Jennifer Meyer always knew she wanted to work in fashion. It probably comes, she says, from the hours she spent in her grandmother’s Santa Monica, California, apartment, playing with art supplies, and the small kiln her grandmother kept on the kitchen counter. “She did a lot of enameling,” says Meyer, an LA-based jewelry designer. “She had all of these colors and plaques to put things on; wiring. I would design things with her for fun; I have this love of design from her.”  Still, as the daughter of an entertainment executive, Meyer didn’t really have a road map for a career in design. She completed her education on the East Coast, studying child and family psychology, and landed her first job in magazines, which she ultimately parlayed to PR jobs at Giorgio Armani and Ralph Lauren. “I wanted to start my own thing,” says Meyer. “I had this idea for jewelry, but I had no idea how to do it.”  In 2005, Meyer made some basic sketches—her first a riff on a leaf design—and began knocking on doors, armed with equal parts curiosity and tenacity. So began the launch of her line, Jennifer Meyer Jewelry. Now, 20 years later, Meyer describes herself as self-taught. She’s leveraged her love of the natural world and her instincts for a simple, unfussy aesthetic to guide a business that’s become as popular with Jennifer Aniston and Meghan Markle as millennials and suburban fortysomethings.  If the door said jeweler, I knocked on it. I knew nothing. It was trial and error. I had a bad sketch of a leaf on paper. I had no clue what I was doing—which, by the way, as I look back was the best way to learn. I made a few pieces, and that’s how I understood what I was doing.   There is a Star Wars quote, “Do or do not; there is no try.” I started in 2005. My boyfriend at the time, who became my husband, said, “What do you want to do?” I said, ”I don’t know.” He said, “That’s a lie; Everybody wants a thing and we’re embarrassed to say it. You think you’re too old, or too young. What do you want to do? Act? Write? Work for NASA? It can be anything.” He said, “You have to say it out loud.” I said, “I want to design jewelry. I don’t know how to do it.”   When I started, I was doing everything from designing to FedEx. I was alone, and I did it all. I have such an amazing group of people I work with now. Now it’s shorthand: We can have one quick conversation and say, “Hey do you remember the leaf with the baguette diamonds?”  I like when things feel organized. When I walk into a room and I know where everything is . . . organization is inspiring to me.  As a business owner, I’m available 24/7. I don’t care what time you text me, I don’t care what time you call or email me. If it’s 11 p.m. on a Saturday and you work with me and you said, “Jen, do you have five minutes?” I have five minutes. Unless I’m sound asleep, other than that I am available. I do, though, [I] still think it’s important to set boundaries to make you feel good, but I don’t have a boundary with my time.  I love a reminder. When someone says, “Just bumping this to the top of your emails. Or, hey, making sure you did this.” You cannot bug me. It is the greatest feeling in the world. Bother me until it’s finished.  I always get up by 7 a.m. I always make sure my kids are fed and out the door. They drive now, which is such a weird thing. I love to work out and I go to bed thinking about my coffee. I drink decaf. I used to have really bad panic attacks. They were debilitating. If I’m drinking caffeine first thing, that’s not good for anybody. I always have a book with me. Everything is written down. I have to write it down and I have to take a highlighter to it. That is it for me. That’s how I do things. When people have notes on their phones, it gives me hives.  Being creative is throwing it all out there, making mistakes and making it your own. How many times have you looked at something and thought, “I would never wear that, what is that? No.” And then, somehow six months later you’re around it enough and you see that woman whose aesthetic you love and you’re like, “I get it now.”  Hard work pays off. You have got to develop those relationships; you have to sit with people and get to know their wives and children and husbands. You have to get in there and spend the time and energy and the focus and you have to develop the same aesthetic, which is really challenging. Everyone has their own idea of how things should be made. It’s a lot of working together and explaining yourself and being clear. You talk about boundaries. Those that are the boundaries that are important. Clarity is kindness. I grew up going to art galleries with my dad. He loved going to galleries. I remember I was like 8 years old and he bought this art and it was on our wall. It was literally a green and blue triangle—nothing else. Half was blue and half was green. I remember saying to him, “What is that? I could have done that.” He looked at me and said, “But you didn’t.” It never left my head. That artist did it and thought of it and created it. It was easy for me to have a 10-minute opinion, but I didn’t do it. I was like, “He’s damn right.”

In 2020 and 2021, before I came to Vox, I worked as the future correspondent at Axios — yes, that was the actual job title — and I found myself writing almost solely about the Covid-19 pandemic, or major trends that appeared to be driven by the pandemic.One of those trends was an alarming rise in drug overdose deaths. The trajectory was already bad before Covid: Between the widespread prescription and misuse of legal opioids and then the introduction of the ultra-powerful drug fentanyl to the illicit drug supply, overdose deaths in the US began taking off in the early 2010s. But the closure of treatment facilities during the pandemic and the isolation of users led to a sudden spike in deaths: In the year leading up to September 2020, as I wrote in April 2021, more than 87,000 Americans died of drug overdoses, a higher total than any 12-month period of the opioid epidemic up to that point. Despair, and then hopeAfter publishing that piece, I received a letter from a reader, who said her son had been one of those 87,000 deaths. She begged me to give this issue more coverage, to remind my readers that behind the Covid pandemic, there was a shadow epidemic of drug deaths, of lost sons and daughters and husbands and wives. People had to stop closing their eyes to the toll of death and pain.RelatedThe opioid epidemic, explainedIn the years that followed, the toll only continued to grow, however, with deaths reaching 110,000 in 2023. There seemed to be no answer for one of the worst public health crises in a generation. But now, at long last, we finally appear to be turning the corner on the drug overdose crisis. Provisional figures from the Centers for Disease Control and Prevention’s National Vital Statistics System released this week show that some 27,000 fewer Americans died of a drug overdose in 2024 than in 2023. That year-on-year drop is the steepest single-year decline since the government first began keeping track of overdose deaths 45 years ago. It means that drug deaths are now finally coming back down to pre-pandemic levels — and that we can make progress on what can seem like the most intractable social ills.RelatedDrug overdose deaths are in a free fall — for now27,000 livesTo put that 27,000 drop in deaths into perspective, think of it this way: It adds up to three lives saved every hour for an entire year. What’s remarkable about the rapid drop in overdose deaths is just how widespread the trend is. Forty-five states recorded declines in deaths, with Ohio and West Virginia — two states that have suffered more than almost any other from the opioid epidemic — leading the way. Only a handful of states, mostly in the Northwest, where the epidemic started later, experienced increases. While synthetic opioids, which mostly means fentanyl, are still responsible for the vast majority of overdose deaths, deaths from such drugs are falling faster than any other, declining by 36 percent year over year. Reversing the overdose epidemicOne of the biggest factors behind the decline is the growing availability of naloxone, an opioid antagonist. If administered in the immediate aftermath of an overdose, naloxone has been shown to be close to 99 percent effective in preventing death. The key is speed — even the fastest emergency medical responders may not make it to the scene in time to save someone suffering an overdose. But recent policies to make naloxone available over the counter, and to advise users to have it on hand, have made it possible to bring back thousands of people who otherwise would have died.While the pandemic directly led to a significant spike in overdose deaths, policies that came out of Covid have helped curb the toll, including telehealth access to medicine-based treatment options for addiction like buprenorphine. All of these programs have been paid for in part by the billions of dollars in opioid-settlement cash from drug companies like Johnson & Johnson, which began flowing to state and local governments in 2024. Tougher enforcement on fentanyl has played a role as well. Lastly — and less positively — the sheer number of overdose deaths in the past few years has depleted the number of people at highest risk. Like an infectious disease epidemic that slows down as it begins to run out of new people to infect, the overdose epidemic burned so hot and killed so many that drug users who were left were less vulnerable to fatal overdoses.What comes nextThe news isn’t all good. While synthetic opioids like fentanyl appear to be in a steep decline, deaths actually rose last year from stimulants like meth and cocaine, with production of the latter surging to new highs. The increase in deaths in a handful of states like Alaska and Washington demonstrates that in some parts of the country, at least, there are still populations that remain highly vulnerable to fatal overdoses.Most worryingly, the Trump administration’s draft budget proposes major cuts to naloxone distribution, which could take the most potent tool for stopping overdose deaths out of the hands of those who need it most. Still, we should recognize this new data for what it is — evidence that, with effort, we can reverse the course of one of the biggest public health threats the US faces. Thousands of people are alive today who, if nothing had changed since I was writing about this epidemic in 2021, might have suffered a worse fate. Drug addiction is a horrible disease that can destroy futures, families, and lives. But where there is life, there is hope. Every overdose victim brought back by a spray of naloxone has another chance to change their future, and ensure that they won’t become another statistic. A version of this story originally appeared in the Good News newsletter. Sign up here!You’ve read 1 article in the last monthHere at Vox, we're unwavering in our commitment to covering the issues that matter most to you — threats to democracy, immigration, reproductive rights, the environment, and the rising polarization across this country.Our mission is to provide clear, accessible journalism that empowers you to stay informed and engaged in shaping our world. By becoming a Vox Member, you directly strengthen our ability to deliver in-depth, independent reporting that drives meaningful change.We rely on readers like you — join us.Swati SharmaVox Editor-in-ChiefSee More:

When we look at the relationship between 73-year-old legendary football coach Bill Belichick and his girlfriend and business partner, 24-year-old Jordon Hudson, it’s hard to know exactly what we’re seeing. Two grown-ups in love forging a dynamic business partnership? Elder abuse, as some have wildly speculated? Or is it, as the vitriolic comments in Hudson’s social media posts would have it, good old-fashioned gold digging? Gold digging is a misogynistic and retro term, but this scandal is a retro one. It’s a bizarre, slightly off-putting mystery that fits remarkably well into our current age of newly regressive gender politics.Hudson and Belichick, the six-time Super Bowl-winning former NFL coach, met on a flight in 2021 and went public with their relationship last December. While their nearly 50-year age gap has raised eyebrows amid observers, the scandal has only grown as Hudson has taken on an increasingly central role in Belichick’s professional world. It’s a bizarre, slightly off-putting mystery that fits remarkably well into our current age of newly regressive gender politics.Belichick requested Hudson be cc’ed on all publicity and media emails about him at the University of North Carolina at Chapel Hill, where he is now a college football coach. In public records, she’s listed as the manager of several companies that appear to be tied to Belichick. Insider accounts say she essentially cast herself in a Dunkin Donuts commercial in which Belichick appeared, and that she blocked a docuseries about Belichick’s career. But speculation around the relationship reached a fever pitch when Hudson interrupted during Belichick’s interview on CBS Sunday Morning in April. “How did you guys meet?” host Tony Dokoupil asked Belichick, referring to Hudson. “We’re not talking about this,” Hudson cut in tersely from off-camera. “Jordon was a constant presence during our interview,” Dokoupil informs viewers in voiceover, in a moment that launched a thousand TikTok reaction videos. In the midst of this controversy, the couple has been manufacturing social media content about their relationship that isn’t alarming so much as it is lightly uncanny, especially given Belichick’s famously gruff public persona. On Hudson’s Instagram account, she has posted beachside pictures of herself balancing athletically on Belichick’s outstretched legs, and of Belichick, dressed as a fisherman, reeling in a mermaid-tailed Hudson from the surf. (“Ouucchhhh!!!” goes the caption on that one.)A few have defended the relationship between Belichick and Hudson. Sports media personality Colin Cowherd has said that Hudson’s choice to hop into Belichick’s interview was normal for PR directors, if “kind of a cringy thing.” Right-wing sports outlet The Outkick has rallied to Hudson’s side on the grounds that she triggers the libs, saying, “If Jordon wants to spend her weekends at Bill’s house on Nantucket, soaking up the sun and enjoying Cisco Brewery on Bill’s dime, I say GO FOR IT.” But the most common reaction to the spectacle of Hudson and Belichick’s relationship is the one outlined by sports media personality Katie Nolan on a podcast in February: This is weird and seems like it has sinister undertones.“We’re already going, ‘You’re how much younger than him?’ And then you show up in a commercial. And then you hear that she’s in charge in his career.” Nolan said. “It seems like you could be taking advantage of the guy. And he’s obviously taking advantage of the girl.” Notably, it doesn’t appear to be much of a head-scratcher why a powerful septuagenarian would choose to be with a recent college graduate and pageant contestant. But the nefarious reason implied about why Hudson wants to be with Belichick is the one people are misogynistically and freely throwing around: gold digger.The resurgence of the gold digger I don’t know anything about Hudson and Belichick’s private relationship, and most likely, neither do you. I don’t want to make any claims about who is using whom or what their private life is like. But as a feminist pop culture critic, I am interested to see the term “gold digger” swim back up from the collective unconsciousness again, ready and willing to go to work. There’s something almost old-fashioned about it. The last time “gold digger” was thrown around in pop culture so much was when teenager Courtney Stodden skyrocketed to fame in 2011 after they got married at age 16 to 51-year-old actor Doug Hutchison. Stodden would later describe their marriage as one characterized by grooming and sexual assault. Before that, the great pop culture gold digger was Anna Nicole Smith, the model turned paparazzi obsession who married oil tycoon J. Howard Marshall II in 1994. Since Smith’s untimely death in 2007, she’s found a place in the pantheon of wronged women of the 1990s, someone we came to believe over the last decade was publicly mistreated — in part by her tarring as a gold digger. “It’s a bit provincial to look down one’s nose at a woman wanting something from a man and give a pass to a man who arguably would have never given her a second glance had she not been a beautiful, blonde Playboy Playmate,” essayist and sex work activist Laura LeMoon argued in 2023, writing about Smith in Salon. “Rather than singling out and condemning Anna Nicole Smith, we should be pointing our fingers at the inequities and systemic failures that put people like me and Smith in positions where obtaining money and resources from men, directly or indirectly, is our best option for survival.”“Gold digger” is a euphemism that allows us as a culture to talk around those systemic failures. It’s a way to deride women when they take seriously the idea that their financial well-being should depend on their relationships with men. So it’s odd to see the term becoming so popular during a moment when popular culture has become rather infatuated with the idea that life is most pleasant, simple, and straightforward when women’s finances do depend on romantic relationships with men.TikTok is full of tradwives explaining how their lives became better once they got out of the 9-to-5 grind to make cereal from scratch for their children and let their husbands do the breadwinning. (That the most successful of the tradwife influencers are actually the primary breadwinners in their homes is an irony the influencers themselves seldom discuss.) Or there are the stay-at-home girlfriends cooing over how taking care of their boyfriends without even the financial safety net of a marriage contract has been their ticket to the soft life. The gold digger is the tradwife as seen through a funhouse mirror: a woman living off her ability to attract a man, only here done crassly.Meanwhile, some of President Donald Trump’s most vocal supporters are arguing that his tariffs will force women out of the workforce and make them once again financially dependent on men, either through marriage or through sex work, life paths these men treat as equivalent. Trump’s appeal to the dream of a lost American manufacturing economy is a nostalgic one. It’s an appealing fantasy to some of his more incel-adjacent fans: that under this economy, the sexes will revert to an older, allegedly more natural economic relationship, one in which women trade their sexuality and childrearing capabilities to men in exchange for financial security. The gold digger is the tradwife as seen through a funhouse mirror: a woman living off her ability to attract a man, only here done crassly, without the show of love to soften the crude edges of the transaction. The gold digger is simply a figure we can blame for how uncomfortable this dynamic makes us feel, without having to think through just what is so uncomfortable about it. So if we’re angry at Jordon Hudson, it’s worth asking the question: Are we angry with her, or with the fact that powerful people want to make gold digging one of a woman’s most viable career paths again?See More:

A few summers ago, when the culture was moving through micro trends as fast as they could be Instagrammed, Cottage Core was born. The trend, which came out of a Covid-influenced romanticism for living close to nature (but not ruffing it, à la gorpcore, fashion’s cousin trend), inspired an infusion of chintz and whicker-filled interiors, and, of course, lush English-style gardens.Flash forward to 2025. All those cottage gardens planted in early 2020—rustic, sophisticated, chic—are at their peak. And there really is something to an outdoor space that merges with the indoors, is there not? On a warm summer evening, when the bougainvillea is in bloom, and the grass is a bit damp, what could be more appealing than a home built to nestle into a fantastical garden.Here, we’ve collected some of our favorite cottage gardens. They range from fairy house gardens to campground landscape, historical (Anne Hathaway’s famed cottage that has inspired Shakespeare devotees the world over) to contemporary compound gardens in the woods.While we may have a specific notion of a cottage garden, but they are—and should be—as unique as the people who tend them. One lesson for planting your own? A small space is an asset rather than a limitation.Below, you’ll find 15 of our favorite cottage gardens from Marin County California to Stratford-Upon-Avon, England.William Jess LairdThis Amagansett cottage was literally designed for “summertime snoozes.” It’s also a good reminder that a delicate slate garden pathway can take you far. Designer Melissa Lee noted how “unexpected” the whole place felt, surrounded by the many mansions of the Hamptons. As she rightfully notes, the charm is in the surprise. A suggestion of mystery always adds to a cottage! Think The Secret Garden or the unexpectedly expansive Weasley Family home.Noe DewittVines climb up this 1920s English Art and Crafts style cottage in the Hamptons. The elegant and eclectic cottage was re-designed by Nick Olsen to emphasize outdoor living with comfy couches, a tiled patio and a pool.William James LairdThis pink cottage kitchen looks out over a garden in Litchfield County, Connecticut. Designer Clive Lonstein’s work is vibrant and unexpected, particularly for a modest Connecticut cottage built in the late 1800s. In a way though, the bright colors all throughout the house are a reflection of the original design for the house. The architect, Ehrick Rossiter was known for his own whimsy, and even included a turret in this design. This cottage is a great reminder to leave the door open all summer long.Stephen Kent JohnsonThis former fishing shack in Provincetown proves that a sprawling garden can fit into a small space. From Windex yellow fox gloves to arching lavender, this is a bucolic slice of heaven. A classic shingled home, complete with flower boxes and a white picket fence, it has a deeply cottage-core sequence backstory. It was used as an artist studio for William Maynard until his death in 2016, and when it was sold, prospective buyers were asked to write why they wanted to live there.Rachael SmithWe love an indoor / outdoor cottage garden. Ideally, you have a branch that grows through a window, like this one in Suzie de Rohan Willner’s English Country Garden. It is a charming marriage of dynamics: English and French, contemporary and historical, and, of course just as eclectic as a cottage should be. Willner notes, “The whole house is a collection of things from each period of my and my husband’s lives. I love to pick up bibs and bobs and it all comes together very happily.”Chronicle / Alamy Stock PhotoKate Middleton’s Adelaide Cottage conjures images of an Arthurian fantasy. The Wales family made this their Windsor home since 2023. Built in 1831 for Queen Adelaide (the German-born wife of William IV, who was the Uncle of Queen Victoria). It went through a transformative renovation in 2015 which left the historical decorations in tact. Fun fact: the Wales family pay market rent for their use of the home.Photo 12//Getty ImagesThe poet, actor, and playwright Anne Hathaway’s famed cottage and accompanying garden must have inspired her husband’s plays (that would be Shakespeare). This might be what comes to mind when you think of a cottage garden. Now open to the public daily, it was originally built more than 500 years ago, and is the site of Hathaway’s own birth in 1556.CostcoThis Costco (yes, Costco!) shed turned cottage is an ideal backdrop for your cottage garden fantasy. If you’re feeling very DIY this year, start here. Priced at $6,499, it measures 12’ x 24’ feet, a perfect amount of space for your own summer hide away or gardening shed.Richard PowersThis glass house is a reminder that a cottage garden doesn’t have to follow a prescribed style. The Amagansett cottage, originally built in 1960, is a marvel of mid-century design, an aesthetic reflected in the mod-furniture choices. Again, we love a stylistic mix in an updated cottage. Japanese Maple Trees complete the woodsy vibe.© David Hockney, Photo By Jonathan WilkinsonDavid Hockney illustrated his own cottage garden during the Pandemic. His drawing is illustrative of the benefits of an English garden: a bit wild, extremely lush, and more green than anything else. If we could, we’d jump right into this scene like Mary Poppins on a rainy day.John M. Hall for ELLE DecorHere’s a rule of thumb: trust Ina Garten. This cottage-like structure, on the grounds of the East Hampton home Garten shares with her husband Jeffrey, is perennially perfect. Note, too, the green and purple color scheme here. This is perhaps the dream cottage garden and something of a childhood playhouse. It has just enough space for a cozy chat and is a reminder that you can build your own little cottage on a very small plot of land.Photo 12//Getty ImagesMarie Antoinette’s Hamlet on the grounds of Versailles still sets the standard for the cottage garden with a thatched roof, hedges, and roses straight out of a fairy tale. During the former French Queen’s reign, her hamlet was used as a faux farm house, where she and her young daughter, Princess Marie Thérèse, would dress as idealized versions of French peasant farmers and milk cows. The interior, though, of this modest cottage, is appropriately grand with silk furnishings and canopy beds.Douglas FriedmanA garden that proves succulents and cottages are a match made in heaven. This one, in Marin County, California, adds a bit of desert flair. On the other side of this cottage is a water way and a perfect little dock for launching paddle boards. We love how the greens liven up this side of the house and create a completely different, almost modern desert-like, aesthetic. As with any great cottage garden, there is a distinctly transportive factor.Michael CliffordA light wood sauna and cold plunge on the grounds of Jenni Kayne’s Hudson Valley farmhouse are hidden behind shrubbery for a sense of privacy against a wide open landscape. We love the idea of adding a spa-like ambiance to a cottage garden as well as finding inventive ways to use the space. This is exactly where we want to be in the summer!Getty ImagesThis is sort of cheating, but Bunny Williams is a necessary inclusion! Williams’s Oak Spring Garden in Upperville, Virginia continues to inspire garden and cottage enthusiasts the world over. Rather than one cottage, the grounds of Williams’s large estate feature a guest cottage and a basket house, both of which are charming in the extreme.Dorothy ScarboroughDorothy Scarborough (she/her) is the assistant to the Editor in Chief of Town & Country and Elle Decor.