Michael Davies is head of Stix Design, the graphic design and branding arm of architecture firm Sheppard Robson. He’s worked on BBC Cardiff, UCL Marshgate and Freshfields law firm’s London HQ. Design What would your monograph be called? No, I don’t shop at High and Mighty. I am the first-born son of West African parents, and growing up, I stood out because I was very tall – I’m now 6’ 7” – and also one of the only black kids at school. This led to a strong desire to fit in. Maybe this has made me always feel really comfortable as part of the team, working shoulder-to-shoulder to create work that stands out. But, of course, this instinct to collaborate is balanced with my idiosyncrasies and expressing my own perspectives on work and life. And yes, I shop at the same places as everyone else. What recent design work made you a bit jealous? I really like the wayfinding scheme at Borough Yards by f.r.a. When I first went there, the designs really spoke to me as a body of work. The work hit every button – intuition, intrigue, interaction, story-telling. The lot. It’s how I would love to have answered the brief. f.r.a.’s wayfinding work at Borough Yards What’s an unusual place you get inspiration from? I have a few. Salts Mill at Saltaire – a former mill housing art galleries, shops, and cafe and diner – and The Pheasantry Cafe at Bushy Park, but my current favourite has to be the ground floor cafe at the V&A. The sheer scale of its beauty and ambience is always surprising. They’ll throw in a quartet every now and then, in case you might think it isn’t atmospheric enough. It’s great for people-watching, too – I bet it’s a good spot for writers. Name something that is brilliantly designed, but overlooked. It has to be a brand new pencil. The very sight of one conjures up so much potential before you’ve even made a mark. What object in your studio best sums up your taste? Perhaps not strictly an object, but I Iove the cupboard-sized meeting room in the far corner of the second floor of our Camden office. It has a huge, cantilevered window that looks out onto our green roof. In the summer it turns into a full-on meadow. It’s a great place to feel the breeze, feel connected to nature and think. The view from the second floor meeting room Leadership What feedback felt brutal at the time, but turned out to be useful? Earlier in my senior career I worked for someone who’d employed a number of us from a previous agency. The familiarity was a key factor in why I took the position. A good friend and design director there advised me to step up and assume full responsibility for all aspects of the projects I worked on – “Don’t wait for instruction from your design leader, try to come forward with solutions rather than asking what should you do.” His implication was, “Don’t be too comfortable” and try not to lean into my design leader too often. Be more proactive. This proved to be a difficult period of transition for me at the time, with lots of sleepless nights questioning my every decision. Eventually, I learned there’s a value to making mistakes as it afforded me the opportunity to grow. That outcome was career-changing. What’s an underappreciated skill that design leaders need? Make the process as enjoyable as you can. A little self-deprecation and good humour goes a long way. Don’t take yourself too seriously, and be honest with praise – say when something goes well or looks great, just as you would when it doesn’t. What keeps you up at night? I work with a smallish team in a large organisation, so occasionally, several jobs might come in from different directions, all at the same time. That can be quite stressful. There’s always that one job that’s taking too long to land, you take on others to fill the gap and then it suddenly drops – arrrgh! What trait is non-negotiable in new hires? Working alongside so many different skill-sets here at Sheppard Robson affords us the luxury of attacking problems from all sides. The key to doing this successfully is through open lines of communication. I need good communicators and great listeners. Their work will always speak for itself, but those two traits make all the difference. Complete this sentence, “I wish more clients…” …would allow us to just lead the way. I know this isn’t always easy for clients, seeing as creativity is a totally different language/science to some. However, there’s no need to fight the process. Take your time selecting the right agency, then trust us, and enjoy the journey.

In a previous article, we looked at some practical examples of how to code SVG by hand. In that guide, we covered the basics of the SVG elements rect, circle, ellipse, line, polyline, and polygon (and also g). This time around, we are going to tackle a more advanced topic, the absolute powerhouse of SVG elements: path. Don’t get me wrong; I still stand by my point that image paths are better drawn in vector programs than coded (unless you’re the type of creative who makes non-logical visual art in code — then go forth and create awe-inspiring wonders; you’re probably not the audience of this article). But when it comes to technical drawings and data visualizations, the path element unlocks a wide array of possibilities and opens up the world of hand-coded SVGs. The path syntax can be really complex. We’re going to tackle it in two separate parts. In this first installment, we’re learning all about straight and angular paths. In the second part, we’ll make lines bend, twist, and turn. Required Knowledge And Guide Structure Note: If you are unfamiliar with the basics of SVG, such as the subject of viewBox and the basic syntax of the simple elements (rect, line, g, and so on), I recommend reading my guide before diving into this one. You should also familiarize yourself with <text> if you want to understand each line of code in the examples. Before we get started, I want to quickly recap how I code SVG using JavaScript. I don’t like dealing with numbers and math, and reading SVG Code with numbers filled into every attribute makes me lose all understanding of it. By giving coordinates names and having all my math easy to parse and write out, I have a much better time with this type of code, and I think you will, too. The goal of this article is more about understanding path syntax than it is about doing placement or how to leverage loops and other more basic things. So, I will not run you through the entire setup of each example. I’ll instead share snippets of the code, but they may be slightly adjusted from the CodePen or simplified to make this article easier to read. However, if there are specific questions about code that are not part of the text in the CodePen demos, the comment section is open. To keep this all framework-agnostic, the code is written in vanilla JavaScript (though, really, TypeScript is your friend the more complicated your SVG becomes, and I missed it when writing some of these). Setting Up For Success As the path element relies on our understanding of some of the coordinates we plug into the commands, I think it is a lot easier if we have a bit of visual orientation. So, all of the examples will be coded on top of a visual representation of a traditional viewBox setup with the origin in the top-left corner (so, values in the shape of 0 0 ${width} ${height}. I added text labels as well to make it easier to point you to specific areas within the grid. Please note that I recommend being careful when adding text within the <text> element in SVG if you want your text to be accessible. If the graphic relies on text scaling like the rest of your website, it would be better to have it rendered through HTML. But for our examples here, it should be sufficient. So, this is what we’ll be plotting on top of: See the Pen SVG Viewbox Grid Visual [forked] by Myriam. Alright, we now have a ViewBox Visualizing Grid. I think we’re ready for our first session with the beast. Enter path And The All-Powerful d Attribute The <path> element has a d attribute, which speaks its own language. So, within d, you’re talking in terms of “commands”. When I think of non-path versus path elements, I like to think that the reason why we have to write much more complex drawing instructions is this: All non-path elements are just dumber paths. In the background, they have one pre-drawn path shape that they will always render based on a few parameters you pass in. But path has no default shape. The shape logic has to be exposed to you, while it can be neatly hidden away for all other elements. Let’s learn about those commands. Where It All Begins: M The first, which is where each path begins, is the M command, which moves the pen to a point. This command places your starting point, but it does not draw a single thing. A path with just an M command is an auto-delete when cleaning up SVG files. It takes two arguments: the x and y coordinates of your start position. const uselessPathCommand = `M${start.x} ${start.y}`; Basic Line Commands: M , L, H, V These are fun and easy: L, H, and V, all draw a line from the current point to the point specified. L takes two arguments, the x and y positions of the point you want to draw to. const pathCommandL = `M${start.x} ${start.y} L${end.x} ${end.y}`; H and V, on the other hand, only take one argument because they are only drawing a line in one direction. For H, you specify the x position, and for V, you specify the y position. The other value is implied. const pathCommandH = `M${start.x} ${start.y} H${end.x}`; const pathCommandV = `M${start.x} ${start.y} V${end.y}`; To visualize how this works, I created a function that draws the path, as well as points with labels on them, so we can see what happens. See the Pen Simple Lines with path [forked] by Myriam. We have three lines in that image. The L command is used for the red path. It starts with M at (10,10), then moves diagonally down to (100,100). The command is: M10 10 L100 100. The blue line is horizontal. It starts at (10,55) and should end at (100, 55). We could use the L command, but we’d have to write 55 again. So, instead, we write M10 55 H100, and then SVG knows to look back at the y value of M for the y value of H. It’s the same thing for the green line, but when we use the V command, SVG knows to refer back to the x value of M for the x value of V. If we compare the resulting horizontal path with the same implementation in a <line> element, we may Notice how much more efficient path can be, and Remove quite a bit of meaning for anyone who doesn’t speak path. Because, as we look at these strings, one of them is called “line”. And while the rest doesn’t mean anything out of context, the line definitely conjures a specific image in our heads. <path d="M 10 55 H 100" /> <line x1="10" y1="55" x2="100" y2="55" /> Making Polygons And Polylines With Z In the previous section, we learned how path can behave like <line>, which is pretty cool. But it can do more. It can also act like polyline and polygon. Remember, how those two basically work the same, but polygon connects the first and last point, while polyline does not? The path element can do the same thing. There is a separate command to close the path with a line, which is the Z command. const polyline2Points = M${start.x} ${start.y} L${p1.x} ${p1.y} L${p2.x} ${p2.y}; const polygon2Points = M${start.x} ${start.y} L${p1.x} ${p1.y} L${p2.x} ${p2.y} Z; So, let’s see this in action and create a repeating triangle shape. Every odd time, it’s open, and every even time, it’s closed. Pretty neat! See the Pen Alternating Triangles [forked] by Myriam. When it comes to comparing path versus polygon and polyline, the other tags tell us about their names, but I would argue that fewer people know what a polygon is versus what a line is (and probably even fewer know what a polyline is. Heck, even the program I’m writing this article in tells me polyline is not a valid word). The argument to use these two tags over path for legibility is weak, in my opinion, and I guess you’d probably agree that this looks like equal levels of meaningless string given to an SVG element. <path d="M0 0 L86.6 50 L0 100 Z" /> <polygon points="0,0 86.6,50 0,100" /> <path d="M0 0 L86.6 50 L0 100" /> <polyline points="0,0 86.6,50 0,100" /> Relative Commands: m, l, h, v All of the line commands exist in absolute and relative versions. The difference is that the relative commands are lowercase, e.g., m, l, h, and v. The relative commands are always relative to the last point, so instead of declaring an x value, you’re declaring a dx value, saying this is how many units you’re moving. Before we look at the example visually, I want you to look at the following three-line commands. Try not to look at the CodePen beforehand. const lines = [ { d: `M10 10 L 10 30 L 30 30`, color: "var(--_red)" }, { d: `M40 10 l 0 20 l 20 0`, color: "var(--_blue)" }, { d: `M70 10 l 0 20 L 90 30`, color: "var(--_green)" } ]; As I mentioned, I hate looking at numbers without meaning, but there is one number whose meaning is pretty constant in most contexts: 0. Seeing a 0 in combination with a command I just learned means relative manages to instantly tell me that nothing is happening. Seeing l 0 20 by itself tells me that this line only moves along one axis instead of two. And looking at that entire blue path command, the repeated 20 value gives me a sense that the shape might have some regularity to it. The first path does a bit of that by repeating 10 and 30. But the third? As someone who can’t do math in my head, that third string gives me nothing. Now, you might be surprised, but they all draw the same shape, just in different places. See the Pen SVG Compound Paths [forked] by Myriam. So, how valuable is it that we can recognize the regularity in the blue path? Not very, in my opinion. In some cases, going with the relative value is easier than an absolute one. In other cases, the absolute is king. Neither is better nor worse. And, in all cases, that previous example would be much more efficient if it were set up with a variable for the gap, a variable for the shape size, and a function to generate the path definition that’s called from within a loop so it can take in the index to properly calculate the start point. Jumping Points: How To Make Compound Paths Another very useful thing is something you don’t see visually in the previous CodePen, but it relates to the grid and its code. I snuck in a grid drawing update. With the method used in earlier examples, using line to draw the grid, the above CodePen would’ve rendered the grid with 14 separate elements. If you go and inspect the final code of that last CodePen, you’ll notice that there is just a single path element within the .grid group. It looks like this, which is not fun to look at but holds the secret to how it’s possible: <path d="M0 0 H110 M0 10 H110 M0 20 H110 M0 30 H110 M0 0 V45 M10 0 V45 M20 0 V45 M30 0 V45 M40 0 V45 M50 0 V45 M60 0 V45 M70 0 V45 M80 0 V45 M90 0 V45" stroke="currentColor" stroke-width="0.2" fill="none"></path> If we take a close look, we may notice that there are multiple M commands. This is the magic of compound paths. Since the M/m commands don’t actually draw and just place the cursor, a path can have jumps. So, whenever we have multiple paths that share common styling and don’t need to have separate interactions, we can just chain them together to make our code shorter. Coming Up Next Armed with this knowledge, we’re now able to replace line, polyline, and polygon with path commands and combine them in compound paths. But there is so much more to uncover because path doesn’t just offer foreign-language versions of lines but also gives us the option to code circles and ellipses that have open space and can sometimes also bend, twist, and turn. We’ll refer to those as curves and arcs, and discuss them more explicitly in the next article. Further Reading On SmashingMag “Mastering SVG Arcs,” Akshay Gupta “Accessible SVGs: Perfect Patterns For Screen Reader Users,” Carie Fisher “Easy SVG Customization And Animation: A Practical Guide,” Adrian Bece “Magical SVG Techniques,” Cosima Mielke

The end of Squid Game is coming to Netflix. The streamer’s biggest series ever in terms of worldwide viewership concludes its run with the upcoming third season, which is the far and away biggest title that is getting added by Netflix in June.Also coming to Netflix in June: The return of FUBAR, Arnold Schwarzenegger’s very fun action comedy series, as well as as a new Tyler Perry movie and a Justin Willman magic special. Plus there’s a trio of documentaries grouped under the name Trainwreck: One about the Astroworld tragedy, one about infamous Toronto major Rob Ford, and one about the so-called “Poop Cruise.” How much you want to bet the thing that’s called Poop Cruise goes to #1 on the Netflix top ten chart?Here’s the full list of what’s coming to Netflix in June 2025:Avail. 6/1/25The American Barbarian Bee Movie The Birds The Blues Brothers The Devil's Own Dune (1984) The Equalizer Family Plot Focus Frenzy The Great Outdoors Hitchcock Hop The Legend of Zorro The Man Who Knew Too Much Neighbors15. Now You See Me (2013)Summitloading...Now You See Me Now You See Me 2 The Nutty Professor Pokémon The Series: XY Pokémon The Series: XY: XY: Kalos Quest Pokémon The Series: XY: XYZ Rear Window The Theory of Everything The Town U-571 Us VertigoAvail. 6/3/25Sara - Woman in the Shadows -- NETFLIX SERIESThe suspicious death of her son pushes a former secret agent back into action, investigating a series of crimes that grows increasingly sinister.Avail. 6/4/25Criminal Code: Season 2 -- NETFLIX SERIESAn elite Brazilian Federal Police unit takes on a ruthless criminal gang in a deadly game of wits.Eva Lasting: Season 3 -- NETFLIX SERIESAs the gang graduates, their newfound freedom brings Camilo a new set of drama — and yearning — for Eva. Can their dreams survive adulthood?NetflixNetflixloading...Power Moves with Shaquille O'Neal -- NETFLIX SERIES"Power Moves" follows Shaquille O’Neal as he takes on the role of President of Reebok Basketball, returning to the brand that gave him his first shot. Teaming up with Vice President Allen Iverson, Shaq is on a mission to revive the iconic brand and lead a bold comeback from Reebok’s Boston headquarters.Avail. 6/5/25Barracuda Queens: Season 2 -- NETFLIX SERIESYearning for the thrill of their home burglaries, the queens set their sights on an even more lucrative target: the fine art galleries of Stockholm.Ginny & Georgia: Season 3 -- NETFLIX SERIESGeorgia has just been arrested for murder during her wedding - ruining her fairy tale ending and putting the spotlight on the Millers like never before. It's always been Ginny and Georgia against the world, but the world has never come for them quite like this. Now, Ginny needs to see where she stands when push comes to shove – Is the two of them against the world something Ginny really wants to sign up for?Tires: Season 2 -- NETFLIX SERIESFueled by a surprise marketing victory, Will and Shane have steered the tire shop into the fast lane. But sudden success brings its own challenges.Avail. 6/6/25K.O. -- NETFLIX FILMA former fighter must find the missing son of an opponent he accidentally killed years ago, taking on a brutally violent crime gang in Marseille.NetflixNetflixloading...Mercy For None -- NETFLIX SERIESAfter severing ties with his gang, a former gangster returns to uncover the truth behind his brother's death — embarking on a relentless path of revenge.TYLER PERRY’S STRAW -- NETFLIX FILMWhat will be her last straw? A devastatingly bad day pushes a hardworking single mother to the breaking point — and into a shocking act of desperation.The Survivors -- NETFLIX SERIESFifteen years ago, the loss of three young people tore this sleepy seaside town apart. Now, the mysterious death of a young woman dredges up the past.Avail. 6/7/25Boys on the SidePiece by PieceAvail. 6/9/25The Creature Cases: Chapter 5 -- NETFLIX FAMILYIf there's an animal in need, agents Kit and Sam are ready to help! Join them as they tackle more mysteries and meet friendly new critters along the way.Avail. 6/10/25Families Like Ours -- NETFLIX SERIESA teenage girl must choose between her divorced parents and her boyfriend after a permanent evacuation of Denmark turns citizens into refugees.Trainwreck: The Astroworld Tragedy -- NETFLIX DOCUMENTARYFeaturing exclusive interviews with survivors, paramedics and festival staff, this documentary examines the 2021 Astroworld tragedy and its aftermath.Avail. 6/11/25Aniela -- NETFLIX SERIESAfter her wealthy husband leaves her with nothing, a high-society Warsaw snob is forced to use the only survival skills she has left — her sharp wit.Cheers to Life -- NETFLIX FILMA pendant from the past sets Jéssica on a trip through Israel — where family twists, unexpected love and a search for meaning shape the ride of her life.Cocaine Air: Smugglers at 30,000 Ft. -- NETFLIX DOCUMENTARY2013: four Frenchmen are arrested in Punta Cana with 700 kg of cocaine — none fit the trafficker profile. This documentary asks: who was behind the bust?Our Times -- NETFLIX FILMAfter years of research and companionship, two physicists from the 1960s unlock the secrets of wormhole theory and find themselves stranded in 2025.Titan: The OceanGate Disaster -- NETFLIX DOCUMENTARYThis documentary explores the Titan submersible's doomed 2023 journey to the wreckage of the Titanic and the ambitious OceanGate CEO behind the endeavor.Avail. 6/12/25The Fairly OddParents: A New Wish: Season 2NetflixNetflixloading...FUBAR: Season 2 -- NETFLIX SERIESEager to return to action, Luke, Emma and the crew get more than they bargained for when a mysterious terrorist threatens to unleash worldwide chaos.PlaneAvail. 6/13/25Kings of Jo'Burg: Season 3 (ZA) -- NETFLIX SERIESVeronica Masire now bears the responsibility of the family curse, as she picks up where her brother left off — ruling Jo'Burg with legacy and power.Avail. 6/14/25Grey’s Anatomy: Season 21Avail. 6/16/25The Last Witch HunterAvail. 6/17/25Justin Willman: Magic Lover -- NETFLIX COMEDY SPECIALSleight-of-hand sorcery. Mischievous mind games. Mind-blowing illusions. Justin Willman conjures up laughs in a special where comedy and magic collide.Kaulitz & Kaulitz: Season 2 -- NETFLIX SERIESThe show must go on! Tom and Bill Kaulitz are back to share their exciting lives, even as dark clouds gather in paradise.Scandal: Seasons 1-7NetflixNetflixloading...Trainwreck: Mayor of Mayhem -- NETFLIX DOCUMENTARYRob Ford scandalized Canadian politics as the brash yet beloved mayor of Toronto — until an infamous video of him smoking crack sparked his downfall.Avail. 6/18/25AMERICA'S SWEETHEARTS: Dallas Cowboys Cheerleaders: Season 2 -- NETFLIX SERIESA new batch of hopefuls face fierce competition, high expectations and even higher kicks as they vie for a spot with the Dallas Cowboys Cheerleaders.Rosario Tijeras (Mexico): Season 4 -- NETFLIX SERIESYears after Rosario's sacrifice, her legend haunts her daughter, Ruby. As the teen's life takes a dangerous turn, secrets from her past begin to unravel.Somebody Feed Phil: Season 8 -- NETFLIX SERIESFresh flavors and new friends await as globetrotting foodie Phil Rosenthal expands his culinary horizons to Amsterdam, Boston, Basque Country and more.YOLANTHE -- NETFLIX SERIESThis reality series follows Yolanthe Cabau in her glamorous new life in Los Angeles as she faces unexpected challenges and ghosts from her past.Avail. 6/19/25The Waterfront -- NETFLIX SERIESA prominent North Carolina fishing family wades into treacherous waters to keep their crumbling business empire afloat.Avail. 6/20/25KPop Demon Hunters -- NETFLIX FAMILYWhen K-pop superstars Rumi, Mira and Zoey aren't selling out stadiums, they're using their secret powers to protect their fans from supernatural threats.Olympo -- NETFLIX SERIESThe Pyrenean High Performance Center: home to Spain's most promising athletes. The question is, how far will they go to reach the top — and stay there?Semi-Soeter -- NETFLIX FILMPower couple Jaci and JP find themselves in a bumpy predicament when a new work pitch for a baby brand forces them to play the perfect pretend parents.Avail. 6/22/25The InternAvail. 6/24/25Steph Tolev: Filth Queen -- NETFLIX COMEDY SPECIALBow down to the queen as fearlessly filthy Steph Tolev rules the stage with hilarious confessions, unfiltered dating stories and absurd observations.Trainwreck: Poop Cruise -- NETFLIX DOCUMENTARYAn engine fire leaves 4,000 passengers stranded at sea without power and plumbing in this wild documentary about the infamous "poop cruise" of 2013.Avail. 6/25/25The Ultimatum: Queer Love: Season 2 -- NETFLIX SERIESSix couples put their love to the test by moving in with other partners. Are they ready for marriage — or is "the one" actually someone else?Avail. 6/27/25Pokémon Horizons: Season 2—The Search for Laqua Part 3 -- NETFLIX FAMILYWith their training complete, the three young adventurers embark on a new quest to learn more about Lucius and track down the rest of the Six Heroes.NetflixNetflixloading...Squid Game: Season 3 (KR) -- NETFLIX SERIESThe third and final season of Squid Game follows Gi-hun (Lee Jung-jae) after losing his best friend in the game and being driven to utter despair by The Front Man (Lee Byung-hun), who was hiding his true identity to infiltrate the game. Gi-hun persists with his goal to put an end to the game, while the Front Man continues onto his next move and the surviving players' choices will lead to graver consequences with each round. The world eagerly awaits to see the grand finale written and directed by Director Hwang Dong-hyuk, who has vowed to bring the epic story to its deserved closure. Can we hope for humanity in the cruelest of realities?Get our free mobile appNetflix: Summer 2025 Movie PreviewEvery big movie coming to Netflix this summer...

My first memory of the Nintendo Switch is about as mundane as it gets. I don’t recall unboxing it, powering it on for the first time, or bringing it to a rooftop party. Instead, I see myself sitting in my ex’s living room on a random weekday. As they cooked, I sat quietly as I climbed atop of my first Divine Beast in The Legend of Zelda: Breath of the Wild.  I don’t remember this because it was a triumphant achievement that showed off what kind of spectacle my new next-gen console could pull off; I remember it because I was very depressed. Recommended Videos While Nintendo was starting a meteoric rise in March 2017, I was hurtling towards the ground faster than Link with a depleted stamina wheel. I had just come off a stressful election year marred by a wave of beloved celebrity deaths. The world felt like it was coming to an end, an alarmist thought that especially felt true as a new administration wreaked havoc on the United States come March. My personal life wasn’t going much better. My ambitions were non-existent and I was locked into a day job career that I never wanted. I was becoming more despondent by the day and I could sense that a breakup was imminent. It would be months until I’d go to therapy for the first time in my life, so all of this pent up anxiety that I tried to keep quiet bled into my Joy-cons as I gripped onto them for dear life. Nintendo I find myself reflecting on this small moment now as the Nintendo Switch 2’s June 5 release date looms. For the first time in eight years, I’ll unbox a brand new Nintendo console on that day. Its internal storage will be empty. My Samus avatar won’t greet me when I boot it up because I won’t have logged into my account yet. The tablet will be a blank canvas that I will fill over the next eight years of my life one download at a time. And though it’s an arbitrary moment in time born from cold boardroom meetings and clinical earnings calls, I see the start of a new console era as an opportunity to reinvent myself too. If I look back through my life, I can map my development by the video game hardware I’ve owned. My Sega Genesis takes me back to the early days of my childhood spent playing Sonic the Hedgehog 2 with my brother before he got wrapped up in his own teenage  angst. The GameCube conjures countless memories of the formative high school years that I spent bonding with my close friends over rounds of Super Smash Bros. Melee. I’m back in college when I think about the Wii, navigating physicality for the first time in both my relationships at the time and the video games I was playing. Each console, each handheld tells countless stories about where I have been and how I have evolved alongside the tech that followed me there. That now weighs on me as I prepare to power down my Switch for what could be the final time in just a few weeks. My instinct has been to process that moment with a retrospective about the system, reflecting on the games that made it one of the best video game consoles of all time. Instead, I’ve found myself more and more focused on mapping my own generation. Who was I during this eight-year Switch era? What will be the snapshot I see when I think back to Super Mario Odyssey or Fire Emblem: Three Houses? Nintendo The answer doesn’t feel as simple as it once was when I was younger and console generations were shorter. I began that journey at rock bottom, hopeless and floundering amid societal collapse. The Switch would follow me through multiple breakups, several jobs, three apartments, the death of a close friend, and unprecedented moments in history that chipped away at my mental health. Just as the Switch is inseparable from a pandemic that defined its power, I can’t untangle those eight years from the waves of pain and uncertainty that washed over me between new game releases. If the Nintendo Switch 2 had launched in 2020, I’d be able to tell you with relative certainty that the Switch represented the worst years of my life. But eight years is a very long time, much longer than these hardware time capsules usually hang around. A period that long is bound to bring arcs, both for the console and its players. Nintendo kept steady while riding a wave of momentum shifts due to a changing landscape around it, but my ride was different. While I started at the bottom, playing Breath of the Wild as an escape from the world around me, I began to rise. I started therapy and got a better job months after the Switch released, just when everything was at its most hopeless. I made a more serious career pivot in 2020, landing a dream job that put me on the path to a career in video game writing I’d always thought was unobtainable. I eventually landed here at Digital Trends and made a name for myself writing work that I’m proud of. I stumbled my way through relationships only to land into something more secure and healthy. I hit a peak alongside the Switch in 2023, the same year it would release the double whammy of The Legend of Zelda: Tears of the Kingdom and Super Mario Bros. Wonder. When I look into my Switch’s display now, catching a glimpse of my reflection in the black screen, I see an era of rebuilding. These were eight years that threw the challenges of adulthood at me and dared me to overcome them. It felt impossible in the moment, but I’m still here. Maybe I’m just looking too closely to find patterns, but I see a direct parallel to that story and Nintendo’s own. Like me, Nintendo was listless in its Wii U era. It had no idea where to go after the Wii’s success, just as I didn’t know how to turn the creative fulfillment of my college days into something sustainable in adulthood. It too was at rock bottom when the Switch released, in desperate need of a second act. Nintendo got one, and so did I. If this is the start of a new era for Nintendo, who’s to say it can’t be another beginning for myself as well? But our lives don’t stay the same for very long. Ahead of the Switch 2’s launch, I find myself in a similar low to the one I was in back in 2017. History has repeated itself as a mentally taxing election year has yielded the same president that made my life hell for the Switch’s first four years on the market. The career I built for myself is one strong wind away from tilting over as games media endures an intense period of contraction, one that destroyed the website that gave me the dream job that catapulted me to success in 2020. Some days, I’m every bit as distant and despondent as I was back then. When I turn on my Switch 2 for the first time in a few weeks, it will feel cyclical in a way that’s bound to leave me overlooking just how much I’ve accomplished between launches. But I’m trying to approach it with a bit more hope this time. If this is the start of a new era for Nintendo, who’s to say it can’t be another beginning for myself as well? I know that I’m capable of climbing out of despair, even as the biggest forces in the world fight against me. There will be change. I will undoubtedly pack my things into 50+ boxes again in between playing levels of the latest Mario game. I will fall out of touch with some friends and gain some new ones. Perhaps I’ll miss Nintendo’s big Switch 3 reveal in 2033 because I’ll be too busy nursing an injured pigeon during my shift at a bird rehabilitation center. Maybe the Switch 3 won’t happen at all as Nintendo moves on to its next bright idea after a disappointing generation that calls for a creative overhaul. I can’t possibly know who I will be the moment I power my Switch 2 down for the last time. All I know is that Mario will probably be there at the finish line, looking not one day older than he does now while I greet him with a grayer beard. I’ll try not to be jealous of his eternal youth — some Italians just age better than others. Instead, I’ll embrace those differences, as grumpy as I no doubt will be in my middle age, as every change will be a sign that I’ve made it through another leg of an ongoing relay race. I’ll be ready to pass the controller to whichever version of me is up next when I get there.

I recently took up travel journaling as an honest alternative to performative social media. My kit cobbles together the best pen, paper, and photo printer I could find to document vanlife adventures for my spawn and some version of my future self that I’ve yet to meet.My father left behind a typewritten memoir that I’ve returned to again and again since his passing so many years ago. Oh, how I wish there was a hand-written version instead of an impersonal Microsoft Word file — his all-capped lettering forged by a career as an engineer, replete with scribbles and smears made by his ever-callused right hand. Even better if those pages had been adorned with photos of the people, places, and things he wanted me to see.My journaling kit consists of three main parts: a Pilot V7 pen, a notebook from the Traveler’s Company, and a Fujifilm Instax Mini Link 3 photo printer. The journal can be modified to your whims. Photo by Thomas Ricker / The VergeI opted for this transparent pocket to carry tape and other journaling accessories. Photo by Thomas Ricker / The VergeRubber bands allow you to add additional inserts. I carry two notebooks in mine. Photo by Thomas Ricker / The VergeI also opted for this pen holder to keep everything together. Photo by Thomas Ricker / The VergeThe pen choice was easy — I just listened to Liz. I value her opinion over Sam Altman’s, so the first thing I did was buy a pack of four Pilot V7 pens for less than $10.The paper journal was a bit tougher decision and resulted in a few false starts. I should have known better than to cheap out on something purchased from Amazon. After being disappointed by a few different “leather” covers and mismatched paper inserts, I decided to visit a physical office-supply store to press flesh to actual product. It was there that I reveled in the discovery of journals from Japan’s Traveller’s Company.Traveller’s Company makes the leather-bound travel journals your mind likely conjures when considering the topic. The rough-cut leather cover is made by hand in Thailand, while the paper notebook inserts are made in Japan. The sound, feel, and smell that comes with scratching ink into this journal can bring on a meditative bliss.Small, but not too small.I purchased the regular-sized Traveler’s notebook for $55, which includes the leather cover, blank no-line notebook, cotton bag, and spare rubber band. I don’t use the bag because I want the cover to be as patinated as my worn face when time runs out. I also added a $16 pen clip, a second $5.50 blank notebook, a pack of $6.40 connecting bands, and a $9.20 transparent zipper case where I carry a roll of tape, extra retention bands, and miscellaneous mementos like receipts and ticket stubs. The notebook measures 4.8(H) x 3.5(W) x 0.15(D) inches and is entirely concealed by the 5.2 x 3.8-inch cover. It’s small, but not so small that it can be easily lost inside a cluttered van. And it’s large enough that the two open pages can easily hold a single day’s written entry, including a miniature photograph or two.Fujifilm’s $99 Instax mini link 3 is perhaps my favorite journaling accessory. I got the idea to print out photos alongside my journal entries from Charles Liu’s YouTube channel. It takes about two minutes to power on the rechargeable device, find a picture that best represents my day in my iPhone’s photo library, and print it out wirelessly. A twin pack of replacement film that’s good for 20 pics costs $15. Each 62 × 46mm photo saves me a thousand words of written text, they say, reducing each night’s journaling session to about 5 to 10 minutes. A holy union of analog and digital.All in, this kit cost me $216 and change, and it’s worth every penny. It makes journaling so easy and rewarding that it’s something I look forward to — not dread — at the end of almost every travel day. I even miss the ritual after returning home. Solid indicators that I’ve created a journaling solution I’ll stick with, hopefully resulting in an intimate library of notebooks that chronicles my earthly journey.Photos by Thomas Ricker / The VergeSee More:

A few summers ago, when the culture was moving through micro trends as fast as they could be Instagrammed, Cottage Core was born. The trend, which came out of a Covid-influenced romanticism for living close to nature (but not ruffing it, à la gorpcore, fashion’s cousin trend), inspired an infusion of chintz and whicker-filled interiors, and, of course, lush English-style gardens.Flash forward to 2025. All those cottage gardens planted in early 2020—rustic, sophisticated, chic—are at their peak. And there really is something to an outdoor space that merges with the indoors, is there not? On a warm summer evening, when the bougainvillea is in bloom, and the grass is a bit damp, what could be more appealing than a home built to nestle into a fantastical garden.Here, we’ve collected some of our favorite cottage gardens. They range from fairy house gardens to campground landscape, historical (Anne Hathaway’s famed cottage that has inspired Shakespeare devotees the world over) to contemporary compound gardens in the woods.While we may have a specific notion of a cottage garden, but they are—and should be—as unique as the people who tend them. One lesson for planting your own? A small space is an asset rather than a limitation.Below, you’ll find 15 of our favorite cottage gardens from Marin County California to Stratford-Upon-Avon, England.William Jess LairdThis Amagansett cottage was literally designed for “summertime snoozes.” It’s also a good reminder that a delicate slate garden pathway can take you far. Designer Melissa Lee noted how “unexpected” the whole place felt, surrounded by the many mansions of the Hamptons. As she rightfully notes, the charm is in the surprise. A suggestion of mystery always adds to a cottage! Think The Secret Garden or the unexpectedly expansive Weasley Family home.Noe DewittVines climb up this 1920s English Art and Crafts style cottage in the Hamptons. The elegant and eclectic cottage was re-designed by Nick Olsen to emphasize outdoor living with comfy couches, a tiled patio and a pool.William James LairdThis pink cottage kitchen looks out over a garden in Litchfield County, Connecticut. Designer Clive Lonstein’s work is vibrant and unexpected, particularly for a modest Connecticut cottage built in the late 1800s. In a way though, the bright colors all throughout the house are a reflection of the original design for the house. The architect, Ehrick Rossiter was known for his own whimsy, and even included a turret in this design. This cottage is a great reminder to leave the door open all summer long.Stephen Kent JohnsonThis former fishing shack in Provincetown proves that a sprawling garden can fit into a small space. From Windex yellow fox gloves to arching lavender, this is a bucolic slice of heaven. A classic shingled home, complete with flower boxes and a white picket fence, it has a deeply cottage-core sequence backstory. It was used as an artist studio for William Maynard until his death in 2016, and when it was sold, prospective buyers were asked to write why they wanted to live there.Rachael SmithWe love an indoor / outdoor cottage garden. Ideally, you have a branch that grows through a window, like this one in Suzie de Rohan Willner’s English Country Garden. It is a charming marriage of dynamics: English and French, contemporary and historical, and, of course just as eclectic as a cottage should be. Willner notes, “The whole house is a collection of things from each period of my and my husband’s lives. I love to pick up bibs and bobs and it all comes together very happily.”Chronicle / Alamy Stock PhotoKate Middleton’s Adelaide Cottage conjures images of an Arthurian fantasy. The Wales family made this their Windsor home since 2023. Built in 1831 for Queen Adelaide (the German-born wife of William IV, who was the Uncle of Queen Victoria). It went through a transformative renovation in 2015 which left the historical decorations in tact. Fun fact: the Wales family pay market rent for their use of the home.Photo 12//Getty ImagesThe poet, actor, and playwright Anne Hathaway’s famed cottage and accompanying garden must have inspired her husband’s plays (that would be Shakespeare). This might be what comes to mind when you think of a cottage garden. Now open to the public daily, it was originally built more than 500 years ago, and is the site of Hathaway’s own birth in 1556.CostcoThis Costco (yes, Costco!) shed turned cottage is an ideal backdrop for your cottage garden fantasy. If you’re feeling very DIY this year, start here. Priced at $6,499, it measures 12’ x 24’ feet, a perfect amount of space for your own summer hide away or gardening shed.Richard PowersThis glass house is a reminder that a cottage garden doesn’t have to follow a prescribed style. The Amagansett cottage, originally built in 1960, is a marvel of mid-century design, an aesthetic reflected in the mod-furniture choices. Again, we love a stylistic mix in an updated cottage. Japanese Maple Trees complete the woodsy vibe.© David Hockney, Photo By Jonathan WilkinsonDavid Hockney illustrated his own cottage garden during the Pandemic. His drawing is illustrative of the benefits of an English garden: a bit wild, extremely lush, and more green than anything else. If we could, we’d jump right into this scene like Mary Poppins on a rainy day.John M. Hall for ELLE DecorHere’s a rule of thumb: trust Ina Garten. This cottage-like structure, on the grounds of the East Hampton home Garten shares with her husband Jeffrey, is perennially perfect. Note, too, the green and purple color scheme here. This is perhaps the dream cottage garden and something of a childhood playhouse. It has just enough space for a cozy chat and is a reminder that you can build your own little cottage on a very small plot of land.Photo 12//Getty ImagesMarie Antoinette’s Hamlet on the grounds of Versailles still sets the standard for the cottage garden with a thatched roof, hedges, and roses straight out of a fairy tale. During the former French Queen’s reign, her hamlet was used as a faux farm house, where she and her young daughter, Princess Marie Thérèse, would dress as idealized versions of French peasant farmers and milk cows. The interior, though, of this modest cottage, is appropriately grand with silk furnishings and canopy beds.Douglas FriedmanA garden that proves succulents and cottages are a match made in heaven. This one, in Marin County, California, adds a bit of desert flair. On the other side of this cottage is a water way and a perfect little dock for launching paddle boards. We love how the greens liven up this side of the house and create a completely different, almost modern desert-like, aesthetic. As with any great cottage garden, there is a distinctly transportive factor.Michael CliffordA light wood sauna and cold plunge on the grounds of Jenni Kayne’s Hudson Valley farmhouse are hidden behind shrubbery for a sense of privacy against a wide open landscape. We love the idea of adding a spa-like ambiance to a cottage garden as well as finding inventive ways to use the space. This is exactly where we want to be in the summer!Getty ImagesThis is sort of cheating, but Bunny Williams is a necessary inclusion! Williams’s Oak Spring Garden in Upperville, Virginia continues to inspire garden and cottage enthusiasts the world over. Rather than one cottage, the grounds of Williams’s large estate feature a guest cottage and a basket house, both of which are charming in the extreme.Dorothy ScarboroughDorothy Scarborough (she/her) is the assistant to the Editor in Chief of Town & Country and Elle Decor.