View of the south façade before construction of a new residential project that now conceals Le Christin from Boulevard René Lévesque. PROJECT Le Christin, Montreal, Quebec ARCHITECT Atelier Big City PHOTOS James Brittain   PROJECT Les Studios du PAS, Montreal, Quebec ARCHITECT L. McComber in collaboration with Inform  PHOTOS Ulysse Lemerise   Nighttime, April 15, 2025. A thousand volunteers are gathering in Montreal, part of a province-wide effort to try and put numbers on a growing phenomenon in cities like Vancouver, Calgary, Toronto, and many others. The volunteers are getting ready to walk around targeted areas in downtown Montreal and around certain subway stations. Temporary shelters are also visited. First conducted in the spring of 2018, this survey showed that 3,149 people were in a vulnerable situation at the time. Four years later, a similar effort revealed that Montreal’s homeless population had risen to 4,690 people—and that there were some 10,000 people experiencing homelessness in the whole of the province. The 2025 numbers are expected to be significantly higher. For the organizers, this one-night snapshot of the situation is “neither perfect nor complete.” However, for nonprofit organizations and governmental bodies eager to prevent a vulnerable population from ending up on the streets, the informal census does provide highly valuable information.  Two recent initiatives—very different from one another—offer inspiring answers. The most recent one, Le Christin, was designed by Atelier Big City (led by architects Anne Cormier, Randy Cohen, and Howard Davies) and inaugurated in 2024. Studios du PAS, on the other hand, was designed by Montreal firm L. McComber, and welcomed its first tenants in 2022. Both projects involved long-standing charities: the 148-year-old Accueil Bonneau, in the case of Le Christin, and the 136-year-old Mission Old Brewery for Studios du PAS. Le Christin was spearheaded, and mostly financed, by the Société d’habitation et de développement de Montréal (SHDM), a non-profit, para-municipal corporation created in 1988. Studios du PAS was first selected by the City of Montreal to be built thanks to the Rapid Housing Initiative (RHI) program run by the Canada Mortgage and Housing Corporation (CMHC). Le Christin also received a financial contribution from the CMHC towards the end of the process. Boldly coloured blind walls signal the presence of Le Christin in the center of a densely occupied city block, with entrance to the left along Sanguinet Stree. Le Christin Although sited in a very central location, near the buzzing St. Catherine and St. Denis streets, Le Christin is hard to find. And even when one suddenly spots two seven-storey-high walls, coloured lemon-zest yellow and mango orange, it’s difficult to figure out what they are about. A stroll along the tiny Christin Street finally reveals the front façade of this new facility, now home to some of Montreal’s most vulnerable citizens.  View of Le Christin’s modulated front façade. Galvanized steel panels at ground level add a soft touch while protecting the building from potential damage caused by snow plows. Le Christin is unique for a number of reasons. First among them is its highly unusual location—at the centre of a dense city block otherwise occupied by university buildings, office towers, and condo blocks. Until a few years ago, the site was home to the four-storey Appartements Le Riga. The Art Deco-style building had been built in 1914 by developer-architect Joseph-Arthur Godin, who was a pioneer in his own right: he was one of the first in Montreal to experiment with reinforced concrete structures, a novelty in the city at the time. A century later, Le Riga, by then the property of SHDM, was in serious need of repair. Plans had already been drafted for a complete renovation of the building when a thorough investigation revealed major structural problems. Tenants had to leave on short notice and were temporarily relocated; the building was eventually demolished in 2019. By that time, Atelier Big City had been mandated to design a contemporary building that would replace Le Riga and provide a “place of one’s own” to close to 150 tenants, formerly homeless or at risk of becoming so.    Le Christin – Site Plan and Ground Floor Plan The entire operation sparked controversy, particularly as Le Christin started to rise, showing no sign of nostalgia. The architects’ daring approach was difficult to fathom—particularly for those who believe social housing should keep a low profile.  The program, originally meant for a clientele of single men, gradually evolved to include women. In order to reflect societal trends, the architects were asked to design 24 slightly larger units located in the building’s east wing, separated from the rest of the units by secured doors. Thus, Le Christin is able to accommodate homeless couples or close friends, as well as students and immigrants in need. A tenants-only courtyard is inserted in the south façade. In order to provide the maximum number of units requested by SHDM, each of the 90 studios was reduced to 230 square feet—an adjustment from Atelier Big City’s initial, slightly more generous plans. In a clever move, an L-shaped kitchen hugs the corner of each unit, pushing out against the exterior wall. As a result, the window openings recede from the façade, creating a sense of intimacy for the tenants, who enjoy contact with the exterior through large windows protected by quiet Juliet balconies. Far from damaging the initial design, the added constraint of tightened units allowed the architects to modulate the building’s façades, creating an even stronger statement. On the unit levels, corridors include large openings along the south façade. Each floor is colour-coded to enliven the space; overhead, perforated metal plates conceal the mechanical systems. An extra floor was gained thanks to the decision to expose the various plumbing, electrical, and ventilation systems. Well-lit meeting rooms and common areas are found near Le Christin’s front entrance, along with offices for personnel, who are present on the premises 24 hours a day. Apart from a small terrace above the entrance, the main exterior space is a yard which literally cuts into the building’s back façade. This has a huge impact on the interiors at all levels: corridors are generously lit with sunlight, a concept market developers would be well advised to imitate. The adjacent exit stairs are also notable, with their careful detailing and the presence of glazed openings.  The fire stairs, which open onto the exterior yard at ground level, feature glazing that allows for ample natural light. Le Christin has achieved the lofty goal articulated by SHDM’s former director, architect Nancy Schoiry: “With this project, we wanted to innovate and demonstrate that it was possible to provide quality housing for those at risk of homelessness.” The low-slung Studios du PAS aligns with neighbourhood two-storey buildings. Studios du PAS In sharp contrast with Le Christin’s surroundings, the impression one gets approaching Studios du PAS, 14 kilometres east of downtown Montreal, is that of a small town. In this mostly low-scale neighbourhood, L. McComber architects adopted a respectful, subdued approach—blending in, rather than standing out.  The project uses a pared-down palette of terracotta tile, wood, and galvanized steel. The footbridge links the upper level to shared exterior spaces. The financing for this small building, planned for individuals aged 55 or older experiencing or at risk of homelessness, was tied to a highly demanding schedule. The project had to be designed, built, and occupied within 18 months: an “almost impossible” challenge, according to principal architect Laurent McComber. From the very start, prefabrication was favoured over more traditional construction methods. And even though substantial work had to be done on-site—including the installation of the roof, electrical and mechanical systems, as well as exterior and interior finishes—the partially prefabricated components did contribute to keeping costs under control and meeting the 18-month design-to-delivery deadline. Les Studios du PAS The building was divided into 20 identical modules, each fourteen feet wide—the maximum width allowable on the road. Half the modules were installed at ground level. One of these, positioned nearest the street entrance, serves as a community room directly connected to a small office for the use of a social worker, allowing staff to follow up regularly with tenants. Flooded with natural light, the double-height lobby provides a friendly and inclusive welcome. The ground level studios were designed so they could be adapted to accommodate accessibility needs. Some of the ground floor units were adapted to meet the needs of those with a physical disability; the other units were designed to be easily adaptable if needed. All studio apartments, slightly under 300 square feet, include a full bathroom, a minimal kitchen, and sizeable storage space hidden behind cabinet doors. Most of the apartments include a small exterior alcove, which provides an intimate outdoor space while creating a subtle rhythm along the front façade. Inside the studio units, storage cupboards for clothes and belongings were added as an extension of the kitchen wall. Conscious of the tradition of brick residential buildings in Montreal, yet wanting to explore alternate materials, the architects selected an earth-toned terracotta tile from Germany. The 299mm x 1500mm tiles are clipped to the façade, allowing for faster installation and easier maintenance. All units enjoy triple-glazed windows and particularly well insulated walls. A high-performance heat pump was installed to lower energy demand—and costs—for heating and cooling needs. Wood siding was used to soften the upper-level balconies, which provide protected outdoor spaces for residents.   Pride and Dignity Le Christin and Les Studios du PAS have little in common—except, of course, their program. Architecturally speaking, each represents an interesting solution to the problem at hand. While Le Christin is a high-spirited, flamboyant statement, Studios du PAS is to be praised for its respectful attitude, and for the architects’ relentless search for interesting alternatives to traditional construction norms. Atelier Big City is one of few firms in Canada that has the guts—and the talent—to play with bold colours. Decades of experimentation (not just with public buildings, but also within their own homes), led up to Le Christin, which is perhaps their strongest building to date. Their judicious choices of colour, brick type, and materials transmit a message of pride and dignity. Both projects demonstrate enormous respect and generosity to their residents: they provide architecture that treats them not as an underclass, but as regular people, who need the stability of dignified housing to start rebuilding their lives. Odile Hénault is a contributing editor to Canadian Architect.   Le Christin CLIENT Société d’habitation et de développement de Montréal (SHDM) | ARCHITECT TEAM Anne Cormier, Randy Cohen, Howard Davies, Fannie Yockell, Gabriel Tessier, Sébastien St-Laurent, Lisa Vo | STRUCTURAL DPHV | MECHANICAL/ELECTRICAL BPA | CIVIL Genexco | LIGHTING CS Design | AREA 4,115 m2 | Construction BUDGET $18.9 M | COMPLETION November 2023   Les Studios du PAS  CLIENT PAS de la rue | ARCHITECT TEAM L. McComber—Laurent McComber, Olivier Lord, Jérôme Lemieux, Josianne Ouellet-Daudelin, Laurent McComber. Inform—David Grenier, Élisabeth Provost, Amélie Tremblay, David Grenier | PROJECT MANAGEMENT Groupe CDH | STRUCTURAL Douglas Consultants | MECHANICAL/ELECTRICAL Martin Roy & associés | CIVIL Gravitaire | CONTRACTOR Gestion Étoc | AREA 1,035 m2 | BUDGET $3.4 M | COMPLETION September 2022 As appeared in the June 2025 issue of Canadian Architect magazine The post A Place to Call Home: Le Christin and Les Studios du PAS, Montreal, Quebec appeared first on Canadian Architect.

Both Canada and the United States have deep-seated affordability problems, but only the former is doing anything substantial about it. Forthcoming housing cooperatives at 2444 Eglinton Avenue in Toronto, and in Upper Hammonds Plains, Nova Scotia, are helping put a dent in Canada’s affordable housing shortage. Vancouver’s home prices today are close to $1 million, and rental prices in Toronto are equally astronomical. To buck this trend, Canada’s Co-operative Housing Development Program (CHDP) unlocked $1.5 billion in federal financing to support new cooperative housing. This is all happening as part of Canada’s National Housing Strategy, a $115 billion plan to boost affordability.  “In Toronto, the housing crisis is as severe as it’s ever been,” UT Daniels professor Keisha St. Louis-McBurnie, a Toronto-based urban planner at Monumental, told AN.  “We’ve seen real growth in housing encampments, especially during COVID-19,” St. Louis-McBurnie said. “There’s been very limited new transitional and supportive housing across [Toronto]. Households are getting priced out of the market, including professional middle-income ones. Folks who are low-income that require the most housing support are not able to access new affordable housing, especially in consideration to what’s getting built in Toronto.” A Brutalist housing co-op on Eglinton Avenue in Toronto (Ken Lund/Flickr/CC BY 2.0) Claire Weisz’s office, WXY, as of this year has locations in New York and Toronto. Weisz recently spoke at the Canadian Club Toronto, in a round table moderated by Alex Bozikovic, about urbanism. “Huge troves of affordable housing in New York has, in recent years, been taken from people who can’t afford down payments on co-ops,” Weisz told AN. “We’ve sacrificed so much. Some organizations have tried to stop this, but without policy support from the city, it’s really in vain.” “My big worry is that right now, like Toronto, New York is starting to be like the rest of the U.S. and rely on developer-led for-profits, versus not-for-profits,” Weisz added. “There needs to be a reawakening of not-for-profit development coalitions.” “The Co-operative Housing Sector is Booming” The Canadian National Housing Strategy’s longterm goal is to build 156,000 affordable units and repair over 298,000 existing ones. Housing cooperatives are getting built all over Canada as part of the program, from British Columbia, Ontario, and Nova Scotia. Planning departments are prioritizing the needs of First Nations communities and Black Canadians to help rectify past injustices. This is happening as rent prices skyrocket, and Toronto’s skyline is populated with new landmarks by Frank Gehry, Studio Gang, BIG, and others. Cooperative housing was first built in Canada in the 1930s. Regent Park in Toronto was the country’s first public housing campus, finished in 1949. This legacy continued through the 1960s and ’70s, when radical co-ops like Rochdale College and Neill-Wycik were built for University of Toronto students. Willow Park Housing Co-op (1966) went up in Winnipeg thanks to CHF Canada, a joint initiative by the Canadian Labour Congress and the Co-operative Union of Canada. The New Democratic Party (NDP) constructed abundant cooperative housing in Vancouver. Milton Park got built in Montreal in the 1980s. Between 1973 and 1993, CHF Canada built a total 92,000 cooperatively-owned units. (This history was captured by Leslie Coles in Under Construction: A History of Co-operative Housing in Canada.) All this momentum was brought to a halt during successive Brian Mulroney and Jean Chrétien Premierships, however, when government support for supportive housing was cut, much like what was happening in the U.S. at that time under the Clinton administration with the Faircloth Amendment. Regent Park’s original architecture was demolished in 2005 as part of the Regent Park Revitalization Plan, and replaced with a private, mixed-income community. (Kevin Costain/Wikimedia Commons /CC BY 2.0) A regime of state-imposed austerity ensued, leading up to the affordability crisis both Canada and the U.S. have today. Unlike the United States, however, Canada seems to have learned from its past mistakes. Thanks to Canada’s Co-operative Housing Development Program, eight co-ops are getting built right now. Toronto Mayor Olivia Chow has prioritized new affordable housing construction and land trusts, and is doing much to fight gentrification. BC Builds is an initiative helping fast track cooperative housing in Vancouver City Council. “Since the 1990s there’s been a shift in liberal to conservative and neoliberal federal governments,” St. Louis-McBurnie said. “This resulted in reduced public investment in significant social programs, including public and not-for-profit housing. These successive governments devolved responsibility for funding affordable housing to provincial governments across the country, Ontario in particular. Places like Regent Park now have a public-private partnership model, meaning it’s now on the private market. Alexandra Park is going through a similar privatization process.” “But now, there’s interest in alternatives” to market rate development St. Louis-McBurnie affirmed, “and the co-operative housing sector is booming.” Provinces and cities are also implementing “communal land trust models to support the scaling and retaining of assets,” she said. “They’re trying to figure out ways for bringing independently-owned co-ops into the land trust model.” Housing as Human Right The largest co-op underway in Canada today is 2444 Eglinton Avenue by Henriquez Partners and Claude Cormier + Associés. The Toronto development will yield 918 homes, including 612 affordable, rent-geared-to-income (RGI) units. Retail offerings will be sited at the base level. From afar, 2444 Eglinton Avenue will stand out thanks to its polychromatic porthole windows. Further afield in Perth, Ontario, 38 new cooperative units will be built. Farther east in Upper Hammonds Plains, Nova Scotia, a co-operative housing development will yield 136 row house units primarily for Black Canadians. That project is happening through a partnership between the Upper Hammonds Plains Community Land Trust and the Upper Hammonds Plains Housing Co-operative. Curtis Whiley, a sixth-generation African Nova Scotian, is steering the housing cooperative project in Upper Hammonds. Meanwhile in New Minas, Nova Scotia, there will be 32 more cooperative homes. Rendering of 2444 Eglinton Avenue Co-ops (Courtesy Henriquez Partners) Africville was a close-knit Black community in Halifax located on Treat 1 territory destroyed by the City of Halifax in the 1960s. Today, land trusts like the one in Nova Scotia are effective means for establishing housing secure communities of color. The Toronto Chinatown Land Trust likewise empowers people to stay in place, an outfit helmed by Chiyi Tam who is a planner and UT Daniels faculty member. “We have not seen any investment like this, I would say, in terms of housing development almost exclusively for Black communities in Canada’s history,” St. Louis-McBurnie said. Hogan’s Alley’s Black community was displaced by the Vancouver government to make way for the Georgia and Dunsmuir viaducts in 1971. Now, members of the NDP and Hogan’s Alley Society—a Black-led, not-for-profit developer of Afrocentric affordable housing—are working together to shore up Black land stewardship in the old neighborhood and help rectify the past injustice. “Transferring land over to the Hogan Alley land trust will allow for the Black community to return and for greater autonomy in housing construction,” St. Louis-McBurnie added. “What If We Built a New Co-op City in Brooklyn?” Federal spending was allocated in the Biden administration’s Infrastructure Investment and Jobs Act, or the Bipartisan Infrastructure Law, to dismantle highways that ripped through inner cities and destroyed African American neighborhoods, like I-81 in Syracuse, New York. But this week, House GOP members moved to cancel the I-81 highway removal project. The Trump administration’s proposed 2026 national budget has slashed spending on projects that “fall outside [the President’s] new priorities” and “promote radical equity policies,” the White House said. Is it possible for architects, politicians, and planners in the U.S. to replicate Canada’s success given the current political climate?  It seems, for now, it would have to happen with aggressive leadership at the city and state levels—trade unions and nonprofits would also have to step up. This is already taking place, for instance, at Penn South, a sprawling Mitchell-Lama housing cooperative in Manhattan by the United Housing Foundation (UHF). Today, Bernheimer Architecture (BA) and the AFL-CIO Housing Investment Trust are helping upgrade the handsome midcentury campus. Penn South’s rehabilitation is in conjunction with BA, the AFL-CIO, and the New York State Energy Research and Development Authority (NYSERDA). “Penn South is a very unique campus, and its needs are different from most other campuses in New York City,” Andy Bernheimer told AN. “NYSERDA is helping us inform design and construction moving forward, which will entail reskinning the buildings and making them more energy efficient.” Co-op City is situated on a sprawling 320-acre site in the north Bronx. (Zara Pfeifer) Co-op City shopping plaza (Zara Pfeifer) In New York today, mayoral candidates are increasingly interested in revisiting the Mitchell-Lama Program’s success, a UHF campaign that built 135,000 cooperative housing units between 1955 and 1978, like Penn South and the Bronx’s Co-op City, another historic campus by Herman Jessor. In Albany, New York State elected officials have proposed a new Social Housing Development Authority, which would allocate government spending toward public housing, co-ops, and land trusts to battle gentrification. “I don’t think there’s enough money to simply restart a program like Mitchell-Lama, as far as I can tell,” Weisz told AN. “But if you look at all of the older Mitchell-Lamas flipping to the market, it’s clear we need to preserve the ones that are left, and there needs to be a new generation of co-ops. All over the city, when people have to pay market rates instead of mortgages, they’re rent burdened.” Homes for Living is a new book by Jonathan Tarleton that speaks to the tumultuous privatization of New York’s cooperative housing stock, a burgeoning problem. “Maybe there’s a way to build a funding and oversight mechanism for existing co-ops worried about going under water, and for households to sign up for a program that helps them to stay in [Mitchell-Lama],” Weisz elaborated. “Maybe there could even be a program for rental apartments to get into that program?” WXY is currently working on a Mitchell-Lama campus in the Bronx, Stevenson Commons, together with Habitat for Humanity. The goal is to maintain Stevenson Common’s affordability with rent-stabilized flats at very low rates. Parking lots at Stevenson Commons were rezoned to allow for new housing, which helps maintain affordability, while new public spaces and tennis clubs were added. There will be incentives to help seniors age in place, and for multigenerational households. Rochdale Village in Queens (Zara Pfeifer) Weisz sees opportunities to finance cooperative housing with ulterior means, like capital raised from Habitat for Humanity, but also congestion pricing. “We should be using new lines and TOD to actually support neighborhoods and co-ops, and people that are ultimately the ones who stay and support neighborhoods,” she said. “Why not subsidize co-op structures? The only way to do that is if there’s city-owned land, because, otherwise, the land cost is so expensive, you have to develop it at market rate.” “There’s a lot of city sites that have been identified for housing,” Weisz noted. “There’s all sorts of sites in the city’s hands right beside the Manhattan Bridge, for instance, or along the BQE. All of those sites could become new co-ops. What if we built a new Co-op City in Brooklyn?”

The International Architecture Exhibition – La Biennale di Venezia,  has returned, with its grand opening held in early May. The exhibition runs until November 23, 2025 The Canada Council for the Arts, Commissioner of Canada’s official participation in the International Architecture Exhibition – La Biennale di Venezia, administers the selection process and oversees the exhibition at the Canada Pavilion. But in addition to the Canada Pavilion, Canadian architects and designers have a presence in several other exhibitions that are part of this year’s festival. Here’s a round-up of the Canadian work in Venice. Picoplanktonics. Photo credit: Valentina Mori Picoplanktonics led by Living Room Collective Canada’s official entry to the Biennale is Picoplanktonics, a 3D-printed living artwork incorporating cyanobacteria—a global first at the intersection of architecture, biotechnology, and art. The exhibition, developed by the Living Room Collective, showcases the potential for collaboration between humans and nature. Picoplanktonics is an exploration of the potential to co-operate with living systems by co-constructing spaces that “remediate the planet rather than exploit it.” The installation transforms the Canada Pavilion into an aquatic micro-ecosystem, where architectural structures grow, evolve, and naturally degrade alongside their living components. It was designed according to regenerative architecture principles, and is not only a built object, but also a breathing organism interacting with its environment, which prompts reflection on potential futures of the built environment. The creative team is led by bio-designer Andrea Shin Ling, alongside core team members Nicholas Hoban, Vincent Hui and Clayton Lee. Etude Ile Verte by Atelier Pierre Thibault. Photo credit Alex Lesage Les boucaneries de l’île Verte by Atelier Pierre Thibault Atelier Pierre Thibault has been invited to participate in this year’s Venice Biennale as the only team from Québec. His project is inspired by the old fish smokehouses, or boucaneries, of Île Verte. With the support of the fifty permanent residents of Île Verte, Atelier Pierre Thibault has designed a participatory architectural project that aims to reinterpret the boucaneries as creative canvases to imagine new uses to strengthen Île Verte’s autonomy. This includes community greenhouses, artist studios, and gathering places. The exhibition aims to highlight, as Thibault puts it, “the strength of a sensitive and collective gesture in response to the erosion of traditional buildings and the major climate challenges faced by inhabitants living year-round in an isolated island environment.” The construction of the installations, along with the exchanges sparked with the community, was documented through photography and video, and captures both the process and the spirit of collaboration that defined the project. Celebrating the Verdoyants’ collective intelligence and inviting reflection on the future of the boucaneries, this participatory project highlights the exemplary and internationally resonant nature of this approach. The Atelier Pierre Thibault project will be on view at the Corderie dell’Arsenale. The pavilion itself will take the form of a temporary, lightweight structure constructed from reused materials, situated on the grounds of the French Pavilion, which is currently undergoing renovation. The curators have selected 50 projects to be featured across six thematic sections: Living With the Existing, the Immediate, the Broken, Vulnerabilities, Nature, and Combined Intelligences. Image courtesy of WZMH Architects Speedstac by WZMH Architects as part of Living With…Combined Intelligences  As part of the exhibition “Living With… Combined Intelligences,” WZMH Architects presents Speedstac, a prefabricated modular precast solution that aims to reimagine how urban areas devastated by war can be rebuilt. Originally designed to accelerate housing construction in Canada, Speedstac took on urgent new relevance following the Russian invasion of Ukraine. With more than 170,000 buildings damaged or destroyed and millions displaced, WZMH’s innovation, developed through its R&D lab, sparkbird, aims to offer a scalable solution: self-contained, plug-and-play building modules with integrated electrical and plumbing systems that can be seamlessly inserted into existing structures. The use of modern materials such as high-performance concrete can reduce the weight of the modules, making them easier to lift and move using conventional crane equipment. Using a robust locking mechanism, several modules can be securely fastened and unfastened as needed, to produce an adaptive modular housing solution. The Speedstac system aims to offer a solution to the challenges of traditional construction methods, enabling faster, more flexible, and more sustainable building projects. The Vivre Avec / Living With exhibition is hosted in the French Pavilion. Presentation, Northern Horizons. Photo credit: Blouin Orzes architectes Northern Horizons by Blouin Orzes architectes as part of Time Space Existence  Through a wide selection of projects—ranging from conceptual works, models and photographs to videos, sculptures and site-specific installations—the exhibition Time Space Existence, hosted by the European Cultural Centre, aims to provoke participants to question their relationship with space and time, re-envisioning new ways of living and rethinking architecture through a larger lens. Quebec firm Blouin Orzes’ participation revolves around their first-hand understanding of Inuit territories, where they have been working since 2000. Their contribution is based on their  recent publication, Northern Journeys. Blouin Orzes’ contribution in on display at the Palazzo Mora, and additional contributions to Time Space Existence are on view at the Palazzo Bembo and Marinaressa Gardens. View of Commercial and Residential Towers from Seymour and West Georgia Streets. Image credit: Henriquez Partners Studio BC Glass Sea Sponge Another contribution to Time Space Existence is the work of Henriquez Partners Studio. The transformative mixed-use development which they are presenting merges architectural innovation, social responsibility and urban revitalization, and has recently been submitted to the City of Vancouver. The project is about ambitious city-building, and aims to unlock public benefits on currently underutilized land in a way that supports some of the city’s most urgent needs, while contributing bold architecture to the city skyline. Four towers, designed by Henriquez, draw inspiration from rare and ancient glass sea sponge reefs, whose ecological strength and resilience have shaped both form and structure. These living marine organisms, which are unique to the Pacific Northwest, aim to serve as a metaphor for regeneration and adaptation. This concept is translated through the architectural language of the towers: silhouettes, sculptural forms, and sustainable performance. The tallest tower, a stand-alone hotel, proposed at 1,033 feet, is shaped by a structural diagrid exoskeleton that allows for column-free interiors while maximizing strength and minimizing material use. Developed in collaboration with Arup, the structural system references the skeletal lattice of sea sponges; a concept researched at Harvard for its groundbreaking structural efficiency. Henriquez Partners’  contribution is on display at Palazzo Bembo. Renewal Development Shishalh Project Duplex Renderings – Image credit: Renewal Development Shíshálh Nation: Ten Home Rescue Project as part of theLiving With / Vivre avec exhibition Vancouver-based company Renewal Development has been selected to appear as part of the French Pavilion’s exhibition on housing innovation. In 2024, Renewal Development partnered with developer Wesgroup and the shíshálh Nation to relocate ten high value Port Moody homes set for demolition to the shíshálh Nation on the Sunshine Coast. The Nation has been experiencing an acute housing shortage with 900 Nation members currently on a waitlist for housing. Renewal Development says that this initiative reflects its “deeply held values of sustainability, and reconciliation” and its “work to offer real-world solutions to waste and housing shortages by reimagining what already exists.” The project will be on display in the French Pavilion. The following is a list of other Canadian groups and individuals contributing to this year’s Venice Biennale: On Storage Brendan Cormier is a Canadian writer, curator, and urban designer based in London. He is currently the lead curator of 20th and 21st Century Design for the Shekou Partnership at the Victoria and Albert Museum. Prior to this he served as the managing editor of Volume Magazine. La Biennale di Venezia and the Victoria and Albert Museum, London present for the ninth consecutive year the Applied Arts Pavilion Special Project titled On Storage, curated by Brendan Cormier, in collaboration with Diller, Scofidio + Renfro (DS+R). It explores the global architecture of storage in service of the circulation of things, and features a newly commissioned six-channel film directed by DS+R. From Liquid to Stone: A Reconfigurable Concrete Tectonic Against Obsolescence Inge Donovan, based in Boston, achieved her Bachelor of Arts in Architectural Design and Architectural History, Theory and Criticism from the Daniels Faculty of Architecture at the University of Toronto in 2019 after growing up in Nova Scotia, Canada. The Curse of Dimensionality Adeline Chum is currently a Graduate Research Assistant at the Center for Spatial Research and third-year student in the MArch Program at GSAPP. She has received her Bachelor of Architectural Studies from the University of Waterloo, Canada and has worked in small and medium-sized architecture firms in Toronto, New York, and London. Oceanic Refractions Elise Misao Hunchuck, born in Toronto and currently based Berlin and Milan, is a transdisciplinary researcher, editor, writer, and educator. Her practice brings together architecture, landscape architecture, and media studies to research sites in Canada, Japan, China, and Ukraine, employing text, images, and cartographies to document, explore, and archive the co-constitutive relationships between plants, animals, and minerals—in all of their forms. SpaceSuits.Us: A Case for Ultra Thin Adjustments Charles Kim is a designer currently based in Boston. Stemming from his background in architecture, he is interested in materials, DIY, and the aesthetics of affordability. Since graduating from Harvard Graduate School of Design in 2022, he has been working as an architectural designer at Utile. Uncommon Knowledge: Plants as Sensors Sonia Sobrino Ralston is a designer, researcher, and educator, and is currently an Assistant Teaching Professor in Landscape Architecture and Art + Design at Northeastern University in the College of Arts, Media, and Design. She is interested in the intersections between landscape, architecture, and the history of technology. Doxiadis’ Informational Modernism Mark Wasiuta is Senior Lecturer in Architecture at Columbia GSAPP and Co-Director of the Critical, Curatorial and Conceptual Practices in Architecture program. Wasiuta is recipient of recent grants from the Onassis Foundation, the Asian Cultural Council, NYSCA, and the Graham Foundation, where he was an inaugural Graham Foundation Fellow. Blue Garden: The Architecture of Emergence Tanvi Khurmi, based in London, UK, is a multidisciplinary designer and artist. Her practice is focused on addressing and combatting issues surrounding the climate crisis. After receiving a Bachelor’s in Architecture with a minor in Environmental Studies from the John H. Daniels Faculty of Architecture at the University of Toronto, she earned a Masters of Architecture in Bio-Integrated Design at the Bartlett School of Architecture at University College London. Design as an Astronaut Dr. Cody Paige is the Director of the Space Exploration Initiative at the MIT Media Lab, a team of 50+ students, faculty, and staff building and flying advanced technology for space exploration. The Initiative focuses on helping students take their research into space. The pipeline developed to achieve this works with students from across the Media Lab and the MIT community to prototype space-related research in the lab, fly and test them in microgravity on parabolic and suborbital flights, and finally to take them to the International Space Station or on to the Moon. Cody also has a background in geology, specifically quaternary geochronology, and completed her Master of Applied Science at the University of Toronto in Aerospace Engineering and her Bachelor of Applied Science from Queen’s University in Engineering Physics.   The post Round-up: Canadian-led exhibitions at the 2025 Venice Biennale appeared first on Canadian Architect.