another time. Perhaps another publication. But the fundamental point is we urgently need to rethink and reprioritize non-essential undertakings for the sake of the climate and our planet. When seen through this lens, the plans for Kyathos in Greece act as a symbol of progress and sets benchmarks for a future in which we acknowledge the need for our passions to be in balance with the Earth, rather imposing upon it. The fact this is achieved through an homage to a history in which we were more aligned to nature, and associated materials, but also utilizes modern engineering techniques and manufacturing methods of those materials, only accentuates the masterful vision behind this design.  Given the number of projects that will be designed between now and the stadium’s project 2028 construction date, and the ever-increasing concentration of carbon in our atmosphere, its urgent that we begin celebrating such plans now — while they’re still plans — rather than waiting for the design to become a physical building. After all, architecture starts before you put two bricks together. Learn More About Vision Awards Got a project that’s too wild for this world? Submit your conceptual works, images and ideas for global recognition and print publication in the 2025 Vision Awards, June 6th marks the end of the Main Entry period — click here to submit your work. The post Hoop Dreams: Greece Tips Off a New Vision for Arena Architecture appeared first on Journal. #hoop #dreams #greece #tips #off
    ARCHITIZER.COM
    Hoop Dreams: Greece Tips Off a New Vision for Arena Architecture
    Got a project that’s too wild for this world? Submit your conceptual works, images and ideas for global recognition and print publication in the 2025 Vision Awards, June 6th marks the end of the Main Entry period — click here to submit your work. What does the future of architecture hold? How will tomorrow’s buildings look, feel, and interact with the existing human-made environment? Which innovations are primed to help us reduce the footprint of construction, improve liveability, and redefine our idea of and relationship to space? These are the questions Architizer’s Vision Awards look to answer (or, at least offer some suggestions in lieu of concrete answers). Dedicated to the planned and unbuilt, which may or may not ever be, nominations represent one of our most unique human traits — the ability to imagine possibilities and impossibilities, to dream big and think well into unchartered territory. Unbuilt architecture, whether it is planned for construction or destined to remain on “paper,” should be more present in a newscycle of press releases for recently constructed or newly opened buildings. Indeed, many of the ideas presented in such projects directly respond to emerging crises exacerbated by our continued reliance on 20th-century practice’s approaches and materiality. Meanwhile, the evolution of architectural visualization allows architects to develop their wildest ideas and to communicate their boldest visions with more clarity and urgency than ever before. Kyathos I Mass Timber Arena by KAAF I Kitriniaris Associates Architecture Firm, Βεΐκου, Galatsi, Greece Many studios are looking to re-write the script with high tech innovations that simply would not have been possible in the recent past, or emphasize the urgent need to get back to traditional building styles that utilize natural resources and passive principles in a bid to bring down carbon emissions and other outputs with negative environmental impact. The Kyathos Mass Timber Basketball Arena proposal does both. It’s fitting that we should look at this concept in spring 2025. The Osaka Expo recently opened in Japan and features the largest free-standing wooden structure ever built. The Grand Ring encases the event site and a section of its coastal waters with a circumference of 61,035 square meters (656,975 square feet). To us, it reflects what is possible when modern engineering meets one of the world’s most sustainable materials. Likewise, realizing a size previously unthinkable with wood, Alexander Kitriniaris’ KAAF I Kitriniaris Associates Architecture Firm‘s plans for this Greek sports stadium offer a new vision for the athletic facility typology.  Kyathos I Mass Timber Arena by KAAF I Kitriniaris Associates Architecture Firm, Βεΐκου, Galatsi, Greece Employing a composite timber load bearing system, the project — commissioned by Galatsi Municipality — comprises a main court, spectator stands, internal mezzanine and gallery running the perimeter, changing rooms for athletes and referees, toilets, offices, and auxiliary spaces. Its total surface area is 4,000 square meters (43, 055 square feet), all of which complement the location. Designed for the site of an older, smaller wooden gymnasium, which fails to meet modern standards and is scheduled for demolition, the aesthetics reflect the surrounding Mediterranean flora grove. The name Kyathos refers to a type of painted pottery cup popularized in ancient Greece. The design of this was based on the petals of a milkweed belonging to the Euphorbia genus of plants. The countryside in this region is home to around forty such species, making the entire building an ode to indigenous nature and culture that has been here for millennia. When realized, it will stand in sharp contrast to the stereotype of arenas and stadiums most fans across the world have grown accustomed to, which often seem to have landed in situ, from another district if not planet. Kyathos I Mass Timber Arena by KAAF I Kitriniaris Associates Architecture Firm, Βεΐκου, Galatsi, Greece Above the main court level, the building’s structure is composed entirely of engineered wood, including glue-laminated timber, cross-laminated timber, and plywood. A timber support frame wraps the indoor gymnasium in a precise 45-by-30-meter (148-by-98 foot) rectangular grid. The roof is formed by ten identical isostatic frames. Symmetrical in design, these triple-arched assemblies combine beams and posts, reinforced where necessary by discreet metal connectors and stiffeners. Overhead, a lightweight polymer roof — waterproof, UV-resistant, recyclable, and printable — ensures durable protection while minimizing weight. In the renderings, an elegant lattice-like pattern, calls attention to these delicate considerations. At the heart of the design, the firm’s plans and visualizations emphasize, lies a bioclimatic structural shell (pictured below), conceived to provide constant shade while optimizing natural ventilation, daylighting, and passive cooling. Meanwhile, rainwater collected from the roof and shaped surfaces is reused for on-site irrigation, supporting the lush Mediterranean flora of the existing grove. Kyathos I Mass Timber Arena by KAAF I Kitriniaris Associates Architecture Firm, Βεΐκου, Galatsi, Greece This year, Saudi Arabia has begun working towards the World Cup 2034. Set to be held in November that year due to the incompatibility of regional climate and international football — or football at any level — the environmental price tag for this edition of the planet’s biggest soccer tournament is likely to be huge. While recent years have seen major strides taken to improve the impact of competitive sports, with last year’s Paris Olympics achieving more than 50% carbon reduction compared with the previous two Games, there are clear differences in what’s needed to host matches in cities like Jeddah and Riyadh. Not to mention the ultra-futurist urban experiment, NEOM — a metropolis that doesn’t exist yet.   Even during winter months, average temperatures across the desert state sit at a very hot 29°C. Humidity is high in coastal areas, while frost and snow are not uncommon overnight on higher ground. While it’s too early to tell the footprint of the vast mega-stadiums we’ve been promised for the competition, heating and cooling requirements are almost certainly going to be immense. We are, after all, experiencing a surge in global temperatures year-on-year and an increase in weather extremes of all kinds, and this will have significantly worsened in another ten years. More so, whether we’re powered with renewables or dinosaur fossils, high energy consumption of all types is not sustainable in the real sense.  Kyathos I Mass Timber Arena by KAAF I Kitriniaris Associates Architecture Firm, Βεΐκου, Galatsi, Greece Analyzing the legitimacy, authenticity and suitability of Saudi Arabia as a World Cup host nation is a conversation for another time. Perhaps another publication. But the fundamental point is we urgently need to rethink and reprioritize non-essential undertakings for the sake of the climate and our planet. When seen through this lens, the plans for Kyathos in Greece act as a symbol of progress and sets benchmarks for a future in which we acknowledge the need for our passions to be in balance with the Earth, rather imposing upon it. The fact this is achieved through an homage to a history in which we were more aligned to nature, and associated materials, but also utilizes modern engineering techniques and manufacturing methods of those materials, only accentuates the masterful vision behind this design.  Given the number of projects that will be designed between now and the stadium’s project 2028 construction date, and the ever-increasing concentration of carbon in our atmosphere, its urgent that we begin celebrating such plans now — while they’re still plans — rather than waiting for the design to become a physical building. After all, architecture starts before you put two bricks together (or, in this case, two pieces of timber). Learn More About Vision Awards Got a project that’s too wild for this world? Submit your conceptual works, images and ideas for global recognition and print publication in the 2025 Vision Awards, June 6th marks the end of the Main Entry period — click here to submit your work. The post Hoop Dreams: Greece Tips Off a New Vision for Arena Architecture appeared first on Journal.
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  • On this day: May 20

    May 20: National Day of Remembrance in Cambodia; National Awakening Day in Indonesia325 – The First Council of Nicaea, the first ecumenical council of the Christian Church, was formally opened by Constantine the Great.
    794 – According to the Anglo-Saxon Chronicle, King Æthelberht II of East Anglia was beheaded on the orders of Offa of Mercia.
    1714 – J. S. Bach led the first performance of his Pentecost cantata Erschallet, ihr Lieder at the chapel of Schloss Weimar.
    1927 – With the signing of the Treaty of Jeddah, the United Kingdom recognized the sovereignty of Ibn Saud over Hejaz and Nejd, which later merged to become Saudi Arabia.
    1941 – World War II: German paratroopers began the Battle of Heraklion on the island of Crete, capturing the airfield and port in Heraklion ten days later.
    William FargoGertrude Guillaume-SchackNizamuddin Asir AdrawiMore anniversaries:
    May 19
    May 20
    May 21

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    On this day: May 20
    May 20: National Day of Remembrance in Cambodia; National Awakening Day in Indonesia325 – The First Council of Nicaea, the first ecumenical council of the Christian Church, was formally opened by Constantine the Great. 794 – According to the Anglo-Saxon Chronicle, King Æthelberht II of East Anglia was beheaded on the orders of Offa of Mercia. 1714 – J. S. Bach led the first performance of his Pentecost cantata Erschallet, ihr Lieder at the chapel of Schloss Weimar. 1927 – With the signing of the Treaty of Jeddah, the United Kingdom recognized the sovereignty of Ibn Saud over Hejaz and Nejd, which later merged to become Saudi Arabia. 1941 – World War II: German paratroopers began the Battle of Heraklion on the island of Crete, capturing the airfield and port in Heraklion ten days later. William FargoGertrude Guillaume-SchackNizamuddin Asir AdrawiMore anniversaries: May 19 May 20 May 21 Archive By email List of days of the year About #this #day
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    On this day: May 20
    May 20: National Day of Remembrance in Cambodia (1975); National Awakening Day in Indonesia (1908) 325 – The First Council of Nicaea (depicted), the first ecumenical council of the Christian Church, was formally opened by Constantine the Great. 794 – According to the Anglo-Saxon Chronicle, King Æthelberht II of East Anglia was beheaded on the orders of Offa of Mercia. 1714 – J. S. Bach led the first performance of his Pentecost cantata Erschallet, ihr Lieder at the chapel of Schloss Weimar. 1927 – With the signing of the Treaty of Jeddah, the United Kingdom recognized the sovereignty of Ibn Saud over Hejaz and Nejd, which later merged to become Saudi Arabia. 1941 – World War II: German paratroopers began the Battle of Heraklion on the island of Crete, capturing the airfield and port in Heraklion ten days later. William Fargo (b. 1818)Gertrude Guillaume-Schack (d. 1903)Nizamuddin Asir Adrawi (d. 2021) More anniversaries: May 19 May 20 May 21 Archive By email List of days of the year About
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  • #333;">Trump launches Middle East tour by meeting with Saudi crown prince
    U.S.
    President Donald Trump opened his four-day Middle East trip on Tuesday by paying a visit to Saudi Arabia’s de facto ruler, Crown Prince Mohammed bin Salman, for talks on U.S.
    efforts to dismantle Iran’s nuclear program, end the war in Gaza, hold down oil prices and more.Prince Mohammed warmly greeted Trump as he stepped off Air Force One at King Khalid International Airport in the Saudi capital and kicked off his Middle East tour.The two leaders then retreated to a grand hall at the Riyadh airport, where Trump and his aides were served traditional Arabic coffee by waiting attendants wearing ceremonial gun-belts.
    Fighter jet escort
    The pomp began before Trump even landed.
    Royal Saudi Air Force F-15s provided an honorary escort for Air Force One as it approached the kingdom’s capital.Trump and Prince Mohammed also took part in a lunch at the Royal Court, gathering with guests and aides in an ornate room with blue accents and massive crystal chandeliers.As he greeted business titans with Trump by his side, Prince Mohammed was animated and smiling.It was a stark contrast to his awkward fist bump with then-President Joe Biden, who looked to avoid being seen on camera shaking hands with the prince during a 2022 visit to the kingdom.Biden had decided to pay a visit to Saudi Arabia as he looked to alleviate soaring prices at the pump for motorists at home and around the globe.At the time, Prince Mohammed’s reputation had been badly damaged by a U.S.
    intelligence determination that found he had ordered the 2018 killing of journalist Jamal Khashoggi.But that dark moment appeared to be distant memory for the prince as he rubbed elbows with high-profile business executives — including Blackstone Group CEO Stephen Schwarzman, BlackRock CEO Larry Fink and Tesla and SpaceX CEO Elon Musk — in front of the cameras and with Trump by his side.Later, the crown prince will fete Trump with a formal dinner.
    Trump is also slated to take part Tuesday in a U.S.-Saudi investment conference.“When Saudis and Americans join forces, very good things happen — more often than not, great things happen,” Saudi Investment Minister Khalid al-Falih said.
    Oil production
    Saudi Arabia and fellow OPEC+ nations have already helped their cause with Trump early in his second term by stepping up oil production.
    Trump sees cheap energy as a key component to lowering costs and stemming inflation for Americans.
    The Republican president has also made the case that lower oil prices will hasten an end to the Russia-Ukraine war.But Saudi Arabia’s economy remains heavily dependent on oil, and the kingdom needs a fiscal break-even oil price of $96 to $98 a barrel to balance its budget.
    It’s questionable how long OPEC+, of which Saudi Arabia is the leading member, is willing to keep production elevated.
    The price of a barrel of Brent crude closed Monday at $64.77.“One of the challenges for the Gulf states of lower oil prices is it doesn’t necessarily imperil economic diversification programs, but it certainly makes them harder,” said Jon Alterman, a senior Middle East analyst at the Center for Strategic and International Studies in Washington.
    Qatar and UAE next
    Trump picked the kingdom for his first stop, because it has pledged to make big investments in the U.S., but Trump ended up traveling to Italy last month for Pope Francis’ funeral.
    Riyadh was the first overseas stop of his first term.The three countries on the president’s itinerary — Saudi Arabia, Qatar and the United Arab Emirates — are all places where the Trump Organization, run by Trump’s two elder sons, is developing major real estate projects.
    They include a high-rise tower in Jeddah, a luxury hotel in Dubai and a golf course and villa complex in Qatar.Trump is trying to demonstrate that his transactional strategy for international politics is paying dividends as he faces criticism from Democrats who say his global tariff war and approach to Russia’s war on Ukraine are isolating the United States from allies.He’s expected to announce deals with the three wealthy countries that will touch on artificial intelligence, expanding energy cooperation and perhaps new arms sales to Saudi Arabia.
    The administration earlier this month announced initial approval to sell $3.5 billion worth of air-to-air missiles for Saudi Arabia’s fighter jets.But Trump arrived in the Middle East at a moment when his top regional allies, Israel and Saudi Arabia, are far from neatly aligned with his approach.
    Trump’s decision to skip Israel remarkable, expert says
    Before the trip, Trump announced that Washington was halting a nearly two-month U.S.
    airstrike campaign against Yemen’s Houthis, saying the Iran-backed rebels have pledged to stop attacking ships along a vital global trade route.The administration didn’t notify Israel — which the Houthis continue to target — of the agreement before Trump publicly announced it.
    It was the latest example of Trump leaving the Israelis in the dark about his administration’s negotiations with common adversaries.In March, Israeli Prime Minister Benjamin Netanyahu wasn’t notified by the administration until after talks began with Hamas about the war in Gaza.
    And Netanyahu found out about the ongoing U.S.
    nuclear talks with Iran only when Trump announced them during an Oval Office visit by the Israeli leader last month.“Israel will defend itself by itself,” Netanyahu said last week following Trump’s Houthi truce announcement.
    “If others join us — our American friends — all the better.”William Wechsler, senior director of the Rafik Hariri Center and Middle East Programs at the Atlantic Council, said Trump’s decision to skip Israel on his first Middle East visit is remarkable.“The main message coming out of this, at least as the itinerary stands today, is that the governments of the Gulf … are in fact stronger friends to President Trump than the current government of Israel at this moment,” Wechsler said.
    Restarting efforts to normalize Israel-Saudi ties
    Trump, meanwhile, hopes to restart his first-term effort to normalize relations between the Middle East’s major powers, Israel and Saudi Arabia.
    Trump’s Abraham Accords effort led to Sudan, the UAE, Bahrain and Morocco agreeing to normalize relations with Israel.But Riyadh has made clear that in exchange for normalization it wants U.S.
    security guarantees, assistance with the kingdom’s nuclear program and progress on a pathway to Palestinian statehood.
    There seems to be scant hope for making headway on a Palestinian state with the Israel-Hamas war raging and the Israelis threatening to flatten and occupy Gaza.Prince Mohammed last week notably hosted Palestinian Vice President Hussein Sheikh in Jeddah on the sheikh’s first foreign visit since assuming office in April.Hussain Abdul-Hussain, a research fellow at the Foundation for Defense of Democracies, said the crown prince appeared to be subtly signaling to Trump that the kingdom needs to see progress on Palestinian statehood for the Saudis to begin seriously moving on a normalization deal with the Israelis.“Knowing how the Saudis telegraph their intentions, that’s a preemptive, ‘Don’t even think of asking us to show any goodwill toward normalization,'” Abdul-Hussain said.
    Madhani reported from Dubai, United Arab Emirates.
    —Zeke Miller, Aamer Madhani and Jon Gambrell, Associated Press
    #666;">المصدر: https://www.fastcompany.com/91333433/trump-launches-middle-east-tour-meeting-saudi-crown-prince" style="color: #0066cc; text-decoration: none;">www.fastcompany.com
    #0066cc;">#trump #launches #middle #east #tour #meeting #with #saudi #crown #prince #uspresident #donald #opened #his #fourday #trip #tuesday #paying #visit #arabias #facto #ruler #mohammed #bin #salman #for #talks #usefforts #dismantle #irans #nuclear #program #end #the #war #gaza #hold #down #oil #prices #and #moreprince #warmly #greeted #stepped #off #air #force #one #king #khalid #international #airport #capital #kicked #tourthe #two #leaders #then #retreated #grand #hall #riyadh #where #aides #were #served #traditional #arabic #coffee #waiting #attendants #wearing #ceremonial #gunbeltsfighter #jet #escortthe #pomp #began #before #even #landedroyal #f15s #provided #honorary #escort #approached #kingdoms #capitaltrump #also #took #part #lunch #royal #court #gathering #guests #ornate #room #blue #accents #massive #crystal #chandeliersas #business #titans #side #was #animated #smilingit #stark #contrast #awkward #fist #bump #thenpresident #joe #biden #who #looked #avoid #being #seen #camera #shaking #hands #during #kingdombiden #had #decided #pay #arabia #alleviate #soaring #pump #motorists #home #around #globeat #time #mohammeds #reputation #been #badly #damaged #usintelligence #determination #that #found #ordered #killing #journalist #jamal #khashoggibut #dark #moment #appeared #distant #memory #rubbed #elbows #highprofile #executives #including #blackstone #group #ceo #stephen #schwarzman #blackrock #larry #fink #tesla #spacex #elon #musk #front #cameras #sidelater #will #fete #formal #dinnertrump #slated #take #ussaudi #investment #conferencewhen #saudis #americans #join #forces #very #good #things #happen #more #often #than #not #great #minister #alfalih #saidoil #productionsaudi #fellow #opec #nations #have #already #helped #their #cause #early #second #term #stepping #productiontrump #sees #cheap #energy #key #component #lowering #costs #stemming #inflation #americansthe #republican #president #has #made #case #lower #hasten #russiaukraine #warbut #economy #remains #heavily #dependent #kingdom #needs #fiscal #breakeven #price #barrel #balance #its #budgetits #questionable #how #long #which #leading #member #willing #keep #production #elevatedthe #brent #crude #closed #monday #6477one #challenges #gulf #states #doesnt #necessarily #imperil #economic #diversification #programs #but #certainly #makes #them #harder #said #jon #alterman #senior #analyst #center #strategic #studies #washingtonqatar #uae #nexttrump #picked #first #stop #because #pledged #make #big #investments #ended #traveling #italy #last #month #pope #francis #funeralriyadh #overseas #termthe #three #countries #presidents #itinerary #qatar #united #arab #emirates #are #all #places #organization #run #trumps #elder #sons #developing #major #real #estate #projectsthey #include #highrise #tower #jeddah #luxury #hotel #dubai #golf #course #villa #complex #qatartrump #trying #demonstrate #transactional #strategy #politics #dividends #faces #criticism #from #democrats #say #global #tariff #approach #russias #ukraine #isolating #allieshes #expected #announce #deals #wealthy #touch #artificial #intelligence #expanding #cooperation #perhaps #new #arms #sales #arabiathe #administration #earlier #this #announced #initial #approval #sell #billion #worth #airtoair #missiles #fighter #jetsbut #arrived #when #top #regional #allies #israel #far #neatly #aligned #approachtrumps #decision #skip #remarkable #expert #saysbefore #washington #halting #nearly #twomonth #usairstrike #campaign #against #yemens #houthis #saying #iranbacked #rebels #attacking #ships #along #vital #trade #routethe #didnt #notify #continue #target #agreement #publicly #itit #latest #example #leaving #israelis #about #administrations #negotiations #common #adversariesin #march #israeli #prime #benjamin #netanyahu #wasnt #notified #until #after #hamas #gazaand #out #ongoing #usnuclear #iran #only #oval #office #leader #monthisrael #defend #itself #week #following #houthi #truce #announcementif #others #our #american #friends #betterwilliam #wechsler #director #rafik #hariri #atlantic #council #remarkablethe #main #message #coming #least #stands #today #governments #fact #stronger #current #government #saidrestarting #efforts #normalize #israelsaudi #tiestrump #meanwhile #hopes #restart #firstterm #effort #relations #between #easts #powers #arabiatrumps #abraham #accords #led #sudan #bahrain #morocco #agreeing #israelbut #clear #exchange #normalization #wants #ussecurity #guarantees #assistance #progress #pathway #palestinian #statehoodthere #seems #scant #hope #making #headway #state #israelhamas #raging #threatening #flatten #occupy #gazaprince #notably #hosted #vice #hussein #sheikh #sheikhs #foreign #since #assuming #aprilhussain #abdulhussain #research #foundation #defense #democracies #subtly #signaling #see #statehood #begin #seriously #moving #deal #israelisknowing #telegraph #intentions #thats #preemptive #dont #think #asking #show #any #goodwill #toward #normalization039 #saidmadhani #reported #emirateszeke #miller #aamer #madhani #gambrell #associated #press
    Trump launches Middle East tour by meeting with Saudi crown prince
    U.S. President Donald Trump opened his four-day Middle East trip on Tuesday by paying a visit to Saudi Arabia’s de facto ruler, Crown Prince Mohammed bin Salman, for talks on U.S. efforts to dismantle Iran’s nuclear program, end the war in Gaza, hold down oil prices and more.Prince Mohammed warmly greeted Trump as he stepped off Air Force One at King Khalid International Airport in the Saudi capital and kicked off his Middle East tour.The two leaders then retreated to a grand hall at the Riyadh airport, where Trump and his aides were served traditional Arabic coffee by waiting attendants wearing ceremonial gun-belts. Fighter jet escort The pomp began before Trump even landed. Royal Saudi Air Force F-15s provided an honorary escort for Air Force One as it approached the kingdom’s capital.Trump and Prince Mohammed also took part in a lunch at the Royal Court, gathering with guests and aides in an ornate room with blue accents and massive crystal chandeliers.As he greeted business titans with Trump by his side, Prince Mohammed was animated and smiling.It was a stark contrast to his awkward fist bump with then-President Joe Biden, who looked to avoid being seen on camera shaking hands with the prince during a 2022 visit to the kingdom.Biden had decided to pay a visit to Saudi Arabia as he looked to alleviate soaring prices at the pump for motorists at home and around the globe.At the time, Prince Mohammed’s reputation had been badly damaged by a U.S. intelligence determination that found he had ordered the 2018 killing of journalist Jamal Khashoggi.But that dark moment appeared to be distant memory for the prince as he rubbed elbows with high-profile business executives — including Blackstone Group CEO Stephen Schwarzman, BlackRock CEO Larry Fink and Tesla and SpaceX CEO Elon Musk — in front of the cameras and with Trump by his side.Later, the crown prince will fete Trump with a formal dinner. Trump is also slated to take part Tuesday in a U.S.-Saudi investment conference.“When Saudis and Americans join forces, very good things happen — more often than not, great things happen,” Saudi Investment Minister Khalid al-Falih said. Oil production Saudi Arabia and fellow OPEC+ nations have already helped their cause with Trump early in his second term by stepping up oil production. Trump sees cheap energy as a key component to lowering costs and stemming inflation for Americans. The Republican president has also made the case that lower oil prices will hasten an end to the Russia-Ukraine war.But Saudi Arabia’s economy remains heavily dependent on oil, and the kingdom needs a fiscal break-even oil price of $96 to $98 a barrel to balance its budget. It’s questionable how long OPEC+, of which Saudi Arabia is the leading member, is willing to keep production elevated. The price of a barrel of Brent crude closed Monday at $64.77.“One of the challenges for the Gulf states of lower oil prices is it doesn’t necessarily imperil economic diversification programs, but it certainly makes them harder,” said Jon Alterman, a senior Middle East analyst at the Center for Strategic and International Studies in Washington. Qatar and UAE next Trump picked the kingdom for his first stop, because it has pledged to make big investments in the U.S., but Trump ended up traveling to Italy last month for Pope Francis’ funeral. Riyadh was the first overseas stop of his first term.The three countries on the president’s itinerary — Saudi Arabia, Qatar and the United Arab Emirates — are all places where the Trump Organization, run by Trump’s two elder sons, is developing major real estate projects. They include a high-rise tower in Jeddah, a luxury hotel in Dubai and a golf course and villa complex in Qatar.Trump is trying to demonstrate that his transactional strategy for international politics is paying dividends as he faces criticism from Democrats who say his global tariff war and approach to Russia’s war on Ukraine are isolating the United States from allies.He’s expected to announce deals with the three wealthy countries that will touch on artificial intelligence, expanding energy cooperation and perhaps new arms sales to Saudi Arabia. The administration earlier this month announced initial approval to sell $3.5 billion worth of air-to-air missiles for Saudi Arabia’s fighter jets.But Trump arrived in the Middle East at a moment when his top regional allies, Israel and Saudi Arabia, are far from neatly aligned with his approach. Trump’s decision to skip Israel remarkable, expert says Before the trip, Trump announced that Washington was halting a nearly two-month U.S. airstrike campaign against Yemen’s Houthis, saying the Iran-backed rebels have pledged to stop attacking ships along a vital global trade route.The administration didn’t notify Israel — which the Houthis continue to target — of the agreement before Trump publicly announced it. It was the latest example of Trump leaving the Israelis in the dark about his administration’s negotiations with common adversaries.In March, Israeli Prime Minister Benjamin Netanyahu wasn’t notified by the administration until after talks began with Hamas about the war in Gaza. And Netanyahu found out about the ongoing U.S. nuclear talks with Iran only when Trump announced them during an Oval Office visit by the Israeli leader last month.“Israel will defend itself by itself,” Netanyahu said last week following Trump’s Houthi truce announcement. “If others join us — our American friends — all the better.”William Wechsler, senior director of the Rafik Hariri Center and Middle East Programs at the Atlantic Council, said Trump’s decision to skip Israel on his first Middle East visit is remarkable.“The main message coming out of this, at least as the itinerary stands today, is that the governments of the Gulf … are in fact stronger friends to President Trump than the current government of Israel at this moment,” Wechsler said. Restarting efforts to normalize Israel-Saudi ties Trump, meanwhile, hopes to restart his first-term effort to normalize relations between the Middle East’s major powers, Israel and Saudi Arabia. Trump’s Abraham Accords effort led to Sudan, the UAE, Bahrain and Morocco agreeing to normalize relations with Israel.But Riyadh has made clear that in exchange for normalization it wants U.S. security guarantees, assistance with the kingdom’s nuclear program and progress on a pathway to Palestinian statehood. There seems to be scant hope for making headway on a Palestinian state with the Israel-Hamas war raging and the Israelis threatening to flatten and occupy Gaza.Prince Mohammed last week notably hosted Palestinian Vice President Hussein Sheikh in Jeddah on the sheikh’s first foreign visit since assuming office in April.Hussain Abdul-Hussain, a research fellow at the Foundation for Defense of Democracies, said the crown prince appeared to be subtly signaling to Trump that the kingdom needs to see progress on Palestinian statehood for the Saudis to begin seriously moving on a normalization deal with the Israelis.“Knowing how the Saudis telegraph their intentions, that’s a preemptive, ‘Don’t even think of asking us to show any goodwill toward normalization,'” Abdul-Hussain said. Madhani reported from Dubai, United Arab Emirates. —Zeke Miller, Aamer Madhani and Jon Gambrell, Associated Press
    المصدر: www.fastcompany.com
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    Trump launches Middle East tour by meeting with Saudi crown prince
    U.S. President Donald Trump opened his four-day Middle East trip on Tuesday by paying a visit to Saudi Arabia’s de facto ruler, Crown Prince Mohammed bin Salman, for talks on U.S. efforts to dismantle Iran’s nuclear program, end the war in Gaza, hold down oil prices and more.Prince Mohammed warmly greeted Trump as he stepped off Air Force One at King Khalid International Airport in the Saudi capital and kicked off his Middle East tour.The two leaders then retreated to a grand hall at the Riyadh airport, where Trump and his aides were served traditional Arabic coffee by waiting attendants wearing ceremonial gun-belts. Fighter jet escort The pomp began before Trump even landed. Royal Saudi Air Force F-15s provided an honorary escort for Air Force One as it approached the kingdom’s capital.Trump and Prince Mohammed also took part in a lunch at the Royal Court, gathering with guests and aides in an ornate room with blue accents and massive crystal chandeliers.As he greeted business titans with Trump by his side, Prince Mohammed was animated and smiling.It was a stark contrast to his awkward fist bump with then-President Joe Biden, who looked to avoid being seen on camera shaking hands with the prince during a 2022 visit to the kingdom.Biden had decided to pay a visit to Saudi Arabia as he looked to alleviate soaring prices at the pump for motorists at home and around the globe.At the time, Prince Mohammed’s reputation had been badly damaged by a U.S. intelligence determination that found he had ordered the 2018 killing of journalist Jamal Khashoggi.But that dark moment appeared to be distant memory for the prince as he rubbed elbows with high-profile business executives — including Blackstone Group CEO Stephen Schwarzman, BlackRock CEO Larry Fink and Tesla and SpaceX CEO Elon Musk — in front of the cameras and with Trump by his side.Later, the crown prince will fete Trump with a formal dinner. Trump is also slated to take part Tuesday in a U.S.-Saudi investment conference.“When Saudis and Americans join forces, very good things happen — more often than not, great things happen,” Saudi Investment Minister Khalid al-Falih said. Oil production Saudi Arabia and fellow OPEC+ nations have already helped their cause with Trump early in his second term by stepping up oil production. Trump sees cheap energy as a key component to lowering costs and stemming inflation for Americans. The Republican president has also made the case that lower oil prices will hasten an end to the Russia-Ukraine war.But Saudi Arabia’s economy remains heavily dependent on oil, and the kingdom needs a fiscal break-even oil price of $96 to $98 a barrel to balance its budget. It’s questionable how long OPEC+, of which Saudi Arabia is the leading member, is willing to keep production elevated. The price of a barrel of Brent crude closed Monday at $64.77.“One of the challenges for the Gulf states of lower oil prices is it doesn’t necessarily imperil economic diversification programs, but it certainly makes them harder,” said Jon Alterman, a senior Middle East analyst at the Center for Strategic and International Studies in Washington. Qatar and UAE next Trump picked the kingdom for his first stop, because it has pledged to make big investments in the U.S., but Trump ended up traveling to Italy last month for Pope Francis’ funeral. Riyadh was the first overseas stop of his first term.The three countries on the president’s itinerary — Saudi Arabia, Qatar and the United Arab Emirates — are all places where the Trump Organization, run by Trump’s two elder sons, is developing major real estate projects. They include a high-rise tower in Jeddah, a luxury hotel in Dubai and a golf course and villa complex in Qatar.Trump is trying to demonstrate that his transactional strategy for international politics is paying dividends as he faces criticism from Democrats who say his global tariff war and approach to Russia’s war on Ukraine are isolating the United States from allies.He’s expected to announce deals with the three wealthy countries that will touch on artificial intelligence, expanding energy cooperation and perhaps new arms sales to Saudi Arabia. The administration earlier this month announced initial approval to sell $3.5 billion worth of air-to-air missiles for Saudi Arabia’s fighter jets.But Trump arrived in the Middle East at a moment when his top regional allies, Israel and Saudi Arabia, are far from neatly aligned with his approach. Trump’s decision to skip Israel remarkable, expert says Before the trip, Trump announced that Washington was halting a nearly two-month U.S. airstrike campaign against Yemen’s Houthis, saying the Iran-backed rebels have pledged to stop attacking ships along a vital global trade route.The administration didn’t notify Israel — which the Houthis continue to target — of the agreement before Trump publicly announced it. It was the latest example of Trump leaving the Israelis in the dark about his administration’s negotiations with common adversaries.In March, Israeli Prime Minister Benjamin Netanyahu wasn’t notified by the administration until after talks began with Hamas about the war in Gaza. And Netanyahu found out about the ongoing U.S. nuclear talks with Iran only when Trump announced them during an Oval Office visit by the Israeli leader last month.“Israel will defend itself by itself,” Netanyahu said last week following Trump’s Houthi truce announcement. “If others join us — our American friends — all the better.”William Wechsler, senior director of the Rafik Hariri Center and Middle East Programs at the Atlantic Council, said Trump’s decision to skip Israel on his first Middle East visit is remarkable.“The main message coming out of this, at least as the itinerary stands today, is that the governments of the Gulf … are in fact stronger friends to President Trump than the current government of Israel at this moment,” Wechsler said. Restarting efforts to normalize Israel-Saudi ties Trump, meanwhile, hopes to restart his first-term effort to normalize relations between the Middle East’s major powers, Israel and Saudi Arabia. Trump’s Abraham Accords effort led to Sudan, the UAE, Bahrain and Morocco agreeing to normalize relations with Israel.But Riyadh has made clear that in exchange for normalization it wants U.S. security guarantees, assistance with the kingdom’s nuclear program and progress on a pathway to Palestinian statehood. There seems to be scant hope for making headway on a Palestinian state with the Israel-Hamas war raging and the Israelis threatening to flatten and occupy Gaza.Prince Mohammed last week notably hosted Palestinian Vice President Hussein Sheikh in Jeddah on the sheikh’s first foreign visit since assuming office in April.Hussain Abdul-Hussain, a research fellow at the Foundation for Defense of Democracies, said the crown prince appeared to be subtly signaling to Trump that the kingdom needs to see progress on Palestinian statehood for the Saudis to begin seriously moving on a normalization deal with the Israelis.“Knowing how the Saudis telegraph their intentions, that’s a preemptive, ‘Don’t even think of asking us to show any goodwill toward normalization,'” Abdul-Hussain said. Madhani reported from Dubai, United Arab Emirates. —Zeke Miller, Aamer Madhani and Jon Gambrell, Associated Press
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